Nabokov StudiesPub Date : 2010-10-13DOI: 10.1353/NAB.2011.0043
Kurt E. Johnson
{"title":"Recognizing Vladimir Nabokov's Legacy in Science: Where We Are Today; Where We Go From Here","authors":"Kurt E. Johnson","doi":"10.1353/NAB.2011.0043","DOIUrl":"https://doi.org/10.1353/NAB.2011.0043","url":null,"abstract":"Nabokov's accomplishments in science are reviewed and assessment made of the direction of future scholarly interest in his work. Because Nabokov's 1940s seminal work on blue butterflies (\"blues\") of the world was not continued by others until the 1990s, the breadth of his accomplishments has only been recently recognized. Nabokov was a pioneer anatomist, originating many now standard anatomical terms and methods. He was one of the first lepidopterists to study the entire genital apparatus of butterflies in both sexes, to consider North American butterflies in terms of worldwide relationships, to argue for a balanced biological and morphological species definition, to seek a genealogical approach to classification, to stress the importance of life cycle and ecological studies in evaluating species, and to opine that biogeographic assumptions of his day seemed unsupported by anatomical studies of blues. All Nabokov's taxonomic works reflect these interests and expertise but his seminal studies of Latin American blues, where he contributed nearly the entire classification still used today, are the hallmark of his achievement. Modern DNA studies of North American blues support Nabokov's conclusions; DNA studies of his Latin American blues are in progress. Future interest in Nabokov's scientific work will most likely focus on assessing his theoretical and philosophical views and appreciating the multidisciplinary element of his intellect.","PeriodicalId":110136,"journal":{"name":"Nabokov Studies","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123717782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Nabokov StudiesPub Date : 2010-10-13DOI: 10.1353/nab.2011.0077
Maxim D. Shrayer
{"title":"A Small Alpine Form: Studies in Nabokov's Short Fiction (review)","authors":"Maxim D. Shrayer","doi":"10.1353/nab.2011.0077","DOIUrl":"https://doi.org/10.1353/nab.2011.0077","url":null,"abstract":"perspectives on Nabokov's works. But one can't help but wonder if they belong in an introductory study, aimed in part at giving new readers an entree into the mainstream understanding of the novelist and his novels. Third, and finally, Sharpe, like virtually all other Nabokovian commentators, is unable to resist the temptation to occasionally imitate the style of his subject. Much of the style of Vladimir Nabokov is clear and appropriate, and Sharpe is a healthy long way from the pseudo-Nabokovianisms of some of his predecessors. Still, at times, one wants to suggest leaving Nabokov's style to Nabokov. For example, it really isn't necessary to begin the study with a sentence about Nabokov's death, and to conclude the book with one on his birth. This was clever when Nabokov did it in his biography of Gogol, a bit cute the first time or two a critic tried it, and now just seems unnecessary. Or, when discussing John Shade's physical appearance, Professor Sharpe probably did not need to add the following footnote (cited in its entirety: \"I am struck by the similarity between this and the tribute of a recent biographer-obituarist recalling his first meeting with his future subject: 'Even then he was not slim, yet he carried about him an atmosphere of thinness' ( 7he Independent, Thursday 4 April 1991, p. 3)\" (91). Or this item from the Bibliography: \"There is much more written on Nabokov than is worth reading (with Kinbotian modesty I leave my reader to pass appropriate judgement on this book)...\" (112). These games are fun; most of us would not be the partisans of Nabokov if we did not enjoy them; still, the place for Kinbote is in Pale Fire, not in criticism of Pale Fire: the temptation should be resisted a bit more stoutly than Professor Sharpe manages. These are relatively small quibbles, indeed, and they do little to mar a useful book. Tony Sharpe's Vladimir Nabokov is a study which will be an appropriate door and eye opener for the beginner, and a stimulating discussion for the more experienced. To have accomplished either of these objectives is admirable, to have achieved both is impressive.","PeriodicalId":110136,"journal":{"name":"Nabokov Studies","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128594054","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Nabokov StudiesPub Date : 2010-10-13DOI: 10.1353/NAB.2011.0058
R. Kilbourn
