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Journal of Historians of Netherlandish Art最新文献

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Potter's Bull: An Heirloom and a Gift 《波特的公牛:传家宝和礼物
Journal of Historians of Netherlandish Art Pub Date : 2021-03-01 DOI: 10.5092/JHNA.2021.13.1.2
F. Grijzenhout
{"title":"Potter's Bull: An Heirloom and a Gift","authors":"F. Grijzenhout","doi":"10.5092/JHNA.2021.13.1.2","DOIUrl":"https://doi.org/10.5092/JHNA.2021.13.1.2","url":null,"abstract":"Contrary to what we thought we knew about the provenance of Paulus Potter’s iconic The Bull (1647; Mauritshuis, The Hague), the painting served as a gift to Prince William IV of Orange in 1749, after a stay of many decades within the family of Barbara Schas and Willem Fabricius in Haarlem. The painting may have been produced, or adapted, as a giant piece of decoration for a private house in The Hague.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130474575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Conversion of Saint Paul Series at the Courtauld: Rubens's Artistic Process Revealed by New Technical Discoveries 圣保罗系列在考陶尔德的转换:新技术发现揭示的鲁本斯的艺术过程
Journal of Historians of Netherlandish Art Pub Date : 2021-03-01 DOI: 10.5092/JHNA.2021.13.1.1
Clare Richardson, K. Stonor
{"title":"The Conversion of Saint Paul Series at the Courtauld: Rubens's Artistic Process Revealed by New Technical Discoveries","authors":"Clare Richardson, K. Stonor","doi":"10.5092/JHNA.2021.13.1.1","DOIUrl":"https://doi.org/10.5092/JHNA.2021.13.1.1","url":null,"abstract":"The Courtauld Gallery has three works by Peter Paul Rubens depicting the Conversion of Saint Paul, all dated to ca. 1610–1612: a compositional drawing, an oil sketch, and a finished painting. The serendipitous survival of these works provides insight into Rubens’s creative process and has long been a topic of discussion for art historians. Recent technical study and improved imaging techniques have highlighted Rubens’s extremely fluid approach to the development of the design and revealed complex reworkings of all three compositions. These findings suggest a much longer gestation of these ideas than the 1610–1612 date proposed, and they cast light on Rubens’s broader working practice and his ceaseless striving for aesthetic perfection, combined with a pragmatic approach to the reuse and reworking of his compositions. Building on research done by E. Melanie Gifford, the complex changes revealed by X-ray; by infrared, transmitted, and raking light; and by microscopic examination can be explored using enhanced image tools and navigation. Readers can compare works of art with each other and with their technical images using the “IIIF multi-mode viewer” to better understand Rubens’s artistic exploration of ideas and aid their own research.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131468465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Learned Fable, Living World: Artistry, Knowledge and Attention to Nature in Two Aesopic Paintings by Joannes Fyt 学寓言，活世界:两幅伊索寓言画中的艺术、知识和对自然的关注
Journal of Historians of Netherlandish Art Pub Date : 2021-03-01 DOI: 10.5092/JHNA.2021.13.1.3
Thomas Balfe
{"title":"Learned Fable, Living World: Artistry, Knowledge and Attention to Nature in Two Aesopic Paintings by Joannes Fyt","authors":"Thomas Balfe","doi":"10.5092/JHNA.2021.13.1.3","DOIUrl":"https://doi.org/10.5092/JHNA.2021.13.1.3","url":null,"abstract":"Now better known as a hunting painter, the Antwerp animal specialist Joannes Fyt (1611–1661) also produced several depictions of Aesopic fables. A notable feature of Fyt’s fables is their attentiveness to the appearances and behaviors of animals and how they inhabit their environment. Focusing on two paintings by Fyt featuring poultry birds, this essay uses period fable books, a key discussion of fable by Erasmus, and zoopoetic theory to explore how these works address both the allegorical realm of fable and a tangible living world that was increasingly coming under investigation from natural history and related modes of inquiry.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132495095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jan van Scorel’s Crucifixion for the Oude Kerk, Amsterdam: The “finest painting in all of the regions of Flanders” 扬·范·斯科雷尔的《老教堂的十字架》，阿姆斯特丹:“佛兰德斯所有地区最好的画作”
Journal of Historians of Netherlandish Art Pub Date : 2020-06-01 DOI: 10.5092/jhna.12.2.1
M. Faries, H. Defoer
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引用次数: 1
Nothing Else Than Decay: Theodoor van der Schuer’s Allegory of Human Deprivation for Leiden’s Plague Hospital 只有衰败:西奥多·范德舒尔为莱顿瘟疫医院设计的人类剥夺的寓言
Journal of Historians of Netherlandish Art Pub Date : 2020-06-01 DOI: 10.5092/jhna.12.2.4
Hanneke van Asperen
