{"title":"The Enlightenment's Linguistic Dimension, or, How We Came to be Socially Constructed","authors":"B. Joseph","doi":"10.1353/ecy.2021.0016","DOIUrl":"https://doi.org/10.1353/ecy.2021.0016","url":null,"abstract":"Abstract:While a traditional source of controversy, the modern critical interplay between humanism and the Enlightenment can be used to excavate the way we have come to think of ourselves as posthuman even within a historicist field. This essay posits conceptualizing the Enlightenment to allow for ambivalence and messy boundaries, without requiring an artificial separation between Enlightenment and postmodern or poststructuralist thinking. Its primary method uses a close reading of Miltonic and other poetical texts—and the innovative writers who read him, including Lady Mary Wortley Montagu, Mary Wollstonecraft, and Eliza Haywood—to show how Enlightenment thinking helped to prize open a linguistic dimension of humanistic thought well in advance of the twentieth century. For writers like the latter three, wary as they were of patriarchal structures, there comes the gradual realization that \"woman\" is not a referent but a mutable sign, and that humanity itself is not so self-evident to Enlightenment writers as a more traditionally foreclosed version of literary history would have us accept.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"28 1","pages":"225 - 241"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74246681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bees, Women, Goths, and Mirrors: How the Future Once Looked, and How Our Field Might Look","authors":"M. Doody","doi":"10.1353/ecy.2021.0017","DOIUrl":"https://doi.org/10.1353/ecy.2021.0017","url":null,"abstract":"Abstract:Four emblems—the bees, women, goths, and mirrors of the title—are arranged as lampposts illuminating a meditation on possible futures motivated by the past futures of Felicity Nussbaum's scholarship. The sixteenth-century Seven Defenses of Paracelsus asserts that the future will not look like the past, but writers of the eighteenth century delighted in returning to the past as often as they could, but they were unsure of the future they might be moving towards. The question before us, then, is whether the future will require eighteenth-century studies—perhaps, too, the humanities themselves—to retreat into a darkened past, or whether a landscape of more scholarly openness is yet possible, and how to realize such a pleasant dream.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"12 1","pages":"243 - 256"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78599805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Manushag N. Powell, Carole Fabricant, L. Brown, Bridget Orr, Roxann Wheeler, B. Joseph, M. Doody
{"title":"Introduction: The Future World of Eighteenth-Century Studies","authors":"Manushag N. Powell, Carole Fabricant, L. Brown, Bridget Orr, Roxann Wheeler, B. Joseph, M. Doody","doi":"10.1353/ecy.2021.0011","DOIUrl":"https://doi.org/10.1353/ecy.2021.0011","url":null,"abstract":"Abstract:The five essays in this issue have grown from The Future World of Eighteenth-Century Studies, the November 2015 conference held in honor of the career of Felicity A. Nussbaum, Distinguished Research Professor in the UCLA Department of English and a cornerstone scholar of the \"wider and deeper\" eighteenth century. All of these pieces, individually and collectively, encourage eighteenth-century scholars to look to new doors opening even while being historically grounded, and to push through ideological boundaries that can hold us back from untold and better futures.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"10 1","pages":"129 - 134 - 135 - 151 - 153 - 168 - 169 - 187 - 189 - 224 - 225 - 241 - 243 - 256 - 257 - 258"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88881316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"How the Freemasons Invented Domestic Tragedy","authors":"Bridget Orr","doi":"10.1353/ecy.2021.0014","DOIUrl":"https://doi.org/10.1353/ecy.2021.0014","url":null,"abstract":"Abstract:From its formal beginnings in 1717, male English, Irish and Scottish theatre professionals were intimately involved in freemasonry. There were masonic lodges catering to freemasons, freemasons called for and patronized bespoke theatrical performances and benefit nights for freemasons supported the many major and minor actors, musicians and prompters who belonged to the fraternity. In addition, the dramatists who reinvented domestic tragedy, were freemasons. This essay argues that the form of bourgeois domestic tragedy created by George Lillo, himself a mason, articulates the economic and social anxieties created by emergent commercial capitalism. Lillo's masterpiece, The Tragedy of George Barnwell, is shaped by masonic ritual and like other examples of the genre, suggests that benevolent fraternity offers a spiritual and material refuge from the ever-present dangers of early capitalism.