JOMEC journal : journalism, media and cultural studies最新文献_第10页

‘Schatzi’: Making Meaning of Diaspora “Schatzi”:侨民的意义

JOMEC journal : journalism, media and cultural studies Pub Date : 2015-06-30 DOI: 10.18573/J.2015.10005

Dafina Paca

引用次数: 1

Transnational identities and digital media: the digitalisation of Italian Diaspora in London 跨国身份和数字媒体:伦敦意大利侨民的数字化

JOMEC journal : journalism, media and cultural studies Pub Date : 2015-06-30 DOI: 10.18573/J.2015.10007

S. Marino

{"title":"Transnational identities and digital media: the digitalisation of Italian Diaspora in London","authors":"S. Marino","doi":"10.18573/J.2015.10007","DOIUrl":"https://doi.org/10.18573/J.2015.10007","url":null,"abstract":"Digital media and mobile technologies have allowed migrants to keep in touch with family and friends across the world. On the one hand, the fact that communication is no longer limited to the individual’s offline networks means that moving to another country is no longer associated with isolation. On the other hand, new developments in information and communication technologies are transforming the experience of migration with implications for sociality, identity, and political and cultural involvement. In this article I will explore how new transnational cultures are being initiated through the consumption of digital media, and how media consumption is specifically shaping Italian diaspora in London. Based on ethnographic data and participant observation, I intend to address two key points: first, to what extent media improve immigrants’ transnational experience by affecting their quality of life; second, and more widely, whether or not media can affect the process of integration between diasporic communities and host countries. An investigation of the concept of Transnational Virtual Communities of Immigrants (VTCI) will also help to define new directions for future research.","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4

Moving Feelings, Intimate Moods and Migrant Protest in Cardiff 感人的情感、亲密的情绪和卡迪夫的移民抗议

JOMEC journal : journalism, media and cultural studies Pub Date : 2015-06-30 DOI: 10.18573/j.2015.10002

Alida Payson

引用次数: 3

Seeing the Other: the Depiction of China in British Documentary Films 看到他者:英国纪录片对中国的刻画

JOMEC journal : journalism, media and cultural studies Pub Date : 2014-11-01 DOI: 10.18573/J.2014.10282

Gina Plana Espinet

{"title":"Seeing the Other: the Depiction of China in British Documentary Films","authors":"Gina Plana Espinet","doi":"10.18573/J.2014.10282","DOIUrl":"https://doi.org/10.18573/J.2014.10282","url":null,"abstract":"The Western world has been contemplating China since the early times of Marco Polo. Recent and former researchers have approached East-West relationships and much attention has been paid to the Western portrayal of the country. However, little has been said about how Chinese culture has traditionally been depicted in audiovisual media and analysis of the images of China in documentary films is particularly scarce. From the first Attack on a China Mission (1900) to The dying rooms (1995), British filmmakers have portrayed China in many different ways. The aim of this paper is to outline general patterns of representation in documentary films on China produced in the UK, looking at some of the most outstanding films of the century. We find that positive and negative images of the country and the people have successively been on the screens and that the balance between them has traditionally depended more on international relationships between China and the UK, than on China’s reality itself. Access to information and changes in the documentary production sector have proved to be determining too. More than ever before, our understanding of China is of crucial importance today, and the results of this paper show how media practices can either hinder or smooth the path to mutual comprehension.","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2014-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67512118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Maps of the South-Pacific: How Britain invented Australia 南太平洋地图:英国是如何发明澳大利亚的

JOMEC journal : journalism, media and cultural studies Pub Date : 2014-11-01 DOI: 10.18573/J.2014.10287

Alessandro Bucci

引用次数: 0

Floating Borders within a Text – Hong Kong Literature in English 文本中的浮动边界——香港英语文学

JOMEC journal : journalism, media and cultural studies Pub Date : 2014-11-01 DOI: 10.18573/J.2014.10281

Rebecca Ehrenwirth

引用次数: 0

South Korean Film Festivals for Mobile Cinema: Sites for Cultural Translation or Vehicles for Segyehwa? 移动电影的韩国电影节:文化翻译的场所还是世俗化的载体?

