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Australian Journal of French Studies最新文献

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La Littérature comme jeu : Pourquoi Bologne d’Alain Farah 文学作为游戏:为什么阿兰·法拉的博洛尼亚
4区 文学
Australian Journal of French Studies Pub Date : 2021-07-01 DOI: 10.3828/AJFS.2021.15
Jean-Michel Gouvard
{"title":"La Littérature comme jeu : Pourquoi Bologne d’Alain Farah","authors":"Jean-Michel Gouvard","doi":"10.3828/AJFS.2021.15","DOIUrl":"https://doi.org/10.3828/AJFS.2021.15","url":null,"abstract":"\u0000This article first outlines the characteristics of Alain Farah’s project in his latest novel, Pourquoi Bologne, in which his auto-fictional narrative develops out of an experimental approach that questions what literature can and cannot achieve. Farah’s writing thereby casts doubt on our capacity to account for the modern world and life in it. In its second part, the article engages in a detailed commentary of two passages in the novel to show how such a conception of literature conditions the use of writing and compositional strategies that create the impression of a game whose outcome is unclear but nevertheless worth playing.","PeriodicalId":8649,"journal":{"name":"Australian Journal of French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43414498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
« Il n’y aura point de nuit dans l’ordre combiné » : Charles Fourier du jour au lendemain “在组合顺序中没有夜晚”:查尔斯·傅里叶从一天到第二天
4区 文学
Australian Journal of French Studies Pub Date : 2021-04-01 DOI: 10.3828/AJFS.2021.04
T. Bouchet
{"title":"« Il n’y aura point de nuit dans l’ordre combiné » : Charles Fourier du jour au lendemain","authors":"T. Bouchet","doi":"10.3828/AJFS.2021.04","DOIUrl":"https://doi.org/10.3828/AJFS.2021.04","url":null,"abstract":"\u0000The nights of Harmony will be bright, writes Charles Fourier: instead of the “pallid mummy” (the moon), dazzling stars will give them “the appearance of our gardens illuminated at parties with multi-coloured glasses”. Each sleep will be but the prelude to a desired awakening. Fourier’s thought, particularly in its cosmogonic dimension, is thus a call for us to overcome “civilized” nights, which are the realm of subjugation, boredom and suffering. Doing away with nights is a way of achieving the “absolute gap” dear to Fourier.","PeriodicalId":8649,"journal":{"name":"Australian Journal of French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48347938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Une force qui va”: Reflections on Gérard Depardieu in Danton “一种力量”:对格姆拉德·德帕迪约在丹东的反思
4区 文学
Australian Journal of French Studies Pub Date : 2021-04-01 DOI: 10.3828/AJFS.2021.08
B. McCann
{"title":"“Une force qui va”: Reflections on Gérard Depardieu in Danton","authors":"B. McCann","doi":"10.3828/AJFS.2021.08","DOIUrl":"https://doi.org/10.3828/AJFS.2021.08","url":null,"abstract":"\u0000Taking as its starting point a 1978 article by film critic Molly Haskell, in which she described Gérard Depardieu as “tactile […] grasping, eating, touching, coming to physical terms with everything in sight”, this article considers a largely overlooked Depardieu role, as the committed revolutionary leader Georges Danton in Andrzej Wajda’s Danton (1983)—a historical role that reflects the actor’s commitment to the relevance of the Revolutionary politician and intellectual. By examining three key scenes, the article scrutinizes Depardieu’s acting style (body language, vocal delivery, movement choices) and demonstrates that he is committed to new ways of engaging with the ideological processes of acting. In Danton, Depardieu pivots between a familiar set of performative registers—physical menace and self-regarding sensitivity, timidity and flamboyance, innocence and cunning—so that the performance ultimately serves as a timely reminder of his enduring mythic status in French cinema.","PeriodicalId":8649,"journal":{"name":"Australian Journal of French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43544693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jean Paulmier, Gonneville and Utopia: The Making and Unmaking of a Myth Jean Paulmier, Gonneville和Utopia:一个神话的形成和毁灭
4区 文学
Australian Journal of French Studies Pub Date : 2021-04-01 DOI: 10.3828/AJFS.2021.02
Margaret Sankey