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"35 1","pages":"169 - 187"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81084854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Long Life of Orra's Songs: The Legacy of Charles Dibdin's The Islanders and West Indian Stage Pidgin","authors":"Roxann Wheeler","doi":"10.1353/ecy.2021.0015","DOIUrl":"https://doi.org/10.1353/ecy.2021.0015","url":null,"abstract":"Abstract:Little known or studied today, Charles Dibdin was a performer, composer, and lyricist who did more than any other single person to popularize stylized West Indian stage pidgin as a voice of both comedic entertainment and criticism of slavery and racism. Before blackface minstrelsy re-articulated pidgin as racist mockery, it was the voice of the common, not noble, slave figure with whom listeners/audiences were invited to sympathize. Dibdin developed a winning formula in the opera The Islanders (1780) with the pidgin-speaking Orra and her standard English-speaking husband the Caribbean chief Yanko, a formula that was popularized by George Colman and others through the early nineteenth century.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"159 1","pages":"189 - 224"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87887628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Back to the Future: Felicity Nussbaum and the World of Eighteenth-Century Studies","authors":"Carole Fabricant","doi":"10.1353/ecy.2021.0012","DOIUrl":"https://doi.org/10.1353/ecy.2021.0012","url":null,"abstract":"Abstract:Over the past four decades, no one has contributed more to the study of eighteenth-century British literature and culture than Felicity Nussbaum. Her pioneering scholarship opened up the field to new ways of thinking about its writings and dramatic productions by foregrounding race and gender issues and exploring their complicated interconnections. A close look at her work reveals recurring thematic patterns as well as a line of development from early feminist studies to more complex examinations of how women's– and men's–writing during the eighteenth century engaged with, and often helped shape, the cultural and ideological struggles of the period, variously complicit in and resistant to the period's hegemonic assumptions and practices. Her original and provocative studies of the eighteenth-century British stage offer new insights into the opportunities women had for taking advantage of the theater's consumer culture to gain renown and assert agency through their acting and business acumen.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"27 1","pages":"135 - 151"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90522227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Other-than-Humans in Specie and Species","authors":"L. Brown","doi":"10.1353/ecy.2021.0013","DOIUrl":"https://doi.org/10.1353/ecy.2021.0013","url":null,"abstract":"Abstract:Engagement with the other-than-human shapes two popular eighteenth-century genres, the lapdog lyric and the circulation or \"it\" narrative. Poems focusing on lapdogs offer a new definition of affect based on multiplicity and immeasurability rather than identity and coherence, and thus on the questioning of a human-dominated and exclusively human form of \"love.\" And the circulation narrative opens up the surprising possibility that an object—like a gold coin, in melding with human affect might itself represent a form of being equivalent to the human. These two new genres represent corollary innovations the modern encounter with the problem of being \"human\"—placing human being into surprising, intimate contact with the other-than-human, to generate a framework where ideas about affect and about being itself can be reimagined.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"159 1","pages":"153 - 168"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87620992","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jeremy Bentham and the Aesthetics of Sexual Difference","authors":"Carrie D. Shanafelt","doi":"10.1353/ecy.2020.0023","DOIUrl":"https://doi.org/10.1353/ecy.2020.0023","url":null,"abstract":"Abstract:In his extensive manuscripts on sexual nonconformity, Jeremy Bentham argues that full custodianship of one's own bodily pleasure should be the foundation of human liberty. Analyzing sexual feeling as a sixth sense, Bentham considers sexual preference to be an aesthetic reaction, and therefore immediate and immutable—neither a product of moral reflection, nor a proper object of moral judgment by others. Bentham suspects that the increasing legal and extralegal violence against sexual nonconformists during the eighteenth century was a product of philosophical, literary, and political discourse that centralized sexual asceticism as the most urgent priority of social discipline, for the ultimate purpose of justifying the exclusivity of political enfranchisement. Considering Bentham's manuscripts on sexual nonconformity in the context of recent studies of eighteenth-century heteronormative discourse by Declan Kavanagh and Paul Kelleher, this essay posits that these papers constitute a powerful argument for destigmatizing sexual variety, and that Bentham's published work in law, theology, and philosophy should be reconsidered in relation to his private concerns that sexual discipline had become a method to perpetuate disenfranchisement.