尼塞塔斯·斯泰塔托斯《天堂观》中的美

Matthew J. Pereira
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引用次数: 2

摘要

在《站在上帝的圣火中》一书中,约翰·安东尼·麦古金(John Anthony McGuckin)正确地肯定了美在东方基督教传统中的中心地位,这是一本介绍拜占庭精神丰富遗产的宝石。麦古金断言,没有其他的概念能“如此概括东方基督教的精神或指导文化精神,就像对美的长期追求一样,这种追求激发并组织了拜占庭式的神秘探索。”根据麦古金的说法,对美的追求是拜占庭传统中至关重要的组织原则。东方基督教传统的复杂性和连续性,从亚历山大的奥利金开始,接着是卡帕多西亚的教父们(凯撒利亚的巴西尔,纳齐安祖斯的格列高利和尼萨的格列高利),再到忏忏者马克西姆斯和新神学家西蒙,以众多神秘神学家为豪,他们的著作中充满了对灵魂向美的升华的生动描述。除了上面提到的东方神秘主义传统的杰出人物和其他名人之外,还有许多鲜为人知的拜占庭神学家,他们与他们更受吹捧的同行一致,一直在反思终极现实和神圣之美的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Beholding Beauty In Nicetas Stethatos’ Contemplation of Paradise
I. Beauty in the Byzantine Tradition In Standing in God’s Holy Fire, a jewel of an introduction to the rich heritage of Byzantine spirituality, John Anthony McGuckin rightly affirms the centrality of beauty within the eastern Christian tradition. There is no other concept, McGuckin asserts, that “so summates the ethos or guiding cultural spirit of eastern Christianity as much as that perennial search for beauty which inspired and organised the Byzantine mystical quest.”1 The search for beauty, according to McGuckin, provides the vital organizing principle within the Byzantine tradition. The eastern Christian tradition in all its complexity and continuity, beginning with the likes of Origen of Alexandria, followed by the Cappadocian Fathers (Basil of Caesarea, Gregory of Nazianzus, and Gregory of Nyssa), and up through Maximus the Confessor and Symeon the New Theologian, boasts of numerous mystical theologians who have composed writings filled with vivid descriptions of the soul’s ascent toward the beautiful. Beyond the above-mentioned bright luminaries and other notables of the eastern mystical tradition loom numerous lesser-known Byzantine theologians, who in consonance with their more highly touted counterparts, have consistently reflected upon the ultimate reality and importance of divine beauty.
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