JOMEC journal : journalism, media and cultural studies最新文献_第9页

Editorial: Italian Cultural Studies. Being on the Part of the Future 社论:意大利文化研究。成为未来的一部分

JOMEC journal : journalism, media and cultural studies Pub Date : 2015-11-01 DOI: 10.18573/J.2015.10027

Floriana Bernardi

引用次数: 0

Bodies rule! The Embodiment of Power between Fashion and Politics 身体的规则!时尚与政治之间权力的体现

JOMEC journal : journalism, media and cultural studies Pub Date : 2015-11-01 DOI: 10.18573/J.2015.10029

A. Giannone

引用次数: 0

The Great Beauty: Italy’s inertia and neo-baroque aestheticism 伟大的美:意大利的惰性和新巴洛克唯美主义

JOMEC journal : journalism, media and cultural studies Pub Date : 2015-11-01 DOI: 10.18573/J.2015.10032

Enrica Picarelli

{"title":"The Great Beauty: Italy’s inertia and neo-baroque aestheticism","authors":"Enrica Picarelli","doi":"10.18573/J.2015.10032","DOIUrl":"https://doi.org/10.18573/J.2015.10032","url":null,"abstract":"In an article published in the New York Times in the months preceding the U.S. premiere of Paolo Sorrentino’s The Great Beauty, Rachel Donadio looks at the movie as a commentary on the impasse that seems to paralyze Italy. Through this viewfinder, the journalist writes, Sorrentino sets the stage to have his say on ‘a culture that is blocked, resigned, embalmed in elegant decline’, where ‘inertia overwhelms all forward momentum’. As with other movies produced in the last two decades, most notably Nanni Moretti’s Il Caimano, The Great Beauty is part lament, part critique of all that is wrong with a country that the fiction identifies with its political leadership. Italian directors criticize the country’s pervasive atmosphere of inertia and decadence. Sorrentino has often remarked that although his films are not political per se, their representation is a critique of Italy’s current state of affairs. Contemporary history, that is, lies at the core of his artistic engagement. Yet, the baroque aestheticism of The Great Beauty reworks current tensions in an ambiguous fashion. This chapter employs journalistic sources and textual analysis of the film to inquire into what kind of cultural memory of contemporary Italy emerges from the scene. It uses Sorrentino’s neo-baroque aesthetic register and filmic philosophy of civic engagement as frameworks to explore history in the making. To this end, the essay refers to Patricia Pisters’ recent work in The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture (2012).","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Review article: ‘Postcoloniale e revisione dei saperi’ in Oboe, A. (ed.), aut aut, Archivio 364/2014, Milano: Il Saggiatore. 回顾条款:《双簧管的后殖民与saperies修订》，A. (ed.)， aut aut，档案367 /2014，米兰:作者。

JOMEC journal : journalism, media and cultural studies Pub Date : 2015-11-01 DOI: 10.18573/J.2015.10036

Gaia Giuliani

引用次数: 0

Italian Design and Democracy 意大利设计与民主

JOMEC journal : journalism, media and cultural studies Pub Date : 2015-11-01 DOI: 10.18573/J.2015.10031

L. L. Fortuna

引用次数: 1

The Meaning of Migration 移民的意义

JOMEC journal : journalism, media and cultural studies Pub Date : 2015-06-30 DOI: 10.18573/J.2015.10001

K. Moore

引用次数: 2

The Meaning(s) of Immigration at the Limits of European Civilization: Detention Centers and the Suspension of Law 移民在欧洲文明极限的意义:拘留中心和法律的中止

JOMEC journal : journalism, media and cultural studies Pub Date : 2015-06-30 DOI: 10.18573/J.2015.10004