{"title":"Jean Paulmier, Gonneville and Utopia: The Making and Unmaking of a Myth","authors":"Margaret Sankey","doi":"10.3828/AJFS.2021.02","DOIUrl":"https://doi.org/10.3828/AJFS.2021.02","url":null,"abstract":"\u0000The first mention of Gonneville’s land occurs in Abbé Jean Paulmier’s Mémoires of 1664 petitioning the Pope to approve a Christian mission to the as yet undiscovered Terres australes. Central to Paulmier’s argument was the extract from a document purporting to be the travel account of a sixteenth-century navigator, Gonneville. The extract details how the unknown land was discovered after the navigator’s ship L’Espoir had lost its way and landed in the fabled Terres australes, south-east of the Cape of Good Hope. His utopian account of the unknown land played an important role in French voyages of discovery during the late seventeenth and eighteenth centuries. After Cook’s refutation of the existence of a Great South Land, Gonneville’s land was identified in the nineteenth century as being in Brazil. Recent scholarship, however, has revealed that Gonneville and his story were probably invented by Paulmier. This article examines how and why the Gonneville story became part of the history of French exploration, then details the elements which led to its being discredited.","PeriodicalId":8649,"journal":{"name":"Australian Journal of French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48546966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Primates in Paris and Edgar Allan Poe’s Paradoxical Commitment to Foreign Languages 《巴黎的灵长类动物》和埃德加·爱伦·坡对外语的矛盾承诺
4区 文学
Australian Journal of French Studies Pub Date : 2021-04-01 DOI: 10.3828/AJFS.2021.07
Alistair Rolls
{"title":"Primates in Paris and Edgar Allan Poe’s Paradoxical Commitment to Foreign Languages","authors":"Alistair Rolls","doi":"10.3828/AJFS.2021.07","DOIUrl":"https://doi.org/10.3828/AJFS.2021.07","url":null,"abstract":"\u0000Drawing on recent innovations in detective criticism in France, this article broadens the quest to exonerate Poe’s famous orang-utan and argues that the Urtext of modern Anglo-American crime fiction is simultaneously a rejection of linguistic dominance (of English in this case) and an apologia for modern languages. This promotion of linguistic diversity goes hand in hand with the wilful non-self-coincidence of Poe’s detection narrative, which recalls, and pre-empts, the who’s-strangling-whom? paradox of deconstructionist criticism. Although “The Murders in the Rue Morgue” is prescient, founding modern crime fiction for future generations, it is entwined with a nineteenth-century tradition of sculpture that not only poses men fighting with animals but also inverts classical scenarios, thereby questioning the binary of savagery versus civilization and investing animals with the strength to kill humans while also positing them as the victims of human violence.","PeriodicalId":8649,"journal":{"name":"Australian Journal of French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49146642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Creative Confinement and Narratives of Violence: Charles Baudelaire, Shumona Sinha and Assommons les pauvres! 创造性禁闭与暴力叙事:查尔斯·波德莱尔、舒梦娜·辛哈和穷人的集会!
4区 文学
Australian Journal of French Studies Pub Date : 2021-04-01 DOI: 10.3828/AJFS.2021.06
S. Stephens
{"title":"Creative Confinement and Narratives of Violence: Charles Baudelaire, Shumona Sinha and Assommons les pauvres!","authors":"S. Stephens","doi":"10.3828/AJFS.2021.06","DOIUrl":"https://doi.org/10.3828/AJFS.2021.06","url":null,"abstract":"\u0000This article examines the relationship between Baudelaire’s prose poem, “Assommons les pauvres!” (Le Spleen de Paris, 1869) and Shumona Sinha’s 2011 novel of the same title. Focusing on questions of reading and intertextuality, from Baudelaire’s reference to Proudhon to Sinha’s engagement with the prose poem and Le Spleen de Paris more broadly, it explores forms of confinement and creativity, the connections between narrative and freedom and the ways in which lyrical subjectivity and literary form reflect the social challenges of each period. In expressing socio-cultural and linguistic alienation, these texts centre the textual in an exploration of the marginal, thereby demonstrating that the connection between them goes beyond a critical act of violence and the presumed equality or dignity it confers, to represent a shared interrogation of universalism, multiculturalism, and authorial and political power.","PeriodicalId":8649,"journal":{"name":"Australian Journal of French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44337727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Utopian Future of Food in Louis-Sébastien Mercier’s L’An deux mille quatre cent quarante: rêve s’il en fut jamais (1771) 《食物的乌托邦未来》(louis - sebastien Mercier’s an 2440: reve si en fut jamais, 1771)
4区 文学
Australian Journal of French Studies Pub Date : 2021-04-01 DOI: 10.3828/AJFS.2021.03
J. Dutton
