ArrayPub Date : 2023-03-01DOI: 10.1016/j.array.2022.100275
Paul W. Poteete
{"title":"Organically distributed sustainable storage clusters","authors":"Paul W. Poteete","doi":"10.1016/j.array.2022.100275","DOIUrl":"https://doi.org/10.1016/j.array.2022.100275","url":null,"abstract":"<div><p>The ability to create low-cost, high-availability, moderate-performance, low-power, sustainable file storage clusters that may be organically distributed throughout an organization would allow organizations to bring data back from cloud-based providers, provide local backup solutions, create local distributed storage pods, and allow remote developing countries to have access to information and other compute resources. The Internet of Things has driven much of the development in low-power ecological systems. The emergence of these devices allowed for the creation of this research project. This research utilized the design science method to create an instantiation of this concept as a demonstrative artifact that could be powered on USB power provided from almost any source. This includes the ability for small solar arrays to provide adequate power to charge the onboard power banks, allowing for continual use over periods of power loss or darkness. This artifact was evaluated using real-time direct download from up to twentyfour workstations. During the course of the research for a period of over approximately 400 days, the artifact performed without interruption. This could be an indication that it may be possible to replace cloud-based storage with organically-distributed sustainable systems for enterprise-level use.</p></div>","PeriodicalId":8417,"journal":{"name":"Array","volume":"17 ","pages":"Article 100275"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49753345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ArrayPub Date : 2023-03-01DOI: 10.2139/ssrn.4234140
Pedro Bocca, A. Orellana, Carlos Soria, R. Carelli
{"title":"On field disease detection in olive tree with vision systems","authors":"Pedro Bocca, A. Orellana, Carlos Soria, R. Carelli","doi":"10.2139/ssrn.4234140","DOIUrl":"https://doi.org/10.2139/ssrn.4234140","url":null,"abstract":"","PeriodicalId":8417,"journal":{"name":"Array","volume":"18 1","pages":"100286"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43273177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ArrayPub Date : 2023-01-01DOI: 10.25370/array.v20223483
Henrik von Coler
{"title":"Chaos in the Garden. Human-assisted AI Composition in Experimental Spatial Music","authors":"Henrik von Coler","doi":"10.25370/array.v20223483","DOIUrl":"https://doi.org/10.25370/array.v20223483","url":null,"abstract":"","PeriodicalId":8417,"journal":{"name":"Array","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69207456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ArrayPub Date : 2023-01-01DOI: 10.25370/array.v20223479
Margarethe Maierhofer-Lischka
{"title":"Vertigo of the ears and eyes","authors":"Margarethe Maierhofer-Lischka","doi":"10.25370/array.v20223479","DOIUrl":"https://doi.org/10.25370/array.v20223479","url":null,"abstract":"","PeriodicalId":8417,"journal":{"name":"Array","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69206777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ArrayPub Date : 2023-01-01DOI: 10.25370/array.v20223478
Kerry L. Hagan
{"title":"Spatial Audio in Online Presentations","authors":"Kerry L. Hagan","doi":"10.25370/array.v20223478","DOIUrl":"https://doi.org/10.25370/array.v20223478","url":null,"abstract":"Considering binaural recordings are currently the only method for reproducing spatial music in two channels, it made sense that conferences for spatial music relied on delivering binaural audio in various ways. Previous to ICMC 2022, I attended several online concerts that tried to provide spatial audio. In some cases, artists created VR simulations of their works. VR was especially interesting for spatial compositions with visual elements, but it was a convoluted method for creating binaural recordings for audio-only pieces. Additionally, composers without access to VR engines could not present with this method. space","PeriodicalId":8417,"journal":{"name":"Array","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69206760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ArrayPub Date : 2023-01-01DOI: 10.25370/array.v20223481
Guiseppe Pisano
{"title":"Stereo and Ambisonics: A reflection over parallel spatialization techniques","authors":"Guiseppe Pisano","doi":"10.25370/array.v20223481","DOIUrl":"https://doi.org/10.25370/array.v20223481","url":null,"abstract":"As a composer of acousmatic music, I have often presented my work on a variety of different loudspeaker systems whese can be subdivided in two macro-families: those intended for the playback of multichannel pieces – often symmetric systems, in the shape of a circle, a dome, or a regular polygon – and those intended for acousmatic diffusions – the loudspeaker orchestras, mainly employed for the diffusion of stereo pieces, where the performer spatializes sound in real time. In this practice, it is not uncommon to listen to re-adaptations of pieces, presented in different formats to suit different types of systems, and I have always found the Ambisonics workflow a very successful approach to scale my pieces on systems belonging to the first macro-family. However, when I first faced the need of presenting my multichannel pieces on systems meant for stereo diffusion, I was very unhappy with the results I achieved through the typical methods employed to adapt Ambisonics space","PeriodicalId":8417,"journal":{"name":"Array","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69206835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ArrayPub Date : 2023-01-01DOI: 10.25370/array.v20223484
Miriam Akkermann
{"title":"Music is in the air. Sounding performances in hybrid and virtual space","authors":"Miriam Akkermann","doi":"10.25370/array.v20223484","DOIUrl":"https://doi.org/10.25370/array.v20223484","url":null,"abstract":"While physical space is fundamental to any sound's (physical) being – and thus being heard – advancements in technology and COVID pandemic-related limitations to physical travel and meeting in larger crowds prompted debate on how to design hybrid and virtual spaces in which music and sound art can be performed adequately. The question of how to make music together while being located at distant places, as well as issues concerning the integration of a wide-spread audience using telecommunication technologies, is, however, neither completely new nor limited to digital virtuality. Currently termed as ‘telematic’and ‘networked’art works and performances, there exists a quite long history of using distributed sounds and sound related information in order to create artistic settings and performances. For example, listening to live music performances or entertainment programs from a distance was already possible in the transition to the 20th century. Facilitated by Electrophone telespace","PeriodicalId":8417,"journal":{"name":"Array","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69207573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}