{"title":"Nothing Else Than Decay: Theodoor van der Schuer’s Allegory of Human Deprivation for Leiden’s Plague Hospital","authors":"Hanneke van Asperen","doi":"10.5092/jhna.12.2.4","DOIUrl":"https://doi.org/10.5092/jhna.12.2.4","url":null,"abstract":"In 1682, the highly regarded artist Theodoor Cornelisz van der Schuer (1634–1707) painted a canvas for the boardroom of the plague hospital in Leiden. He transformed well-known depictions of the plague to create an image of an unspecified hospital in a timeless setting. More than simply an image of a hospital, the painting is also an allegory of human dependence on God. Focusing on the plague-stricken figure of Charity, the allegory visualizes moral ideas that were disseminated in a 1526 tract on poor relief written by Juan Luis Vives. In the painting, the plague becomes a symbol of human deprivation, and by depicting Charity as a plague victim, van der Schuer projects the idea that humility is an essential part of charity. Since Vives was widely known throughout the seventeenth century, we may assume that his ideas were familiar to the hospital’s regents. And although van der Schuer disguises Charity as a plague victim, visitors to the boardroom probably recognized the personification nevertheless. Images of Charity were ubiquitous, especially in the context of hospitals, where they reflected the actions of the regents donating their time and dedicating their skills to the destitute. In reality, the hospital probably did not ever house plague victims; although the disease remained a constant threat, the institution served different kinds of patients. Combining a scene of the plague with a broad-reaching allegory, the painting proved relevant for decades to come.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114166251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Seeing Outside the Box: Reexamining the Top of Samuel van Hoogstraten’s London Perspective Box 从盒子外看:重新审视塞缪尔·范·胡格斯特拉滕的伦敦视角盒子的顶部
Journal of Historians of Netherlandish Art Pub Date : 2020-06-01 DOI: 10.5092/jhna.12.2.3
Jun Nakamura
{"title":"Seeing Outside the Box: Reexamining the Top of Samuel van Hoogstraten’s London Perspective Box","authors":"Jun Nakamura","doi":"10.5092/jhna.12.2.3","DOIUrl":"https://doi.org/10.5092/jhna.12.2.3","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114129886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
A Mirror for the Prince? Anne of Denmark in Hunting Costume with Her Dogs (1617) by Paul van Somer 王子的镜子?1617年，保罗·范·萨默(Paul van Somer)创作的《穿着狩猎服装的丹麦安妮和她的狗》
Journal of Historians of Netherlandish Art Pub Date : 2020-06-01 DOI: 10.5092/jhna.12.2.2
S. Ayres
{"title":"A Mirror for the Prince? Anne of Denmark in Hunting Costume with Her Dogs (1617) by Paul van Somer","authors":"S. Ayres","doi":"10.5092/jhna.12.2.2","DOIUrl":"https://doi.org/10.5092/jhna.12.2.2","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"21 9","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120911153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Decision Trees for Watermark Identification in Rembrandt’s Etchings 伦勃朗蚀刻版画水印识别的决策树
Journal of Historians of Netherlandish Art Pub Date : 2020-06-01 DOI: 10.5092/jhna.12.2.5
C. R. Johnson
{"title":"Decision Trees for Watermark Identification in Rembrandt’s Etchings","authors":"C. R. Johnson","doi":"10.5092/jhna.12.2.5","DOIUrl":"https://doi.org/10.5092/jhna.12.2.5","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"119 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116245822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Fleeting Senses and Enduring Love: Lairesse and the Van Rijn Children. Lairesse and Portraiture 转瞬即逝的感觉和永恒的爱:莱尔斯和范赖恩的孩子们。莱尔斯和肖像
Journal of Historians of Netherlandish Art Pub Date : 2020-01-08 DOI: 10.5092/jhna.12.1.8
R. Wenley
{"title":"Fleeting Senses and Enduring Love: Lairesse and the Van Rijn Children. Lairesse and Portraiture","authors":"R. Wenley","doi":"10.5092/jhna.12.1.8","DOIUrl":"https://doi.org/10.5092/jhna.12.1.8","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115268707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pen and Paint: The Painting Technique in Gerard de Lairesse’s Bacchus and Ariadne as Compared to the Principles Expounded in His Groot Schilderboek 笔与颜料:热拉尔·德·莱尔塞《酒神与阿里阿德涅》的绘画技法与《格鲁特·席尔德书》所阐述的原则之比较
Journal of Historians of Netherlandish Art Pub Date : 2020-01-08 DOI: 10.5092/jhna.2020.12.1.7
Vera Blok
{"title":"Pen and Paint: The Painting Technique in Gerard de Lairesse’s Bacchus and Ariadne as Compared to the Principles Expounded in His Groot Schilderboek","authors":"Vera Blok","doi":"10.5092/jhna.2020.12.1.7","DOIUrl":"https://doi.org/10.5092/jhna.2020.12.1.7","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133228132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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