The Russian review最新文献_第5页

NICHOLAS BUJALSKI WINS THE THIRD ANNUAL LEVIN ARTICLE PRIZE 尼古拉斯-布雅尔斯基荣获第三届莱文年度文章奖

The Russian review Pub Date : 2023-12-13 DOI: 10.1111/russ.12591

引用次数: 0

The Foundations of Russian Law by MariannaMuravyeva, ed. London: Hart Publishing, 2023. 464 pp. $115.00. ISBN 978‐1‐78225‐648‐9 俄罗斯法律基础》，玛丽安娜-穆拉维耶娃编，伦敦：哈特出版社，2023 年。伦敦：哈特出版社，2023 年。464 页。$115.00.ISBN 978-1-78225-648-9

The Russian review Pub Date : 2023-12-12 DOI: 10.1111/russ.12594

Jeffrey Kahn

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Sex Work in Contemporary Russia: A Cultural Perspective by EmilySchuckman Matthews. Lanham: Lexington Books, 2023. 292 pp. $110.00. ISBN 978‐1‐66691‐594‐5 当代俄罗斯的性工作：艾米丽-舒克曼-马修斯（EmilySchuckman Matthews）著：《当代俄罗斯的性工作：文化视角》。Lanham：列克星敦书店，2023 年。292 页。$110.00.国际标准书号 978-1-66691-594-5

The Russian review Pub Date : 2023-12-12 DOI: 10.1111/russ.12593

Jasmina Savic

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Politics of Uncertainty: The United States, the Baltic Question, and the Collapse of the Soviet Union by UnaBergmane. Oxford Studies in International History. Oxford: Oxford University Press, 2023. 256 pp. $45.00. ISBN 978‐0‐19‐757834‐6 不确定的政治：美国、波罗的海问题和苏联的崩溃》，UnaBergmane 著。牛津国际历史研究》。牛津大学出版社，2023 年：牛津大学出版社，2023 年。256 pp.$45.00.国际标准书号 978-0-19-757834-6

The Russian review Pub Date : 2023-12-11 DOI: 10.1111/russ.12587

Kevin O’Connor

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Russia/USSR in the World 俄罗斯/苏联在世界上

The Russian review Pub Date : 2023-12-10 DOI: 10.1111/russ.12592

Nana Osei-Opare

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Cinema of Rupture: Urbicide, Eastern European Rubble Films, and the Documentary Impulse 破裂的电影：城市屠杀》、东欧废墟电影和纪录片冲动

The Russian review Pub Date : 2023-12-07 DOI: 10.1111/russ.12580

Zdenko Mandušić

{"title":"Cinema of Rupture: Urbicide, Eastern European Rubble Films, and the Documentary Impulse","authors":"Zdenko Mandušić","doi":"10.1111/russ.12580","DOIUrl":"https://doi.org/10.1111/russ.12580","url":null,"abstract":"Currently in Ukraine, and previously in conflicts such as the Bosnian War (1992–96), local film collectives have expanded the mediation of wars to include the perspectives of those close to their subjects, foregrounding the participation of filmmakers in the wartime urban setting. In the 1990s, during the four‐year‐long siege of Bosnia’s capital, the collective Sarajevo Group of Artists (SAGA) produced sixty films of varying lengths, many of which included footage of destroyed buildings. Since 2014, several Ukrainian video projects and collectives, including Babylon’13, Freefilmers, War Against War, and Thickets (Khashchi), have made films documenting various aspects of the Russian invasion of Ukraine. Although there is no evidence of direct influence, structural and contextual similarities make SAGA an important earlier model for Ukrainian collectives of local filmmakers determined to define the consequences and experiences of war from the perspective of those with personal stakes in the conflict. This essay comparatively examines the creative wartime documentaries of Bosnian and Ukrainian film collectives specifically to consider how filmmakers with close personal connections to conflicts produce documentary representations of wartime destruction","PeriodicalId":83255,"journal":{"name":"The Russian review","volume":"115 23","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138590485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Poetics of Hunger: Responding to Rupture in the Wake of the 1932–33 Famine (Holodomor) in Soviet Ukraine 饥饿的诗学：苏联乌克兰 1932-33 年大饥荒（Holodomor）后的断裂回应