Kostas Maronitis

{"title":"The Meaning(s) of Immigration at the Limits of European Civilization: Detention Centers and the Suspension of Law","authors":"Kostas Maronitis","doi":"10.18573/J.2015.10004","DOIUrl":"https://doi.org/10.18573/J.2015.10004","url":null,"abstract":"This article examines the cultural and political meanings of detention centers for undocumented migrants in Greece. Through the consideration of the Dublin Regulation, which holds that asylum seekers’ applications can be evaluated and adjudicated only in the country where they first enter, and the presence of Frontex at Greece’s borders for an integrated border management, the article situates Greece’s immigration detention centers within the wider context of state sovereignty and policies of admission and detention. Following the theoretical elaborations of Carl Schmitt (2013) and Wendy Brown (2010) on territorial division, the state of exception and waning sovereignty, in conjunction with reports from the Human Rights Watch and the Greek Council for Refugees, the article argues that immigration detention centers have three meanings for EU citizens and migrants. First, the building of detention centers for unregulated immigrants is an explicit attempt to assert the EU member-state as a ‘total state’ where it can discern between friend and enemy and rule by limiting or eliminating diverse forces that might develop in its interior. This rule does not, however, depend on the implementation of the law but on its suspension and consequently this suspension acquires a permanent status. Second, detention centers communicate anxieties regarding order in the interior of the state and fear and danger in the exterior. Detention centers demarcate where European notions of civilization end but they also highlight the point where the civilized subject can be legitimately violent and uncivilized. Third, detention centers not only prevent unregulated immigrants from entering the EU and the nation state but also produce their content. By safeguarding the national and European territories from the threats which unregulated immigration is thought to pose, detention centers help to produce a defensive national subject in fear of being contaminated by the arrival of anonymous, stateless people.","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Somali Media, Diaspora communities and the concept of conflict re-creation 索马里媒体，侨民社区和冲突再现的概念

JOMEC journal : journalism, media and cultural studies Pub Date : 2015-06-30 DOI: 10.18573/J.2015.10006

Idil Osman

{"title":"The Somali Media, Diaspora communities and the concept of conflict re-creation","authors":"Idil Osman","doi":"10.18573/J.2015.10006","DOIUrl":"https://doi.org/10.18573/J.2015.10006","url":null,"abstract":"Somalia has for more than two decades been in a perpetual state of conflict and more than a million Somalis have fled the initial civil war. They have formed a substantial diaspora community and have set up their own websites and TV stations to remain engaged with the happenings of their homeland. Diasporic media is often hailed as a medium that allows immigrants to maintain their identity in their host country as well as providing a platform to sustain ties with their homeland. However, if these ties are being maintained with a homeland that is in a state of conflict, there is very much a possibility that the dynamics of the conflict will be transported and re-created amongst the diaspora audiences. This article illustrates how diasporic media can re-create conflict, through a theoretically developed and empirically informed argument that provides three distinctly analytical approaches, referred to as the three politics of non-recognition, solidarity and mobilisation. The article argues that diasporic media is more complex than existing scholarship has demonstrated and that there is a need to broaden the scope of current academic debates concerning the interplay between diasporic media, transnationalism and conflict.","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 5

Sounds of the Jungle: Rehumanizing the Migrant 丛林之声:重新赋予移民人性

JOMEC journal : journalism, media and cultural studies Pub Date : 2015-06-30 DOI: 10.18573/J.2015.10008

Y. Ibrahim, A. Howarth

引用次数: 10

Life in the ghetto: How the media represent British lifestyle migration to France 贫民窟的生活:媒体如何表现英国移民到法国的生活方式

JOMEC journal : journalism, media and cultural studies Pub Date : 2015-06-30 DOI: 10.18573/J.2015.10003

M. Lawson

{"title":"Life in the ghetto: How the media represent British lifestyle migration to France","authors":"M. Lawson","doi":"10.18573/J.2015.10003","DOIUrl":"https://doi.org/10.18573/J.2015.10003","url":null,"abstract":"This study is part of a wider analysis of migrant identity within the context of British lifestyle migration to south-west France. The study uses an integrated methodology of corpus linguistics and discourse analysis (Social Actor Analysis) to examine how British migration to France is discursively represented within the UK media. The analysis reveals common keywords and patterns of language use that carry negative evaluation;distinctions are made between the existing British residents and a recent and more generalised phenomenon of migration, where the latter is portrayed in terms of a threatening invasion of ghetto-dwellers. Lifestyle migration is thus presented on different levels, with an overall sense that one kind of lifestyle migration is portrayed as more acceptable, or legitimate, than another. Such stereotypical positioning can be taken up as a resource by writers to self-identify against what they are not, at the same time reproducing ideologies of lifestyle migration. The study also concludes that although the British do not constitute a marginalised and vulnerable group, they are represented in the media using similar linguistic strategies to those seen in the representations of immigrants and asylum seekers.","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3