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JOMEC journal : journalism, media and cultural studies最新文献

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Attempting to Teach the Event: an Experiment in Pedagogical Reflection 事件教学的尝试:教学反思的实验
JOMEC journal : journalism, media and cultural studies Pub Date : 2016-12-23 DOI: 10.18573/J.2016.10083
Clayton Crockett
{"title":"Attempting to Teach the Event: an Experiment in Pedagogical Reflection","authors":"Clayton Crockett","doi":"10.18573/J.2016.10083","DOIUrl":"https://doi.org/10.18573/J.2016.10083","url":null,"abstract":"This article focuses on the impossible task of teaching the event, using some ideas from Jacques Derrida, Jacques Lacan, John D. Caputo, and Catherine Keller. It also performs a pedagogical experiment by including some voices or testimonials from former students and others who have experienced this attempt to teach the event. There is a political and philosophical value to this form of education that works as a counter to the positivism of neo-liberal education.","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":"27-39"},"PeriodicalIF":0.0,"publicationDate":"2016-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Right Wing Populism and Hip Hop Music in Norway 挪威的右翼民粹主义和嘻哈音乐
JOMEC journal : journalism, media and cultural studies Pub Date : 2016-06-01 DOI: 10.18573/J.2016.10044
Torgeir Uberg Nærland
{"title":"Right Wing Populism and Hip Hop Music in Norway","authors":"Torgeir Uberg Nærland","doi":"10.18573/J.2016.10044","DOIUrl":"https://doi.org/10.18573/J.2016.10044","url":null,"abstract":"The relationship between the Norwegian cultural field at large and the Norwegian right wing populist Progress Party has been, and still is, characterized by enduring antagonism. Norwegian hip hop music is arguably the form of artistic expression through which antipathy towards the Progress Party (the FRP) is most explicitly articulated. This article situates this antagonism in the wider political and sociocultural context of Norway. It further outlines how the practices and aesthetics typical of the Norwegian hip hop scene facilitate antagonism against the FRP, and how this antagonism plays out in the public sphere. In conclusion this study discusses these public intersections in light of the FRP’s populist claim to be victimized by the mainstream media and cultural sector.","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":"92"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
White Youth: The Far Right, Punk and British Youth Culture, 1977-87 白人青年:极右翼、朋克和英国青年文化，1977-87
JOMEC journal : journalism, media and cultural studies Pub Date : 2016-06-01 DOI: 10.18573/J.2016.10041
M. Worley, N. Copsey
{"title":"White Youth: The Far Right, Punk and British Youth Culture, 1977-87","authors":"M. Worley, N. Copsey","doi":"10.18573/J.2016.10041","DOIUrl":"https://doi.org/10.18573/J.2016.10041","url":null,"abstract":"‘White Youth’ recovers and explains the relationship between far-right organisations and British youth culture in the period between 1977 and 1987. In particular, it concentrates on the cultural spaces opened up by punk and the attempts made by the National Front and British Movement to claim them as conduits for racist and/or ultra-nationalist politics. The article is built on an empirical basis, using archival material and a historical methodology chosen to develop a history ‘from below’ that takes due consideration of the socio-economic and political forces that inform its wider context. Its focus is designed to map shifting cultural and political influences across the far right, assessing the extent to which extremist organisations proved able to adopt or utilise youth cultural practice as a means of recruitment and communication. Today the British far right is in political and organisational disarray. Nonetheless, residues tied to the cultural initiatives devised in the 1970s–80s remain, be they stylistic, nostalgic or points of connection forged to connect a transnational music scene.","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":"27"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 10
The Other Side of Protest Music: the Extreme Right and Skinhead Culture in Democratic Portugal (1974-2015) 抗议音乐的另一面:民主葡萄牙的极右翼与光头党文化(1974-2015)
JOMEC journal : journalism, media and cultural studies Pub Date : 2016-06-01 DOI: 10.18573/J.2016.10042
Riccardo Marchi, José Pedro Zúquete
