Biuletyn historii sztuki最新文献_第2页

Agata Lipczik, „Jubilerstwo w międzywojennej Warszawie. Rzemiosło – ludzie – biżuteria”, Instytut Sztuki PAN, Warszawa 2021, ISBN: 978-83-66519-36-7, ss. 265, il. 86, bibliografia, indeks Agata Lipczik，“两次世界大战期间华沙的珠宝”。工艺——人——珠宝”，PAN艺术学院，华沙，2021，ISBN:978-83-66519-36-7，ss。265，第86卷，参考书目，索引

Biuletyn historii sztuki Pub Date : 2023-05-31 DOI: 10.36744/bhs.1390

Michał Myśliński

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Landscape Painting and the Construction of “Icelandicness”: Icelandic Modern National Art vis-à-vis its Danish Origins 山水画与“冰岛性”的建构:冰岛现代民族艺术与-à-vis其丹麦起源

Biuletyn historii sztuki Pub Date : 2023-05-31 DOI: 10.36744/bhs.1112

Emiliana Konopka

{"title":"Landscape Painting and the Construction of “Icelandicness”: Icelandic Modern National Art vis-à-vis its Danish Origins","authors":"Emiliana Konopka","doi":"10.36744/bhs.1112","DOIUrl":"https://doi.org/10.36744/bhs.1112","url":null,"abstract":"The article constitutes an attempt at developing a new approach to Icelandic national art, supported by an analysis of its role in the process of constructing “Icelandicness” and the Icelandic identity. It enters a dialogue with the study Kryptokoloniale landskaber: tid, sted og rum i billeder af islandsk landskab 1874–2011 by Ann-Sofie Nielsen Gremaud, with a concurrent focus on Icelandic landscape painting of the period 1874–1944 and its relation to Danish art. The Nordic, and especially the Icelandic art was routinely overlooked in the European artistic and historical narration, including the Polish scholarly environment, but it is well worthy of a closer scrutiny. Two fundamental assumptions that define the analysis presented herein are that the modern national art of Iceland derives from the Academic tradition in Denmark and that, concurrently, Icelandic artists participated in the process of developing national identity in opposition to the Danish model. In order to find confirmation for the posed theses, methodologies close to post-colonialism and crypto-colonialism have been used, as well as ones inspired by imagology and based on interdisciplinary research in the fields of art history, history, anthropology and cultural studies.","PeriodicalId":88398,"journal":{"name":"Biuletyn historii sztuki","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41821528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Jerzy Szymonowicz i Jan Reisner w Rzymie – obalenie mitów

Biuletyn historii sztuki Pub Date : 2023-05-31 DOI: 10.36744/bhs.1283

Mirosława Sobczyńska-Szczepańska, Konrad Pyzel

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L’arredamento dell’Ambasciata d’Italia a Varsavia. Nuove acquisizioni documentarie 意大利驻华沙大使馆的装饰。新的纪录片收购

Biuletyn historii sztuki Pub Date : 2023-05-31 DOI: 10.36744/bhs.1340

A. D'Agostino

{"title":"L’arredamento dell’Ambasciata d’Italia a Varsavia. Nuove acquisizioni documentarie","authors":"A. D'Agostino","doi":"10.36744/bhs.1340","DOIUrl":"https://doi.org/10.36744/bhs.1340","url":null,"abstract":"Il presente lavoro, volto a ricostruire la storia dell’arredamento dell’Ambasciata d’Italia a Varsavia, ha origine dallo studio dei documenti d’archivio del Fondo STRP (ex Servizio Tecnico di Ricognizione Patrimoniale) conservato presso la Direzione Generale Archeologia Belle Arti e Paesaggio del Ministero della Cultura (MIC). Il fondo è costituito dalla documentazione – perlopiù inedita – prodotta dal Servizio Tecnico, nato nel 1993 come Commissione, voluta dal Ministro Alberto Ronchey, con l’obiettivo di censire i beni culturali concessi in deposito esterno dai musei del demanio ad enti in Italia e all’estero. Nel 1995 la Commissione fu trasformata in Servizio alle dirette dipendenze del Segretariato Generale del Ministero stesso ma nel 2003 venne sospeso. Ben ventuno anni fa fu effettuata l’ultima ricognizione patrimoniale presso l’Ambasciata d’Italia a Varsavia e da allora più nessun controllo è stato fatto. Pertanto, questo lavoro, oltre ad analizzare la storia delle opere d’arte scelte per arredare l’Ambasciata fin dal 1922, ne aggiorna i dati e dà nuove interpretazioni sulle vicende che, sia prima che dopo la Seconda Guerra Mondiale, portarono al suo arredamento; inoltre, vuole essere uno spunto di riflessione sulla tutela di quel patrimonio artistico italiano che ancora oggi, fin dai primi decenni del secolo scorso, si trova in deposito esterno senza i dovuti controlli.","PeriodicalId":88398,"journal":{"name":"Biuletyn historii sztuki","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41490436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Między rzymskim uniwersalizmem a „niebem i zwyczajem polskim”. Próba rozpoznania kilku projektów budowli świeckich autorstwa Giovanniego Battisty Gisleniego

Biuletyn historii sztuki Pub Date : 2023-05-31 DOI: 10.36744/bhs.1458

S. Mossakowski

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The Odyssey of a Diptych. Issues of Authorship and Provenience of the Virgen Dolorosa and the Cristo Coronado de Espinas from the Former Collection in Gołuchów 《奥德赛》原收藏中的圣母多洛罗莎和埃斯皮纳斯基督科罗纳多的作者和出处问题，见Gołuchów

Biuletyn historii sztuki Pub Date : 2023-05-31 DOI: 10.36744/bhs.1200

Oskar J. Rojewski, Ana Diéguez-Rodríguez

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Elie Nadelman. Kilka uwag i dopowiedzeń Elie Nadelman。一些评论和意见

Biuletyn historii sztuki Pub Date : 2023-05-31 DOI: 10.36744/bhs.1394

A. Wierzbicka