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John Guillory, Meet Kwasi Wiredu: A 1990s Guide to the Future English Department 约翰·吉洛里,《认识夸西·维尔杜:20世纪90年代未来英语系指南》
Genre (Los Angeles, Calif.) Pub Date : 2023-04-01 DOI: 10.1215/00166928-10346821
J. Jackson
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引用次数: 0
The Politics and Psychology of the Literary Field: Revisiting Cultural Capital 文学场域的政治与心理:重新审视文化资本
Genre (Los Angeles, Calif.) Pub Date : 2023-04-01 DOI: 10.1215/00166928-10346795
A. Anderson
{"title":"The Politics and Psychology of the Literary Field: Revisiting Cultural Capital","authors":"A. Anderson","doi":"10.1215/00166928-10346795","DOIUrl":"https://doi.org/10.1215/00166928-10346795","url":null,"abstract":"\u0000 This article explores the importance of psychoanalysis to John Guillory's literary sociology. The failure of scholars to recognize the canon wars as a symptom of the increasing institutional marginality of literary studies derives from their commitment to what Guillory calls an “ego-ideal” of the profession. In particular, the psychic investments of literary critics account, on the one hand, for their inflated claims to political relevance and, on the other, for the ability of professors of literature to strike an anti-institutional pose from within the privileged space of the university. The essay turns to recent developments in the field to consider how Guillory's analysis might respond to our present moment. If his sociological method neatly describes the failures of self-understanding among scholars with respect to the canon wars and the politics of literary criticism, it nonetheless fails to capture the importance of recent work in a more affirmative key, where ideology critique is joined to the study of lived experience.","PeriodicalId":84799,"journal":{"name":"Genre (Los Angeles, Calif.)","volume":"65 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90905462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reading Guillory's Cultural Capital in South Africa 在南非阅读吉罗伊的《文化资本》
Genre (Los Angeles, Calif.) Pub Date : 2023-04-01 DOI: 10.1215/00166928-10346834
S. Jeppie
{"title":"Reading Guillory's Cultural Capital in South Africa","authors":"S. Jeppie","doi":"10.1215/00166928-10346834","DOIUrl":"https://doi.org/10.1215/00166928-10346834","url":null,"abstract":"\u0000 This article opens with the 2015 Rhodes Must Fall protests at the University of Cape Town, when a student poured feces on a statue of Cecil Rhodes. This moment exemplifies the ambivalent relationship between symbolic politics and demands for institutional transformation in postapartheid South Africa. The essay considers two sites of tension: the appropriation of this antiapartheid, decolonial rhetoric outside of South Africa (as in the Rhodes Must Fall campaigns at the University of Oxford) and the borrowing of US discourses of racial identity in South African universities. In both cases, specific social and political contexts and their attendant challenges tend to disappear. In South African universities, this has the effect of occluding class, class inequality, and class struggle. To address the South African context, the essay suggests that the writing of Antonio Gramsci, whose work spans literature as cultural production and practical political mobilization, might provide a more useful politics of reading and writing.","PeriodicalId":84799,"journal":{"name":"Genre (Los Angeles, Calif.)","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80880941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Founded in Fiction: The Uses of Fiction in the Early United States 创立于小说:小说在早期美国的应用
Genre (Los Angeles, Calif.) Pub Date : 2023-04-01 DOI: 10.1215/00166928-10346873
Elizabeth Hewitt
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引用次数: 0
Refusing Race: Cultural Capital and Cultural Studies 拒绝种族:文化资本与文化研究
Genre (Los Angeles, Calif.) Pub Date : 2023-04-01 DOI: 10.1215/00166928-10346847
Mark Chiang
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引用次数: 0
The Indispensable (and Strangely Disposable) Corpse in Early Parodies of Detective Fiction 侦探小说早期模仿中不可缺少的(奇怪的是可丢弃的)尸体
Genre (Los Angeles, Calif.) Pub Date : 2022-12-01 DOI: 10.1215/00166928-10146738
Michelle Robinson
{"title":"The Indispensable (and Strangely Disposable) Corpse in Early Parodies of Detective Fiction","authors":"Michelle Robinson","doi":"10.1215/00166928-10146738","DOIUrl":"https://doi.org/10.1215/00166928-10146738","url":null,"abstract":"This essay argues that by studying parodies of detective fiction from the turn of the twentieth century, one can envision a more complete history of the detective genre's development and the alternate paths it might have pursued. Mark Twain's A Double-Barrelled Detective Story (1902), Melville Davisson Post's The Strange Schemes of Randolph Mason (1896), and Robert Louis Stevenson and Lloyd Osbourne's The Wrong Box (1889) instruct the reader to regard detective fiction as a genre about the production of the corpse and the transnational economic systems that generated it, rather than the ratiocinative mastery of the detective. These three parodies of detective fiction burlesque incipient genre texts from the nineteenth century by painstakingly regurgitating the global political and economic stakes that set the stage for local mysteries, even when they defer rather than advance the plot. They also foreground the corpse-as-spectacle by engineering human remains that resist forensic elucidation and are the product of bizarre and cataclysmic histories of violence. In emphasizing detective fiction's nineteenth-century literary antecedents, Twain's, Post's, and Stevenson and Osbourne's detective parodies indicate that the genre might have pursued a different direction, one where its dominant element was the disturbing debasement of a body by a complex circuit of global political and economic relations.","PeriodicalId":84799,"journal":{"name":"Genre (Los Angeles, Calif.)","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75254318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Diasporic Poetics: Asian Writing in the United States, Canada, and Australia 散居诗学:美国、加拿大和澳大利亚的亚洲写作
