{"title":"The Colonial Mirror of Fantasy: Race, Gender, and History in Charlotte Smith's The Story of Henrietta (1800) and Sophia Lee's The Recess (1783–85)","authors":"Anna Shajirat","doi":"10.1353/ecy.2020.0022","DOIUrl":"https://doi.org/10.1353/ecy.2020.0022","url":null,"abstract":"Abstract:This article reads Charlotte Smith's The Story of Henrietta and Sophia Lee's The Recess as gothic texts which problematically entangle race, gender, and history in their imagination of British colonialism. Both works figure colonial Jamaica and its inhabitants as mirror images of Britain's own gothic past and thus place the colonial present backwards in historical time. This infantile and uncivilized colonial \"past\" serves as the darkened reflection of the eighteenth-century British present, seen as a matured and advanced stage of history and humanity. Using Jacques Lacan's formulation of the mirror stage as a retroactive fantasy, this process of mirroring, what I call the colonial mirror, is in fact a racialized fantasy rooted in contemporary anxieties pervading colonial occupation. Though Henrietta and The Recess have often been read as radically critiquing the conditions women faced in the British eighteenth century, the colonial mirror reveals the limits of their gendered critiques in its racist images of Africans and Afro-Caribbeans, particularly Black women. Ultimately, these gothic texts naturalize the links between race, gender, and history in such a way that erases their origins in colonial fantasy.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"1 1","pages":"313 - 333"},"PeriodicalIF":0.0,"publicationDate":"2021-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74996542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"The fate of St. Domingo awaits you\": Robert Wedderburn's Unfinished Revolution","authors":"Shelby Johnson","doi":"10.1353/ecy.2020.0025","DOIUrl":"https://doi.org/10.1353/ecy.2020.0025","url":null,"abstract":"Abstract:Robert Wedderburn, an Afro-Jamaican radical involved in popular activism in the 1810s and 1820s, published a short-lived periodical, The Axe Laid to the Root, that prophetically conjures a world after revolution. Wedderburn frames the work of revolution as an ongoing struggle against property, possession, and slavery. But his speeches and writings linger in a particular tension, where the Haitian Revolution–often called the \"first successful slave revolt\"–offers new avenues for envisioning an anticolonial nation, but did not (or could not) fully transform a transnational order. This essay explores Wedderburn's proficiency in deploying prosopopoeia, or layered narratives where he speaks as or through an absent person, as a flexible ventriloquist practice. In particular, in his performances as his half-sister Elizabeth Campbell, he restlessly dislocates prophetic speech from any single voice, signaling that others should speak even if he perishes, a casualty of state execution or revolutionary upheaval. Through prosopopoeia, The Axe Laid to the Root as a text reclaims finitude and tragedy as constitutive of revolution–and of the world after world revolution.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"263 1","pages":"373 - 390"},"PeriodicalIF":0.0,"publicationDate":"2021-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73521269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Money is not a Pledge\": Early Financial Genres, the Battle of the Banks, and John Law's Money and Trade Considered","authors":"M. Longaker, W. Herring","doi":"10.1353/ecy.2020.0024","DOIUrl":"https://doi.org/10.1353/ecy.2020.0024","url":null,"abstract":"Abstract:A rhetorical analysis of bank proposals during the English financial revolution suggests that the discipline of economics and the modern willingness to trust its universally rational appeals grew from roots in specific historical exigencies that led financial projectors to craft appeals to partisan and divided audiences. Two features of the bank proposal genre—the plain style and abstraction—were perfected in John Law's Money and Trade Considered (1705), still read today as a work of economic theory. Analyzing Law's work in the context of other proposals and in the broader context of the financial revolution demonstrates the rhetorical foundation of modern economics.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"1 1","pages":"353 - 372"},"PeriodicalIF":0.0,"publicationDate":"2021-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89096700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Depth Match: Performance, History, and Digital Games","authors":"Jeffrey Leichman","doi":"10.1353/ecy.2021.0000","DOIUrl":"https://doi.org/10.1353/ecy.2021.0000","url":null,"abstract":"Abstract:Abstract This article is based on VESPACE, an immersive sensory and social model of the eighteenth-century Paris Fair theatre, proposing the design principle of \"image depth\" as an important methodological protocol for computer-mediated graphic environments, allowing access to the research underpinning the persuasive illusion of the virtual reality environment. Simulated social exchanges with non-player characters are in turn modeled with the artificial intelligence game engine Ensemble, based on the computing metaphor of social physics. The rules governing NPC behavior rely on close reading of primary sources to create an interactive digital game that serves as both a novel articulation of scholarship around ancien régime sociability and an inviting, accessible means for students to engage with specialized research in cultural history.