Union Seminary quarterly review最新文献

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Review of The Grammar of Faith 《信仰的语法》复习
Union Seminary quarterly review Pub Date : 1980-01-01 DOI: 10.7916/D8SJ1WCR
C. West
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引用次数: 1
Schleiermacher’s Hermeneutics and the Myth of the Given 施莱尔马赫的解释学和给予的神话
Union Seminary quarterly review Pub Date : 1979-01-01 DOI: 10.7916/D85T3W7W
C. West
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引用次数: 5
Book Review: What Are YOU Doing? 书评:你在做什么?
Union Seminary quarterly review Pub Date : 1956-10-01 DOI: 10.1177/002096435601000455
H. Bose
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引用次数: 0
Beholding Beauty In Nicetas Stethatos’ Contemplation of Paradise 尼塞塔斯·斯泰塔托斯《天堂观》中的美
Union Seminary quarterly review Pub Date : 1900-01-01 DOI: 10.7916/D8RJ4HSD
Matthew J. Pereira
{"title":"Beholding Beauty In Nicetas Stethatos’ Contemplation of Paradise","authors":"Matthew J. Pereira","doi":"10.7916/D8RJ4HSD","DOIUrl":"https://doi.org/10.7916/D8RJ4HSD","url":null,"abstract":"I. Beauty in the Byzantine Tradition In Standing in God’s Holy Fire, a jewel of an introduction to the rich heritage of Byzantine spirituality, John Anthony McGuckin rightly affirms the centrality of beauty within the eastern Christian tradition. There is no other concept, McGuckin asserts, that “so summates the ethos or guiding cultural spirit of eastern Christianity as much as that perennial search for beauty which inspired and organised the Byzantine mystical quest.”1 The search for beauty, according to McGuckin, provides the vital organizing principle within the Byzantine tradition. The eastern Christian tradition in all its complexity and continuity, beginning with the likes of Origen of Alexandria, followed by the Cappadocian Fathers (Basil of Caesarea, Gregory of Nazianzus, and Gregory of Nyssa), and up through Maximus the Confessor and Symeon the New Theologian, boasts of numerous mystical theologians who have composed writings filled with vivid descriptions of the soul’s ascent toward the beautiful. Beyond the above-mentioned bright luminaries and other notables of the eastern mystical tradition loom numerous lesser-known Byzantine theologians, who in consonance with their more highly touted counterparts, have consistently reflected upon the ultimate reality and importance of divine beauty.","PeriodicalId":83394,"journal":{"name":"Union Seminary quarterly review","volume":"14 1","pages":"51-61"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71367723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Voyeur Bodies, Liberating Identities 偷窥的身体,解放的身份
Union Seminary quarterly review Pub Date : 1900-01-01 DOI: 10.7916/D8CZ36HF
Hannah Hofheinz
{"title":"Voyeur Bodies, Liberating Identities","authors":"Hannah Hofheinz","doi":"10.7916/D8CZ36HF","DOIUrl":"https://doi.org/10.7916/D8CZ36HF","url":null,"abstract":"“If you visit my city, Buenos Aires, please try and go see the women lemon vendors who sit in the streets of some neighborhoods.”1 No, rather, I welcome you now to Buenos Aires. In your theological imagination, I welcome you. I, Marcella, will be your guide for a few sentences. Here is the marketplace of Constitución, where my mother would buy chickens still warm. Do you see those stray dogs over there sleeping quietly in the door of the abandoned building? This is my barrio, San Telmo. Shall we sit for a few minutes over cortado? It is a good place to think – to think about postmodernism, liberation, the destruction of grand meta-narratives. The first few pages of Indecent Theology invite us into Marcella AlthuasReid’s world. She tantalizes our senses: sights, sounds, tastes, and smells. Bodies come to life. Places materialize. Histories swirl with their tangled and complicated interplay. Our eyes roam. We not only see women selling lemons in the marketplace; our journey continues under their skirts, into their baskets. We hover in the midst of their interactions. Women without underwear, whose musky smell mixes with the scent of lemons and market. Skirts lifted: exposed, smelled, seen by Althaus-Reid. Skirts lifted: exposed, smelled, seen by us.","PeriodicalId":83394,"journal":{"name":"Union Seminary quarterly review","volume":"64 1","pages":"66-72"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71366165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Can Theatre be a Project of Liberation Theology?: Explorations in the Case of a Collaboration in Tanzania 戏剧可以是一个解放神学的项目吗?:在坦桑尼亚合作情况下的探索
Union Seminary quarterly review Pub Date : 1900-01-01 DOI: 10.7916/D8DZ07NT
Charles A. Gillespie
{"title":"Can Theatre be a Project of Liberation Theology?: Explorations in the Case of a Collaboration in Tanzania","authors":"Charles A. Gillespie","doi":"10.7916/D8DZ07NT","DOIUrl":"https://doi.org/10.7916/D8DZ07NT","url":null,"abstract":"In the summer of 2011, a contingent of graduate students and faculty sourced from Yale University’s Divinity School, School of Drama, and Institute of Sacred Music partnered with the Parapanda Theatre Arts Lab in Dar es Salaam, Tanzania. Building on the work of Augusto Boal, Parapanda has pioneered using participatory theatre as a means for social change. Their process creates provocative, non-traditional drama that attempts to give voice to instances of social injustice. Yale students joined Parapanda artists for an unprecedented international exchange exploring this unique possibility of theatre-making. An essential component of the Yale/Parapanda experiment tried to bring theatre for social change into conversation with liberation theology. Traditional coursework in Christian and Islamic liberation theologies intermingled with rehearsals and performances, but neither the final performances nor inter-company conversation extensively engaged religious questions. The failure to launch productive religious discourse as a part of the Yale/Parapanda experiment seems to name any theoretical connection “merely cosmetic.” In this paper, I will argue that the resonance between a theology of the oppressed and a theatre of the oppressed go deeper than surface-level similarities. Indeed, the Yale/Parapanda experiment reveals a symbiotic relationship between these disciplines even though discussing religious topics remained elusive and its final performances did not integrate religious content. I will show how participatory theatre reflects the methodology of liberation theology in action and that liberation theology provides a guide for theatre that seeks to combat oppression. In the spirit of liberation theology’s attention to contextual analysis, I will begin with Parapanda’s theatrical process and examples from the Yale/Parapanda experiment. I will then develop a brief theological account for what I believe to be one of the key principles for the success of theatre for social change—the creation of “spaces of freedom.” On these grounds, I will suggest a way to see how participatory theatre for social change, in its historical and dramatic activity, does liberation theology.","PeriodicalId":83394,"journal":{"name":"Union Seminary quarterly review","volume":"64 1","pages":"12-21"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71365856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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