{"title":"The Other Side of Protest Music: the Extreme Right and Skinhead Culture in Democratic Portugal (1974-2015)","authors":"Riccardo Marchi, José Pedro Zúquete","doi":"10.18573/J.2016.10042","DOIUrl":"https://doi.org/10.18573/J.2016.10042","url":null,"abstract":"Although Portugal does not have a significant radical right presence in its party system, in the last decades the country did witness the development of a neo-Nazi skinhead movement that expresses its white nationalist nature and goals through the musical genres of Rock Against Communism (RAC) and the related Oi!. Utilizing various historical sources and theoretical analysis, this study contextualizes the development of nationalist music in Portugal, both before and especially during the democratic period (1974-2015). It focuses on its protagonists, domestic and international networks, as well as on the few attempts to establish a common cause with radical right-wing political parties at the turn of the century and in present times.","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":"48-69"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513833","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Party of the People Versus the Cultural Elite: Populism and Nationalism in Flemish Radical Right Rhetoric about Artists 人民之党与文化精英:佛兰德激进右翼艺术家言论中的民粹主义与民族主义
JOMEC journal : journalism, media and cultural studies Pub Date : 2016-06-01 DOI: 10.18573/J.2016.10043
Benjamin de Cleen
{"title":"The Party of the People Versus the Cultural Elite: Populism and Nationalism in Flemish Radical Right Rhetoric about Artists","authors":"Benjamin de Cleen","doi":"10.18573/J.2016.10043","DOIUrl":"https://doi.org/10.18573/J.2016.10043","url":null,"abstract":"This article discusses the interplay between nationalism and populism in the Flemish (North-Belgian), Vlaams Bloc/Vlaams Belang’s (VB), populist radical right rhetoric about expressive culture. Building on a discourse theoretical analysis of three extensive case studies (concerts against the VB, the opposition between the VB and the Flemish theatres, and the VB’s criticism of the Flemish National Songfest), and a number of other controversial moments the article shows that nationalist and populist discourse play different roles in VB rhetoric about expressive culture. Radical and exclusionary nationalism is the ideological core of the VB’s views on culture and of its relationships with artists. Populism is a strategy the party uses to position itself as the political representative of the people, to present its nationalist demands as the will of the people, and to dismiss opposition to the party and its radical and exclusionary nationalist ideology as elitist. The VB’s ‘positive’ populist strategy of associating with popular Flemish artists and genres, the article shows, has only had limited success. By contrast, the party’s ‘negative’ populist strategy of criticising artists as an elite has been instrumental in delegitimising the strong, mainly anti-racist, resistance from the part of artists against the VB. It has reduced artistic resistance to the VB and its ideology to support of the political elite. And it has presented artists themselves as an elite that is completely out of touch with the ordinary people who suffer from multicultural society. The VB’s nationalist-populist rhetoric about expressive culture has thus contributed to the construction of the antagonism that is central to its populist radical right politics: the antagonism between on the one hand the anti-Flemish and multiculturalist political, cultural, media, and intellectual elite and on the other hand the people and the radical and exclusionary Flemish nationalist VB as the party of the people.","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"66 1","pages":"70"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 15
Nemzeti Rock: the Radical Right and Music in Contemporary Hungary Nemzeti摇滚:激进右派与当代匈牙利音乐
JOMEC journal : journalism, media and cultural studies Pub Date : 2016-06-01 DOI: 10.18573/J.2016.10040
Áron Szele
{"title":"Nemzeti Rock: the Radical Right and Music in Contemporary Hungary","authors":"Áron Szele","doi":"10.18573/J.2016.10040","DOIUrl":"https://doi.org/10.18573/J.2016.10040","url":null,"abstract":"This article analyzes the phenomenon of nationalist rock in contemporary Hungary, by giving a brief account of its roots and history, starting from the bands of the skinhead movement in the 1980s and 1990s to the present day. The article underlines nationalist rock’s interconnections with the political life of the radical right. It explores the content and style of Hungarian ultranationalist rock, focusing mainly on the lyrics of three of the most influential and well-known bands of the genre of Nemzeti Rock: Romantikus Erőszak, Karpatia and Ismerős Arcok. The analysis shows how Nemzeti Rock expresses the main tropes and ideological themes of the political radical right – such as nativism, heroic masculinity, and populism – in a succinct and direct manner and with broad popular appeal, and therefore constitutes an ideal medium of conveying the ideology of the radical right to the public.","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":"9"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fiction’s ethics 小说伦理
JOMEC journal : journalism, media and cultural studies Pub Date : 2015-11-01 DOI: 10.18573/J.2015.10030
Raffaello Palumbo Mosca