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"9 1","pages":"1 - 105 - 107 - 110 - 111 - 114 - 115 - 118 - 119 - 122 - 123 - 126 - 127 - 128 - 20 - 21 - 42 - 43"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87538585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Age of Highmore","authors":"Kirsten Tambling","doi":"10.1353/ecy.2021.0007","DOIUrl":"https://doi.org/10.1353/ecy.2021.0007","url":null,"abstract":"Abstract:Building on her 2017-18 exhibition at the Foundling Museum, London, Jacqueline Riding makes a forceful case for Joseph Highmore as a key figure in eighteenth-century British art. Her book, which covers Highmore's conversation pieces and portraits, his series pictures and his involvement with the Foundling Hospital, reveals Highmore to have been a painter of internationalist instincts, and as keenly interested in the narrative possibilities of painting, both individually and in sequence, as his coeval, William Hogarth.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"24 1","pages":"123 - 126"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89963715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Atlantic Entanglements: Identity Politics in the Early Creole Novel","authors":"Victoria Barnett-Woods","doi":"10.1353/ecy.2021.0005","DOIUrl":"https://doi.org/10.1353/ecy.2021.0005","url":null,"abstract":"Abstract:A review of Candace Ward's Crossing the Line: Early Creole Novels and Anglophone Caribbean Culture in the Age of Emancipation, a book that considers the confluence of culture-building and novel writing practices within an early creole Caribbean context.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"16 1","pages":"115 - 118"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75296033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Variable Bodies and the Reconfiguring of Textual and Cultural Landscapes","authors":"M. Cole","doi":"10.1353/ecy.2021.0006","DOIUrl":"https://doi.org/10.1353/ecy.2021.0006","url":null,"abstract":"Abstract:A review of Jason Farr's Novel Bodies (2019) which surveys its contributions to eighteenth-century studies of disability, sexuality, and the novel and explores its relevance to related fields of study.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"42 1","pages":"119 - 122"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82513180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ideologies of Listening and the Rise of the Hypercritic: Rethinking Italian Opera in The Dunciad","authors":"Jordana Hall","doi":"10.1353/ecy.2021.0009","DOIUrl":"https://doi.org/10.1353/ecy.2021.0009","url":null,"abstract":"Abstract:In The Dunciad in Four Books (1743), Alexander Pope imagines a world of chaos which Italian opera has sung into existence. Nonsensical as she is powerful, the character of Italian opera has destroyed men's critical judgment, replaced natural art with monstrous ephemera, and hypnotized masters of taste – even Handel – into prostituting their genius for material gain. Building on his Augustan predecessors who worked to invent the dangers of Italian opera listening, Pope connects this musical genre with the rise of everything destructive. However, he draws the reader's eye to one destructive force in particular: textual criticism and its corruption of the literary arts. Pope depicts fictional hypercritic Martinus Scriblerus as an imitator of Italian opera – an unnatural monster who makes chaos from order, nonsense from reason, and division from unity.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"2 1","pages":"63 - 81"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87119870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reluctant Soldiers and Forgotten Intertexts: The Question of Ireland in Edgeworth's The Absentee and \"The Prussian Vase\"","authors":"Yon Ji Sol","doi":"10.1353/ecy.2021.0001","DOIUrl":"https://doi.org/10.1353/ecy.2021.0001","url":null,"abstract":"Abstract:This paper examines Maria Edgeworth's antimilitarism and consciousness as a colonial woman writer by juxtaposing her Irish tale The Absentee (1812) and an understudied tale for young people, \"The Prussian Vase\" (1801). Against the political turbulence of the years from the 1798 Irish Uprising to the publication of The Absentee, Edgeworth's reluctant soldiers evidence the Anglo-Irish writer's Irish allegiance amid her conflicted stance as an enlightened woman intellectual and a Protestant landlord in impoverished colonial Ireland during Britain's continuing military conflicts with France. Her antimilitarism emerges with clarity when contemporary intertexts are considered, Sir Charles William Pasley's 1811 Essay on the Military Policy and Institutions of the British Empire and Sir Nathaniel William Wraxall's 1798 Memoirs of the Courts of Berlin, Dresden, Warsaw, and Vienna, in the Years 1777, 1778, and 1779.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"127 1","pages":"21 - 42"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74598103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Novice's Bold and Inexperienced Imagination","authors":"J. S. Farr","doi":"10.1353/ecy.2021.0003","DOIUrl":"https://doi.org/10.1353/ecy.2021.0003","url":null,"abstract":"<p>Abstract:</p><p>A Review of Stephanie Insley Hershinow's <i>Born Yesterday: Inexperience and the Early Realist Novel</i></p>","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"75 1","pages":"107 - 110"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82105935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}