{"title":"Ada in Chiasmus: Chiasmus in Ada","authors":"R. Kilbourn","doi":"10.1353/NAB.2011.0058","DOIUrl":"https://doi.org/10.1353/NAB.2011.0058","url":null,"abstract":"In his History of Reading Alberto Manguel states what may be an obvious truth when he points out that \"the way we read a text today in the Western world—from left to right and from top to bottom—is by no means universal\" (47). Nor has it always been the case in the West. Nabokov's Ada: the name, the title, is palindromic, reading the same backwards and forwards. Is it possible to read a novel 'backwards'? Is it possible to reverse the direction of time? If one attends closely to Nabokov, the answer to both questions may be yes. To interpret the novel Ada means to find a way to read it which is complementary to the virtuosic exemplarity of its form. The only way to read Ada's apparently circular nanative, as the nanator suggests in the opening chapter, is to 're-read' (19) (the verb 'reread' occurs far more often in the text than 'read'). To reread is of course not to read backwards but to interpret, to engage in a memory-work: the narrator claims to be 'reminding' the 'rereader'—which is only logical—to look backwards while reading forwards. 'Rereading' describes a general approach to nanative fiction, but Ada in 1969 set a new standard in the degree and complexity of its proleptic, retroleptic, 'incestuous' intratextuality1—and not merely intratextual: to read Ada is to","PeriodicalId":110136,"journal":{"name":"Nabokov Studies","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128874375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Nabokov StudiesPub Date : 2010-10-13DOI: 10.1353/NAB.2010.0002
Z. Kuzmanovich
{"title":"\"Just as it was, or perhaps a little more perfect\": Notes on Nabokov's Sources","authors":"Z. Kuzmanovich","doi":"10.1353/NAB.2010.0002","DOIUrl":"https://doi.org/10.1353/NAB.2010.0002","url":null,"abstract":"Juxtaposing the opening of The Gift's second chapter with Speak, Memory's account of Nabokov's first poem and Lolita's couch scene reveals a surprising set of similarities. A preliminary study of these common points leads to some intriguing linkages and contradictions among Nabokov's roles as writer of fiction, autobiography, self-parody, and criticism. It also provides a new data set to be examined in light of the currently dominant critical paradigm, revises Nabokov's relations to other artists, and may even lead to consequences for his aesthetic theory.","PeriodicalId":110136,"journal":{"name":"Nabokov Studies","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121066631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Nabokov StudiesPub Date : 2010-10-13DOI: 10.1353/NAB.2011.0074
Dana Dragunoiu
{"title":"Dialogues with Berkeley: Idealist Metaphysics and Epistemology in Nabokov's Bend Sinister","authors":"Dana Dragunoiu","doi":"10.1353/NAB.2011.0074","DOIUrl":"https://doi.org/10.1353/NAB.2011.0074","url":null,"abstract":"","PeriodicalId":110136,"journal":{"name":"Nabokov Studies","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127833247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Nabokov StudiesPub Date : 2010-10-13DOI: 10.1353/NAB.2011.0019
S. Schuman
{"title":"Hyperlinks, Chiasmus, Vermeer and St. Augustine: Models of Reading Ada","authors":"S. Schuman","doi":"10.1353/NAB.2011.0019","DOIUrl":"https://doi.org/10.1353/NAB.2011.0019","url":null,"abstract":"In response to R. J. A. Kilbourn's essay \"Ada in Chaismus: Chiasmus in Ada, (NS 5), I offer a complementary, rather than contradictory, model. Kilbourn proposes reading the novel either from the center out to the beginning and ending, or from the two ends into the middle. My suggestion is that Nabokov seeks in the reader a mirror of his own Augustinian omniscience, wherein the whole, and all its parts, are apprehended simultaneously. Obviously, this strategy demands, in the real world, multiple re-readings. I suggest that as the reader approaches this omniscience, she or he moves ever closer to the position of textual divinity assumed by the author.","PeriodicalId":110136,"journal":{"name":"Nabokov Studies","volume":"92 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131768169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Nabokov StudiesPub Date : 2010-10-13DOI: 10.1353/NAB.2010.0014
Stephen H. Blackwell
{"title":"Nabokov's Wiener-schnitzel Dreams: Despair and Anti-Freudian Poetics","authors":"Stephen H. Blackwell","doi":"10.1353/NAB.2010.0014","DOIUrl":"https://doi.org/10.1353/NAB.2010.0014","url":null,"abstract":"By the time Nabokov composed Despair in mid-1932, he had been nurturing a growing antipathy to Freudian psychoanalysis since emigrating to the West thirteen years prior. After examining the history of Nabokov's probable exposure to Freudian ideas and epigones in Russia, in Cambridge, and in Berlin, the author turns to Despair as the culmination of Nabokov's early anti-Freudian creative activity. Countering Freud's famed \"Oedipus complex,\" Nabokov fills his novel with mythological and sexual imagery, especially from the myth of Cybele and Attis. In so doing he creates a potential interpretive structure that leads, ultimately, nowhere—except to the demise of his main character, who is also the novel's leading Freudian practitioner. The novel's almost absurd proliferation of phalluses, referring to Freudianism, is undermined by the self-castration theme, which seems to be Nabokov's way of illustrating how a flawed ideology does violence to itself.","PeriodicalId":110136,"journal":{"name":"Nabokov Studies","volume":"221 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131798345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}