Journal of Latin American Cultural Studies最新文献_第2页

Foreign Intimacies and Political Pasts in Paula Markovitch’s El actor principal (2019) Paula Markovitch的El actor principal中的外国亲密关系和政治糕点（2019）

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2023-08-18 DOI: 10.1080/13569325.2023.2239171

Inela Selimović

引用次数: 0

In Memory Of Jean Franco 纪念让-佛朗哥

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2023-07-03 DOI: 10.1080/13569325.2023.2277790

Maite Conde

引用次数: 0

Visualising Afro-Cultural Identities in Contemporary Argentina: The case of Antepasados, Los afroporteños en la cultura nacional Visualising Afro-Cultural Identities in Contemporary Argentina: The case of Antepasados, Los afroporteños en la cultura nacional.

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2023-07-03 DOI: 10.1080/13569325.2023.2251906

Liz Moreno-Chuquen

{"title":"Visualising Afro-Cultural Identities in Contemporary Argentina: The case of Antepasados, Los afroporteños en la cultura nacional","authors":"Liz Moreno-Chuquen","doi":"10.1080/13569325.2023.2251906","DOIUrl":"https://doi.org/10.1080/13569325.2023.2251906","url":null,"abstract":"Antepasados: Los afroporteños en la cultura nacional [Ancestors: Afroporteños in National Culture] was one of the most comprehensive museum exhibits to address the cultural heritage of Afro-descendants from Buenos Aires – known as afroporteños. It was open to the public from April to June 2016 at the Museo del Libro y de la Lengua [Museum of Books and Language]. The primary purpose of Antepasados was to recapture afroporteños’ cultural heritage and fill what scholars, curators, and the government saw as a “regrettable absence” in narratives about national identity. This study examines how Antepasados (2016) articulated the logic of whiteness in Argentina and the politics of race representation in museums and public history while recognising the erasure of Afro-descendants in official discourse. This exhibit acknowledges the contribution of afroporteños to national culture and identity, and shows how Argentine society is dealing with its racial reckoning, albeit with certain contradictions. Finally, this study inscribes the case of afroporteños into broader discussions about race in Latin America by reframing national identity and cultural heritage discourses in more inclusive terms within a country where an emphasis on whiteness has been predominant.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139363984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“The flying ability of the mosquito made the situation difficult to cope with”: Contamination, Containment, and the Biopolitics of the Madeira‐ Mamoré Railway “蚊子的飞行能力使情况难以应对”:马德拉-马莫尔铁路的污染、遏制和生物政治

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2023-04-03 DOI: 10.1080/13569325.2023.2210511

Carolina Sá Carvalho

引用次数: 0

Sensing Shipibo Aesthetics Beyond the Peruvian Amazon: Kené Design in Icaros: A Vision (2016) 感知秘鲁亚马逊以外的Shipibo美学:伊卡洛斯的ken<s:1>设计:一种愿景(2016)

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2023-04-03 DOI: 10.1080/13569325.2023.2211934

A. Smith, Alexandra Macheski

{"title":"Sensing Shipibo Aesthetics Beyond the Peruvian Amazon: Kené Design in Icaros: A Vision (2016)","authors":"A. Smith, Alexandra Macheski","doi":"10.1080/13569325.2023.2211934","DOIUrl":"https://doi.org/10.1080/13569325.2023.2211934","url":null,"abstract":"This essay considers how Indigenous Amazonian aesthetics can sense and be sensed when incorporated into film. Drawing on Amazonian ontology, Shipibo aesthetics, and haptic film theory and focusing on the function of the multimodal Shipibo designs known as kené in Icaros: A Vision (2016, directed by Matteo Norzi and Leonor Caraballo), we propose that the full-length feature film format allows for a sensory experience of kené as life forms emanating from the forest. Two Italian artists created Icaros: A Vision in collaboration with Shipibo artists and shamans affiliated with Anaconda Cósmica, the Iquitos, Peru-area ayahuasca retreat centre where the movie takes place, and the film candidly reflects on the commodification of Indigenous healing and aesthetics in which it participates. Our analysis centres kené and its Shipibo makers – especially women – and compares the film’s Shipibo aesthetics with the words, sounds, and images from César Calvo’s The Three Halves of Ino Moxo: Teachings of the Wizard of the Upper Amazon (1981) and Werner Herzog’s Fitzcarraldo, both of which the film explicitly references. We argue that, in contrast to those works, Icaros: A Vision’s multisensorial engagement with Shipibo aesthetics intercepts – however imperfectly – the objectifying gaze inherent in the unrestrained partitioning of the forest into natural resources.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45380483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Nature, Labour, and Infrastructure in the Amazon: Miguel Triana’s Por el sur de Colombia 亚马逊地区的自然、劳动力和基础设施:米格尔·特里亚纳的《哥伦比亚南部的贫困》

