《奥德赛》原收藏中的圣母多洛罗莎和埃斯皮纳斯基督科罗纳多的作者和出处问题,见Gołuchów

Oskar J. Rojewski, Ana Diéguez-Rodríguez
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引用次数: 0

摘要

本文的目的是收集有关这幅双联画的所有信息,这幅画直到2023年都在西班牙蓬特维德拉省博物馆(Museo Provincial de Pontevedra)。该研究解决了这幅双联画的两个方面:其归属于Albrecht Bouts或其追随者圈子的争议以及这幅双联画到达庞特维德拉省博物馆的争议。本研究解释了由于他的风格和对布特工作室实践的新研究,这幅双联画以前的归属不能得到支持。最后,它收集了所有关于它到达蓬特维德拉博物馆的文献资料。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Odyssey of a Diptych. Issues of Authorship and Provenience of the Virgen Dolorosa and the Cristo Coronado de Espinas from the Former Collection in Gołuchów
This paper aims to gather all information about the diptych of Mater Dolorosa and Christ Crowned with Thorns, which until 2023 stayed in the Provincial Museum of Pontevedra (Museo Provincial de Pontevedra) in Spain. The research addresses two aspects of the diptych: the controversy of its attribution to a circle of Albrecht Bouts or his follower and the diptych’s arrival at the Provincial Museum of Pontevedra. This study explains that this diptych’s former attributions cannot be supported due to his style and the new research about Bout’s workshop practices. Finally, it gathers all the documentary sources about its arrival at the Pontevedra Museum.
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