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Baoli cang jin (Selected Bronzes in the Collection of the Poly Art Museum) 保利苍锦(保利美术馆青铜器藏品选集)
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 2000-01-01 DOI: 10.2307/3249943
T. Lawton, Baoli yishu bowuguan
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引用次数: 0
Formulas of creativity : Artist's sketches and techniques of copying at Dunhuang 创作的公式:敦煌艺术家的写生与临摹技法
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 2000-01-01 DOI: 10.2307/3249879
S. E. Fraser
{"title":"Formulas of creativity : Artist's sketches and techniques of copying at Dunhuang","authors":"S. E. Fraser","doi":"10.2307/3249879","DOIUrl":"https://doi.org/10.2307/3249879","url":null,"abstract":"La decouverte d'esquisses derriere le mur d'une grotte a Dunhuang est d'une grande importance pour la comprehension des croquis et des pratiques artistiques pre-modernes avant la periode des Ming. Les esquisses chinoises n'etaient pas considerees comme des objets d'art a part entiere et circulaient entre artistes au cours des siecles. Cependant il est evident que les peintres chinois s'en tenaient, techniquement et conceptuellement, a celles-ci quand ils commencaient leurs projets. Ces liens concrets entre les croquis et les oeuvres finies ajoutent de la valeur historique aux dessins. Ainsi ces derniers permettent d'etudier le processus de creativite artistique et de mieux definir les differentes phases de production et les techniques utilisees selon le format. Cet article considere, par consequent, l'importante collection d'esquisses et les procedes techniques des ateliers par rapport a la structure de l'academie de peinture regionale et de la professionalisation de la pratique de l'artiste a Dunhuang au Xe s.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"59 1","pages":"189-224"},"PeriodicalIF":0.3,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249879","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68506687","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 10
Beyond the written word : Li Gonglin's illustrations to Tao Yuanming's Returning home 文字之外:李公林对陶渊明《归乡》的插画
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 2000-01-01 DOI: 10.2307/3249880
Elizabeth Brotherton
{"title":"Beyond the written word : Li Gonglin's illustrations to Tao Yuanming's Returning home","authors":"Elizabeth Brotherton","doi":"10.2307/3249880","DOIUrl":"https://doi.org/10.2307/3249880","url":null,"abstract":"C'est par le biais des nombreuses copies des peintures de Li Gonglin (Xe-XIe s.) que l'on connait le mieux le parcours et les oeuvres de l'artiste chinois. En citant le probleme de l'illustration du poeme, Returning home, de Tao Yuanming (364-427), l'A se fonde sur une copie du XIIe s. de l'oeuvre originale de l'artiste afin de decrire quelques-uns des changements profonds que Li Gonglin a initie dans le traitement visuel de ce theme.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"59 1","pages":"225-263"},"PeriodicalIF":0.3,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249880","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68507118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 8
An image at Lakhi Serai and its implications Lakhi Serai的图像及其含义
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 2000-01-01 DOI: 10.2307/3249882
F. Asher
{"title":"An image at Lakhi Serai and its implications","authors":"F. Asher","doi":"10.2307/3249882","DOIUrl":"https://doi.org/10.2307/3249882","url":null,"abstract":"Cet article est consacre a une sculpture a Lakhi Serai (Inde). Cette image, provenant de Jaynagar, est particulierement interessante puisqu'elle releve du Bouddhisme alors que les oeuvres de Jaynagar sont habituellement d'essence brahmane. Cependant le theme de la mere assise et de l'enfant reste conforme a l'imagerie populaire de la region. Alors que certains attestent d'une disctinction stylistique entre les deux courants religieux, cette oeuvre semble suggerer un chevauchement des styles renforce par l'iconographie. L'analyse comparative avec un autre exemple provenant de la meme region le prouve.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"59 1","pages":"296-302"},"PeriodicalIF":0.3,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249882","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68507181","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Approaching the Temple in Nayaka-period Madurai: the Kutal Alakar temple 在nayaka时期的马杜赖走近寺庙:Kutal Alakar寺庙
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 2000-01-01 DOI: 10.2307/3249918
C. Branfoot
{"title":"Approaching the Temple in Nayaka-period Madurai: the Kutal Alakar temple","authors":"C. Branfoot","doi":"10.2307/3249918","DOIUrl":"https://doi.org/10.2307/3249918","url":null,"abstract":"Cet article traite de l'architecture indienne et, en particulier, des temples de la periode Nayaka (XVIe-XVIIe siecles de notre ere) situes a Madurai. L'A etudie le temple de Kūtal Alakar, exemple caracteristique des developpements de l'architecture des temples apres le XIIIe s. dans le plan et dans l'interaction de la forme architecturale et de la fonction rituelle. Il organise son analyse autour de deux themes : la composition formelle des lieux saints dans la tradition de l'architecture des temples (portes, halls etc...) et la fonction de ces monuments dans les rituels religieux.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"60 1","pages":"197-221"},"PeriodicalIF":0.3,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249918","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68508238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