{"title":"Fiction’s ethics","authors":"Raffaello Palumbo Mosca","doi":"10.18573/J.2015.10030","DOIUrl":"https://doi.org/10.18573/J.2015.10030","url":null,"abstract":"This text is part translation, part reformulation of a few chapters of my book L’invenzione del vero. Romanzi ibridi e discorso etico nell’Italia contemporanea (Gaffi 2014). It was first presented in English as a lecture at the University of Kent in 2013. It investigates the new period of Italian literature often called ‘Nuovo Realismo’ from an ethical point of view.","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513591","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Killing in the Name of Love. Violence against Women in Italy 以爱之名杀人。意大利对妇女的暴力行为
JOMEC journal : journalism, media and cultural studies Pub Date : 2015-11-01 DOI: 10.18573/J.2015.10033
F. Laviosa
{"title":"Killing in the Name of Love. Violence against Women in Italy","authors":"F. Laviosa","doi":"10.18573/J.2015.10033","DOIUrl":"https://doi.org/10.18573/J.2015.10033","url":null,"abstract":"23 November 2006 was the international Day on Violence against Women. It was also the day that the Italian National Statistics Institute (ISTAT) published its Report on Violence and maltreatments against women in and outside the family. The report covered a fiveyear period of research, and documented some alarming statistics, revealing that women in Italy are increasingly more vulnerable as targets of psychological and physical violence inflicted by their male partners and spouses. This widespread contemporary social phenomenon has been called ‘femicide’. In order to inform and educate the audience, since 2007, RAI 3 has broadcast Amore criminale/Criminal Love, a weekly series featuring cases of women killed or severely injured by their husbands or partners. Furthermore, in 2012 RAI 1 produced the mini-series Mai per amore/Never for Love. Four films: Troppo amore/Too Much Love directed by Liliana Cavani; Ragazze in web/Girls in Web and Helena & Glory by Marco Pontecorvo; and La fuga di Teresa/Theresa’s Escape by Margarethe von Trotta, were presented to raise awareness of the escalating incidence of the murder of women. The purpose of this article is first to elucidate the phenomenon of femicide in Italy; and second, to examine how RAI and Cavani’s, Pontecorvo’s and von Trotta’s visually dramatic narratives address the cultural and sociological factors related to these forms of violence against women in Italy.","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Trans)MediterrAtlantic embodied archives 跨地中海体现了档案
JOMEC journal : journalism, media and cultural studies Pub Date : 2015-11-01 DOI: 10.18573/J.2015.10035
Paola Zaccaria
{"title":"Trans)MediterrAtlantic embodied archives","authors":"Paola Zaccaria","doi":"10.18573/J.2015.10035","DOIUrl":"https://doi.org/10.18573/J.2015.10035","url":null,"abstract":"This article tests a comparative and trans-disciplinary methodology I am developing for a research project titled ‘Un-Walling the Mediterranean Sea. New Southern performances: towards a no-border wall poetics and politics of togetherness’. The article investigates ways to develop and make visible MediterrAtlantic theories and performances inspired by grass-roots activism and artivism in order to disrupt Eurocentric geopolitical cartography. To this end, I will make reference to many (de)signs disseminated by trans-Mediterranean intellectuals, activists, artists, migrants and refugees along the Mediterranean routes and walls, as a way to shape both an Asian-African-European Mediterranean consciousness and a new TransMediterrAtlantic one. Finally, I will use as a case study Io sto con la Sposa, a docufiction on the experience of asylum seeking in Europe, by Antonio Augugliaro, Gabriele del Grande and Khaled Soliman (2014).","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 21
Review article: Identità, migrazioni e postcolonialismo in Italia. A partire da Edward Said, Brunetti B. and Derobertis R. (eds.), 2014, Bari: Progedit. 审查条款:意大利的身份、移民和后殖民主义。作者:Edward Said, Brunetti B. and Derobertis R. (eds.)， 2014, Bari:项目。
JOMEC journal : journalism, media and cultural studies Pub Date : 2015-11-01 DOI: 10.18573/J.2015.10037
Serena Guarracino
{"title":"Review article: Identità, migrazioni e postcolonialismo in Italia. A partire da Edward Said, Brunetti B. and Derobertis R. (eds.), 2014, Bari: Progedit.","authors":"Serena Guarracino","doi":"10.18573/J.2015.10037","DOIUrl":"https://doi.org/10.18573/J.2015.10037","url":null,"abstract":"This contribution reviews Identita, migrazioni e postcolonialismo in Italia. A partire da Edward Said , a collection of essays edited by Bruno Brunetti and Roberto Derobertis, showing its topicality for contemporary cultural studies in Italy. By framing it in the wider debate on postcolonial or migrant writing in Italian, the review intends to assess how this volume starts from the legacy of Edward Said’s thought to offer some valuable insights on cultural criticism and the role of intellectuals in contemporary Italy.","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513764","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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