JOMEC journal : journalism, media and cultural studies Pub Date : 2014-11-01 DOI: 10.18573/J.2014.10283

G. Wilson

{"title":"South Korean Film Festivals for Mobile Cinema: Sites for Cultural Translation or Vehicles for Segyehwa?","authors":"G. Wilson","doi":"10.18573/J.2014.10283","DOIUrl":"https://doi.org/10.18573/J.2014.10283","url":null,"abstract":"The growing international and trans-national practice of making films with mobile, nonprofessional cameras find new means of exhibition and novel routes to distribution in online screening venues, but primarily at dedicated or supportive film festivals. This paper investigates how such film festivals function as sites of cultural translation of moving images in South Korea. This dynamic has evolved from a somewhat passive reacting to external cultural influences, to become a vehicle for expressing the official South Korean government’s policy strategy of segyehwa (Shin, 2005; Kim, 2005): of turning outwards to the world to express contemporary notions of South Korean national identity. I draw on case studies from two film festivals in South Korea during 2011: Jeonju International Film Festival (JIFF) and Seoul international Extreme-Short Image & Film Festival (SESIFF). As venues for innovative cinematic practice, they foreground contemporary South Korean society’s influence in the use of mobile phone and Digital SLR cameras as filmic apparatus, indicating the take-up of new methods of film production and exhibition that negotiates a complex dynamic of socio-cultural translation of moving images.","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2014-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cultural Translation and East Asia: Film, Literature and Religion 文化翻译与东亚:电影、文学与宗教

JOMEC journal : journalism, media and cultural studies Pub Date : 2014-11-01 DOI: 10.18573/J.2014.10279

K. Taylor-Jones, Yan Ying

引用次数: 0

The revolution that never took place: episodic framing of political repression and unrest in Egypt 从未发生的革命:埃及断断续续的政治镇压和动荡

JOMEC journal : journalism, media and cultural studies Pub Date : 2014-11-01 DOI: 10.18573/J.2014.10288

L. Phillips

引用次数: 0

Of Intellectual Hospitality: Buddhism and Deconstruction 《智慧好客:佛教与解构

JOMEC journal : journalism, media and cultural studies Pub Date : 2014-11-01 DOI: 10.18573/J.2014.10286

E. Ng

{"title":"Of Intellectual Hospitality: Buddhism and Deconstruction","authors":"E. Ng","doi":"10.18573/J.2014.10286","DOIUrl":"https://doi.org/10.18573/J.2014.10286","url":null,"abstract":"This paper makes a plea of a stronger ethos of intellectual hospitality in dialogical exchanges between the Western philosophical and non-Western wisdom traditions, focusing in particular on the relationship between (Mahayana) Buddhist teachings and Derridean deconstruction. The main point of reference for this discussion is Zen lineage holder and philosopher, David Loy’s writings that explores the reciprocity between Buddhist and deconstructive understandings to pursue the goal of ‘mutual healing’. Loy’s discourse is in principle a laudable attempt at encouraging a stronger ethos of intellectual hospitality in comparative scholarship. However, I will show that his criticism of deconstruction’s ‘textual idolatry’ betrays an inaccurate, myopic reading of Derrida’s writings. Loy’s discourse thus lapses back into the habit of ontotheological closure, which he claims the Buddhist approach is better at overcoming than deconstruction; and in enacting, if only unwittingly, one-upmanship, it falls short of the proposed goal of ‘mutual healing’. To develop this argument, I first identify intellectual hospitality as a guiding ethos of an emergent discourse called Buddhist critical-constructive reflection, which crossfertilises Buddhist teachings with the knowledge-practices of the secular academy to address current issues. I then outline the key points of consonance between Buddhist and Derridean thinking before problematising Loy’s criticism of deconstruction. After showing how Loy’s proposed objective of ‘mutual healing’ functions instead to stymie dialogue, I chart a way forward towards renewed intellectual hospitality between the two sets of knowledge-practices by submitting for consideration, the ways in which the bodhisattva ideal of the Mahayana and the Derridean = passion for the impossible share a commitment of utter response-ability towards incalculable alterity – a praxis-ideal that may be described as unconditional unconditionality unconditionally","PeriodicalId":87289,"journal":{"name":"JOMEC journal : journalism, media and cultural studies","volume":"1 1","pages":"79-104"},"PeriodicalIF":0.0,"publicationDate":"2014-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67513234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0