The Russian review Pub Date : 2023-12-06 DOI: 10.1111/russ.12582

John Vsetecka

{"title":"The Poetics of Hunger: Responding to Rupture in the Wake of the 1932–33 Famine (Holodomor) in Soviet Ukraine","authors":"John Vsetecka","doi":"10.1111/russ.12582","DOIUrl":"https://doi.org/10.1111/russ.12582","url":null,"abstract":"This article examines poems that were written by students in Soviet Ukraine during the 1930s to better understand how poetry served as a response to the ruptures caused by the 1932–33 famine (Holodomor). In a time when speaking openly about the famine was prohibited, survivors turned to poetry to write about what could not be said out loud. In this article, I contend that the poetry composed by these students offered alternative narratives about 1932–33 that challenged the state’s silencing of events and addressed what it meant, from a survivor’s point of view, to live through and experience the man‐made famine. The poems produced by these students, which were written between 1933 and 1937, described in detail what it was like to be subjected to search brigades, theft, humiliation, and starvation. As a whole, these poems offer a window into the physical and emotional impact of the famine on the lives of everyday Ukrainians and communicate what it meant to work through related pain, suffering, and trauma. However, the onset of repressions in the late 1930s served as another rupture and worked to suppress survivor efforts to write further about the famine and come to terms with what happened.","PeriodicalId":83255,"journal":{"name":"The Russian review","volume":"57 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138596510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

From Representation to Sabotage: The New Practices of Russian Antiwar Groups 从代表到破坏：俄罗斯反战组织的新做法

The Russian review Pub Date : 2023-12-06 DOI: 10.1111/russ.12579

Ania Aizman

{"title":"From Representation to Sabotage: The New Practices of Russian Antiwar Groups","authors":"Ania Aizman","doi":"10.1111/russ.12579","DOIUrl":"https://doi.org/10.1111/russ.12579","url":null,"abstract":"Since February 24, 2022, new oppositional groups—Feminist Antiwar Resistance (FAR), Stop the Wagons, Combat Organization of Anarcho‐Communists (BOAK), the Russian Freedom Legion, and others—have emerged in Russia. Politically, they range from socialist and anarchist to nationalist or fascist, and in their visual media present a range of anonymous protest subjectivities, from the young feminist female artist to the Molotov cocktail‐throwing anarchist to the army defector. Differences notwithstanding, antiwar groups resemble one another in their use of anonymity and sabotage, departing from the culture of the prewar Russian opposition to Putin. The new antiwar groups seek to demonstrate the existence of a broad decentralized movement, but one that continues, rather than disrupts, historical narratives. This article pays special attention to narratives produced by “railway partisans” currently operating in Russia and Belarus, analyzing how they challenge, through tactic as well as rhetoric, their regimes’ uses of World War II history for state‐building myths. I find that antiwar activists claim that sabotage, vandalism, and other forms of material damage represent continuity—rather than break or rupture—with historic forms of grassroots resistance.","PeriodicalId":83255,"journal":{"name":"The Russian review","volume":"31 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138596603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

From Moral Therapy to Political Defiance: Public Self‐Reflections on Russian YouTube 从道德治疗到政治反抗：俄罗斯 YouTube 上的公众自我反思

The Russian review Pub Date : 2023-12-06 DOI: 10.1111/russ.12581

Julia Lerner, Anna Novikova

{"title":"From Moral Therapy to Political Defiance: Public Self‐Reflections on Russian YouTube","authors":"Julia Lerner, Anna Novikova","doi":"10.1111/russ.12581","DOIUrl":"https://doi.org/10.1111/russ.12581","url":null,"abstract":"During the first months of the Russian war in Ukraine, millions of Russian‐language viewers both within Russia and elsewhere, including ourselves, became addicted to a type of YouTube format that presented 1–2‐hour videos staged as dialogues between a journalist and prominent figures in the public life of contemporary Russia. The interviews are grounded in personal reflexive accounts of broad national rupture and rifts in identity resulting from the recent political events and Russian military aggression. This format is formed by an overlap between the personal and the public, and it combines private conversation with political expression in a manner novel for Russian‐language media. In this essay we follow the emergence of the format as a particular genre of public self‐reflection, focusing on the YouTube channel “Skazhi Gordeevoi.” Interpreting a contemporary script of personal reflection of the public Self coming from a liberal antiwar milieu in Russia, we discuss the role of emotional expressions in moral political accounts of collective ruptures. We find that this format of emotional self‐reflection serves as collective “moral therapy” for those in this milieu, both real and imaginary, and simultaneously creates a community of dissenters, thereby becoming an act of defiant talk and civil dissent.","PeriodicalId":83255,"journal":{"name":"The Russian review","volume":"57 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138595064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Late Soviet Music in a Time of Russia’s War 俄罗斯战争时期的苏联晚期音乐

The Russian review Pub Date : 2023-12-05 DOI: 10.1111/russ.12577

Kevin C. Karnes

引用次数: 0