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2023-04-03 DOI: 10.1080/13569325.2023.2225031

J. Uriarte

引用次数: 0

An Anarchist Rainforest: Cooperation in Ferreira de Castro’s A selva 无政府主义的雨林:费雷拉·德·卡斯特罗的热带雨林的合作

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2023-04-03 DOI: 10.1080/13569325.2023.2220657

P. Vieira

引用次数: 0

Ecological Stereotypes: Perceptions of Indigenous and Maroon Communities in Late Colonial Suriname 生态刻板印象：殖民后期苏里南土著和马龙派社区的认知

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2023-04-03 DOI: 10.1080/13569325.2023.2215717

Simon Lobach

引用次数: 1

Wakoborun Rescued her Brother’s Head From Enemy Hands: Munduruku Letters’ Amerindian Perspectivism and Cosmopolitical Territory Wakoborun从敌人手中救出了她哥哥的头:Munduruku Letters的美洲印第安人视角主义和世界政治领域

4区社会学

Journal of Latin American Cultural Studies Pub Date : 2023-04-03 DOI: 10.1080/13569325.2023.2227595

Tiffany Higgins

{"title":"Wakoborun Rescued her Brother’s Head From Enemy Hands: Munduruku Letters’ Amerindian Perspectivism and Cosmopolitical Territory","authors":"Tiffany Higgins","doi":"10.1080/13569325.2023.2227595","DOIUrl":"https://doi.org/10.1080/13569325.2023.2227595","url":null,"abstract":"The collective letters analyzed in this article are a response to hydroextractivism, which uses hydrological control and extraction to convert cultural rivers into decultured waters, transforming them into a neoextractivist commodity. As dams, mining, agribusiness, and cattle ranching infringe on the Amazon River basin, in territorial defence the Munduruku use resistance strategies including collective letters attacking the epistemic and ontological foundations of neoextractive, government-promoted Amazonian “development”, while presenting a counter-narrative insisting on their own cosmology and historical, cultural occupation of their territory. Using an Environmental Humanities approach, based on Munduruku collective letters authored primarily by Ipereğ Ayũ, I identify 19 repeating rhetorical features, including perspectivist representations of non-humans and ancestral spirits. Instead of underlining biological harms of the Teles Pires and São Manoel dams per a Western ontology, the letters instead emphasise cultural harms, creating narratives that insert cosmological entities from oral traditions into current cosmopolitics and a growing authority of women and shamans. I focus on letters tracing the Munduruku attempt to achieve the return of Itiğ’a (urns) removed during dam construction. I discuss Munduruku authorship-authority, antagonism-persuasion, and translation of the sacred from a perspectivist to non-perspectivist audience. I argue self-published Indigenous letters are part of a literature of territory from peoples confronting deterritorialisation that deserves publication and allyship-scholarship in Literature and other fields.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135717263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

El secreto de la tierra: Entangled Poetics and the Venezuelan Amazon in Una ojeada al mapa de Venezuela (1939) by Enrique Bernardo Núñez 地球的秘密：恩里克·贝尔纳多·努涅斯（EnriqueBernardo Núñez）的《纠缠的诗歌与委内瑞拉亚马逊》（1939年）一瞥委内瑞拉地图

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2023-04-03 DOI: 10.1080/13569325.2023.2214502

Gianfranco Selgas

{"title":"El secreto de la tierra: Entangled Poetics and the Venezuelan Amazon in Una ojeada al mapa de Venezuela (1939) by Enrique Bernardo Núñez","authors":"Gianfranco Selgas","doi":"10.1080/13569325.2023.2214502","DOIUrl":"https://doi.org/10.1080/13569325.2023.2214502","url":null,"abstract":"In the beginning of the twentieth century, after its rapid insertion into the vortex of oil and mineral extraction, Venezuela was forced to re-think its relationship with nature. This process of rethink, characterised by an eagerness for modernisation, resulted in a series of discourses focused on Venezuela’s Amazonia as a repository of possibilities. This paper analyses how these possibilities were channelled through the metaphor of el secreto de la tierra, tracing an early reading of the ideological configuration of Venezuela and its Amazonia as a land of inexhaustible material and poetic richness. This metaphor was voiced by a set of socio-ecological discourses written about the Venezuelan Amazon, including the essay on Venezuelan geography and culture by Enrique Bernardo Núñez Una ojeada al mapa de Venezuela (1939). The paper focuses on the representation of this region as a set of discursive constructions entangled with the naturalisation of the modernising ideal that has fuelled the imaginaries of material growth and rentier capitalism in Venezuela. The concluding remarks will point to how such a reading can help us to understand a discursive and poetic radicalisation embedded in conflicting approaches to the nature-culture confluence in the Venezuelan Amazon.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45845931","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0