{"title":"The Utopian Future of Food in Louis-Sébastien Mercier’s L’An deux mille quatre cent quarante: rêve s’il en fut jamais (1771)","authors":"J. Dutton","doi":"10.3828/AJFS.2021.03","DOIUrl":"https://doi.org/10.3828/AJFS.2021.03","url":null,"abstract":"\u0000Louis-Sébastien Mercier’s novel L’An deux mille quatre cent quarante: rêve s’il en fut jamais (1771) was the first futuristic utopia—or “uchronia”—and its treatment of food reveals that alimentary concerns were important markers of both contemporary inequality and future harmony in pre-revolutionary France. This article examines the utopian future of food via three alimentary features of Mercier’s novel: food justice, food security and commensality. By considering these tropes as reflections of perceived flaws in Parisian society, it demonstrates the importance of encouraging imaginary projections of ideal solutions to food crises through such literary experiments. The critiques and ideals related to food presented in L’An 2440 are contextualized through reference to the historical economic and social issues that inspired them. In conclusion, Mercier’s preoccupations in the eighteenth century and his predictions for the twenty-fifth century are considered with regard to their relevance to twenty-first-century food challenges, at a moment that is mid-way between these two points on the author’s alimentary history chronology.","PeriodicalId":8649,"journal":{"name":"Australian Journal of French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41437276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“Un film français et fier de l’être”: Gaspar Noé’s Climax in Context “一部自豪的法国电影”:加斯帕noe的高潮
4区 文学
Australian Journal of French Studies Pub Date : 2021-04-01 DOI: 10.3828/AJFS.2021.09
Greg Hainge
{"title":"“Un film français et fier de l’être”: Gaspar Noé’s Climax in Context","authors":"Greg Hainge","doi":"10.3828/AJFS.2021.09","DOIUrl":"https://doi.org/10.3828/AJFS.2021.09","url":null,"abstract":"\u0000Reading Gaspar Noé’s 2018 film Climax against the grain of the majority of critical reactions and the director’s own pronouncements, this article argues that this is a deeply political film. In line with West’s analysis of the films of the New French Extremity as works that are not (as suggested by Quandt) passive but a committed and politically engaged form of cinema, this article suggests that Climax can be read as an allegory of France’s current Realpolitik. Noé’s vision of this reality is revealed to be particularly bleak, for in line with the metaphysical stance of his other films, his is a universe ruled by entropic forces. The ramifications for Climax’s commentary on contemporary France are devastating, for the ideals of the Republic are shown to be no longer operational or capable of bringing people together, nor are they replaceable by any other form of identity politics.","PeriodicalId":8649,"journal":{"name":"Australian Journal of French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46120709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Baudelaire et le fouriérisme 波德莱尔与傅立叶主义
4区 文学
Australian Journal of French Studies Pub Date : 2021-04-01 DOI: 10.3828/AJFS.2021.05
P. Hambly
{"title":"Baudelaire et le fouriérisme","authors":"P. Hambly","doi":"10.3828/AJFS.2021.05","DOIUrl":"https://doi.org/10.3828/AJFS.2021.05","url":null,"abstract":"\u0000Claude Pichois claims that Baudelaire’s debt towards Fourier is limited to the notion of universal analogy. There is, however, another aspect of Fourier’s thought, one that had a profound impact on Les Fleurs du mal: the denunciation of universal evil. In this respect, the poet draws on Fourierist vocabulary to express his own vision of the world. This article provides examples of lexical borrowings by the poet who, disillusioned by the failure of the dreams of the Fourierist school, uses the word sin to stigmatize “the reign of evil” under which, according to Fourier, his contemporaries were living.","PeriodicalId":8649,"journal":{"name":"Australian Journal of French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41575417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Culture of Commitment: Introduction 承诺文化:导论
4区 文学
Australian Journal of French Studies Pub Date : 2021-04-01 DOI: 10.3828/AJFS.2021.01
T. Unwin, J. West-Sooby
{"title":"The Culture of Commitment: Introduction","authors":"T. Unwin, J. West-Sooby","doi":"10.3828/AJFS.2021.01","DOIUrl":"https://doi.org/10.3828/AJFS.2021.01","url":null,"abstract":"","PeriodicalId":8649,"journal":{"name":"Australian Journal of French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70344204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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