La Littérature comme jeu : Pourquoi Bologne d’Alain Farah

IF 0.1 4区 文学 0 LITERATURE, ROMANCE
Jean-Michel Gouvard
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引用次数: 0

Abstract

This article first outlines the characteristics of Alain Farah’s project in his latest novel, Pourquoi Bologne, in which his auto-fictional narrative develops out of an experimental approach that questions what literature can and cannot achieve. Farah’s writing thereby casts doubt on our capacity to account for the modern world and life in it. In its second part, the article engages in a detailed commentary of two passages in the novel to show how such a conception of literature conditions the use of writing and compositional strategies that create the impression of a game whose outcome is unclear but nevertheless worth playing.
文学作为游戏:为什么阿兰·法拉的博洛尼亚
本文首先概述了阿兰·法拉在其最新小说《波洛涅》中的特点,在这本小说中,他的自动虚构叙事从一种实验方法发展而来,质疑文学能实现什么,不能实现什么。因此,法拉的作品对我们解释现代世界及其生活的能力提出了质疑。在第二部分中,本文对小说中的两个段落进行了详细的评论,以展示这种文学概念如何影响写作和构图策略的使用,从而创造出一种结果不明确但仍值得一玩的游戏印象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
28
期刊介绍: The Australian Journal of French Studies is an international, fully refereed journal devoted to French literature, culture, society and history. The journal encourages new theoretical engagements and particularly welcomes interdisciplinary approaches. Articles are published in English and French. The majority of numbers are focussed on a specific theme, but numbers on miscellaneous topics will usually be published annually.
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