La peinture persane: Une introduction 波斯绘画:简介
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 2000-01-01 DOI: 10.2307/3249925
David Roxburgh, O. Grabar
{"title":"La peinture persane: Une introduction","authors":"David Roxburgh, O. Grabar","doi":"10.2307/3249925","DOIUrl":"https://doi.org/10.2307/3249925","url":null,"abstract":"","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"60 1","pages":"349"},"PeriodicalIF":0.3,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249925","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68508243","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Ayagapatas: Characteristics, Symbolism, and Chronology Ayagapatas:特征、象征和年代
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 2000-01-01 DOI: 10.2307/3249941
S. R. Quintanilla
{"title":"Ayagapatas: Characteristics, Symbolism, and Chronology","authors":"S. R. Quintanilla","doi":"10.2307/3249941","DOIUrl":"https://doi.org/10.2307/3249941","url":null,"abstract":"Cet article est consacre a l'etude des āyāgapatas, ces plaques en pierre gravees produites dans le nord de la cite indienne de mathura au cours des Ier siecles av. et ap. J.-C. L'A se propose de definir ces tablettes votives plus precisement et d'etudier leur fonction et la symbolique de leur gravures tout en les replacant dans un contexte chronologique plus precis.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"60 1","pages":"79-137"},"PeriodicalIF":0.3,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249941","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68508445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
A new life for literati painting in the early twentieth century : Eastern art and modernity, a transcultural narrative? 20世纪初文人画的新生:东方艺术与现代性，一种跨文化叙事?
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 2000-01-01 DOI: 10.2307/3249921
A. Wong
{"title":"A new life for literati painting in the early twentieth century : Eastern art and modernity, a transcultural narrative?","authors":"A. Wong","doi":"10.2307/3249921","DOIUrl":"https://doi.org/10.2307/3249921","url":null,"abstract":"L'A traite, ici, d'un certain genre de peinture : celle destinee a une elite. Il narre l'histoire de cet art accessible aux seuls lettres et qui connut son âge d'or au XVIIe siecle de notre ere avant d'etre delaisse au cours de l'ere Meiji. Ce genre de peinture semble ensuite renaitre avec la periode Taisho, au debut du XXe s. L'A nous explique alors les differents facteurs qui ont contribue a ce regain d'interet. Puis il tente d'expliquer comment cette peinture a acquis au debut du XXe s. une identite moderne. Ainsi il commente la theorie de Chen Hengke concernant la peinture d'Occident et d'Orient. Enfin il se propose d'etablir une etude comparative entre l'oeuvre de Chen et celle d'un artiste du XVIIe-XVIIIe s., Shitao, qu'il considere comme un representant de la modernite.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"60 1","pages":"297-326"},"PeriodicalIF":0.3,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249921","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68508415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
Fascination of nature : plants and insects in Chinese painting and ceramics of the Yuan dynasty (1279-1368) 自然的魅力:元代(1279-1368)中国绘画和陶瓷中的植物和昆虫
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1999-01-01 DOI: 10.2307/3250025
Chufang Xie, R. Whitfield
{"title":"Fascination of nature : plants and insects in Chinese painting and ceramics of the Yuan dynasty (1279-1368)","authors":"Chufang Xie, R. Whitfield","doi":"10.2307/3250025","DOIUrl":"https://doi.org/10.2307/3250025","url":null,"abstract":"","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"58 1","pages":"343"},"PeriodicalIF":0.3,"publicationDate":"1999-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250025","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68510542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
The Eternal Palaces of the Western Han: A New View of the Universe 西汉的永恒宫殿:一种新的宇宙观
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1999-01-01 DOI: 10.2307/3249861
J. Rawson
{"title":"The Eternal Palaces of the Western Han: A New View of the Universe","authors":"J. Rawson","doi":"10.2307/3249861","DOIUrl":"https://doi.org/10.2307/3249861","url":null,"abstract":"Deux decouvertes archeologiques recentes, les guerriers en terre-cuite du premier empereur Qin (qui regna de 221 a 10 av. J.-C.) et les costumes de jade de la famille imperiale des Hans (206 av. J.-C.-220 apr. J.-C.) ont ete les pieces centrales de plusieurs grandes expositions. Cependant, nous ne nous sommes pas poses la question de la compatibilite de ces objets avec notre vision traditionnelle de la Chine ancienne. L'auteur de cet article soutient l'hypothese que les guerriers de terre cuite et les costumes de jade temoignent d'une transformation fondamentale qui intervint dans les pratiques funeraires chinoise de la fin du troisieme siecle av. J.-C. A cette fin, l'auteur confronte ces oeuvres aux recipients rituels en bronze, aux cloches et aux armes places dans les cercueils de bois de la periode Zhou. Il semble que l'unification politique qui eut lieu sous les dynasties Qin et Han ait ete le moment de mise en place de transformations importantes.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"59 1","pages":"5-58"},"PeriodicalIF":0.3,"publicationDate":"1999-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249861","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68506059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 28
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