Genre (Los Angeles, Calif.) Pub Date : 2022-12-01 DOI: 10.1215/00166928-10146777
J. Park
{"title":"Diasporic Poetics: Asian Writing in the United States, Canada, and Australia","authors":"J. Park","doi":"10.1215/00166928-10146777","DOIUrl":"https://doi.org/10.1215/00166928-10146777","url":null,"abstract":"","PeriodicalId":84799,"journal":{"name":"Genre (Los Angeles, Calif.)","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88563043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Ambivalent Man: The Is-and-Isn't World of Ralph Ellison's “Tell It Like It Is, Baby” 矛盾的人:拉尔夫·埃里森《实话实说,宝贝》中的“是与不是”世界
Genre (Los Angeles, Calif.) Pub Date : 2022-12-01 DOI: 10.1215/00166928-10146751
Steve Pinkerton
{"title":"Ambivalent Man: The Is-and-Isn't World of Ralph Ellison's “Tell It Like It Is, Baby”","authors":"Steve Pinkerton","doi":"10.1215/00166928-10146751","DOIUrl":"https://doi.org/10.1215/00166928-10146751","url":null,"abstract":"Ralph Ellison's long-neglected essay “Tell It Like It Is, Baby” (1965) has lately received increased critical attention as a revealing paratext for Ellison's unfinished second novel. Yet little has been said about that essay's conspicuous psychosexual themes or its confoundingly ambivalent rhetoric of avowal and disavowal. Nor have scholars yet charted the essay's unique evolution over a full decade's worth of drafts and revisions. Drawing on original archival research, this article reads “Tell It” as responding to two contexts that for Ellison were both achingly personal and pressingly political: first, the often hostile criticism he endured from the ideological left during the 1960s, and second, his deep-seated antipathy to the sociology of race. Both of these contexts carried psychological implications concerning Black masculinity and the fates of fatherless Black families such as the one in which Ellison was raised. (His essay largely narrates “a personal dream” that symbolically equates Lincoln's assassination with the untimely death of Ellison's own father.) In obliquely writing back to his critics and to then-regnant theories about Black lives, Ellison mingles quasi-confessional feints with strident denials and abrupt volte-faces in ways that elude any straightforward interpretation. Yet this very tangle of contradiction may itself be his way of “telling it like it is”: of exploring the massive contradictions of US history and American identity that, for Ellison, must inform any individual or collective effort to make sense of “our orphan's loneliness.”","PeriodicalId":84799,"journal":{"name":"Genre (Los Angeles, Calif.)","volume":"75 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91092721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Estranging the Novel: Poland, Ireland, and Theories of World Literature 小说的异化:波兰、爱尔兰与世界文学理论
Genre (Los Angeles, Calif.) Pub Date : 2022-12-01 DOI: 10.1215/00166928-10146791
Y. Kim
{"title":"Estranging the Novel: Poland, Ireland, and Theories of World Literature","authors":"Y. Kim","doi":"10.1215/00166928-10146791","DOIUrl":"https://doi.org/10.1215/00166928-10146791","url":null,"abstract":"","PeriodicalId":84799,"journal":{"name":"Genre (Los Angeles, Calif.)","volume":"35 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72772557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
WarGames and the Refamiliarization of the Hacker 战争游戏和黑客的再熟悉
Genre (Los Angeles, Calif.) Pub Date : 2022-12-01 DOI: 10.1215/00166928-10146764
Christian Mehrstam
{"title":"WarGames and the Refamiliarization of the Hacker","authors":"Christian Mehrstam","doi":"10.1215/00166928-10146764","DOIUrl":"https://doi.org/10.1215/00166928-10146764","url":null,"abstract":"John Badham's cult film WarGames (1983) is widely recognized as one of the most influential narratives shaping the popular image of the hacker. Research and critiques are, however, conflicted regarding what that influence is. Some see it as troubling and countercultural, others as light-hearted and conservative. Little attention has been given to the fact that WarGames is a convergent narrative working across multiple media. In a study of David Bischoff's eponymous tie-in novel, this article reveals a composite genre vehicle focused on the new kind of kid rather than the new technology. The protagonist is presented as an outsider by means of literary science fiction devices, only to be made more “normal” and recognizable as part of the school story, love story, and thriller. This refamiliarization gives WarGames a conservative potential, less evident but still present in the film. While it cannot completely neutralize the countercultural character of the hacker gestalt, it seeks to affect the audience's interpretation of WarGames as a media ensemble. The article's result brings nuance to the conflicted assessments of WarGames and contributes to the understanding of the narrative's influence on digital youth discourse at the peak of the personal computer revolution.","PeriodicalId":84799,"journal":{"name":"Genre (Los Angeles, Calif.)","volume":"35 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85418864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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