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"6 9","pages":"335 - 352"},"PeriodicalIF":0.0,"publicationDate":"2021-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ecy.2020.0023","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72397408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Speaking Across: Literary Form and Speech in Obi; or, the History of Three-Fingered Jack","authors":"Katherine G. Charles","doi":"10.1353/ecy.2020.0021","DOIUrl":"https://doi.org/10.1353/ecy.2020.0021","url":null,"abstract":"Abstract:From 1780-1781, a fugitive slave and Maroon leader known as \"Three-Fingered Jack\" terrorized the Jamaican plantocracy before being \"ambushed and killed\" by bounty hunters. Twenty years later, the figure of Three-fingered Jack was a household name and folk hero whose renown circulated London, the provinces, and the colonies through print texts and pantomime theatre. According to Diana Paton, these multiform adaptations provided an \"important site for the formation of opinion about slavery, for British readers and theatre-goers.\" This paper analyzes one of Jack's earliest afterlives, Obi; Or, the History of Three Fingered-Jack (1800), an overtly abolitionist novel by William Earle, and examines the text's invocation of orality as a tool for representing difference. Building on cultural and historical work done by Srinivas Aravamudan, Frances Botkin, and Kelly Wisecup, as well as Paton, this paper takes a media turn to think about how Earle's novel represents the relations between speech and power, orality and print. In particular, it addresses the question of how the novel problematizes those relations by using structurally set apart forms like interpolated tales and footnotes. Primary attention will be paid to the enslaved mother Amri's interpolated tale, \"Makro and Amri,\" and the friction created between her oral tale-telling and the epistolary novel that contains it. While \"orality,\" within the print form of the novel, is always a fiction, this paper considers how Obi uses and interrogates the concept of orality as part of its effort to represent cultural and racial difference, a project that is simultaneously problematic and flagged as such by the novel's reliance on awkward and set-apart forms.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"20 1","pages":"289 - 312"},"PeriodicalIF":0.0,"publicationDate":"2021-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78462792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"How to Read by Numbers: Plague, Political Arithmetic, and the Production of History","authors":"R. Sheldon","doi":"10.1353/ecy.2020.0026","DOIUrl":"https://doi.org/10.1353/ecy.2020.0026","url":null,"abstract":"Abstract:Recent work in the history of science and epistemology has illuminated the rhetorical nature of the \"anti-rhetorical\" arguments of seventeenth-century political arithmetic, which turned to quantitative reasoning as a method for formulating state policy. This article examines a different aspect of political arithmetic argumentation—its ambivalent relationship to popular engagements with number during the late seventeenth and early eighteenth centuries—in order to achieve a more sensitive account of its method. By considering John Graunt's Natural and Political Observations Made Upon the Bills of Mortality (1661) alongside two literary histories of plague that draw upon printed mortality bills, albeit with a high degree of skepticism, to represent the spread of plague through London's urban environs—Samuel Pepys' Diary, and Daniel Defoe's A Journal of the Plague Year (1722)—this essay demonstrates that the institution of the bills of mortality to combat the social and epistemological crisis of plague initiated a cultural consciousness of membership in a numerable body politic, and inspired new ways of visualizing the space of politics. Read in terms of form, imaginative and philosophical writing on plague alike reflect a dependence on number to counter the problem of witnessing the plague in viably empirical terms—and, more broadly, speak to its increasingly important role in representing social formations as quantifiable entities open to strategic policing and manipulation by state power.","PeriodicalId":82853,"journal":{"name":"Studies on Voltaire and the eighteenth century","volume":"2 1","pages":"391 - 410"},"PeriodicalIF":0.0,"publicationDate":"2021-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88878588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}