ARTIBUS ASIAEPub Date : 2001-01-01DOI: 10.2307/3249961
S. Huang
{"title":"Summoning the Gods: Paintings of Three Officials of Heaven, Earth and Water and Their Association with Daoist Ritual Performance in the Southern Song Period (1127-1279)","authors":"S. Huang","doi":"10.2307/3249961","DOIUrl":"https://doi.org/10.2307/3249961","url":null,"abstract":"","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"61 1","pages":"5-52"},"PeriodicalIF":0.3,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249961","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68509078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ARTIBUS ASIAEPub Date : 2001-01-01DOI: 10.2307/3249909
D. Mccallum
{"title":"The earliest buddhist statues in Japan","authors":"D. Mccallum","doi":"10.2307/3249909","DOIUrl":"https://doi.org/10.2307/3249909","url":null,"abstract":"","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"61 1","pages":"149-188"},"PeriodicalIF":0.3,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249909","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68507836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ARTIBUS ASIAEPub Date : 2001-01-01DOI: 10.1515/9780824862909
P. Katz
{"title":"Images of the Immortal: The Cult of Lu Dongbin at the Palace of Eternal Joy","authors":"P. Katz","doi":"10.1515/9780824862909","DOIUrl":"https://doi.org/10.1515/9780824862909","url":null,"abstract":"","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"61 1","pages":"359"},"PeriodicalIF":0.3,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66820049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ARTIBUS ASIAEPub Date : 2001-01-01DOI: 10.2307/3249963
Phillip B. Wagoner, J. H. Rice
{"title":"From Delhi to the Deccan : Newly discovered Tughluq monuments at Warangal-SultAnpŪr and the beginnings of Indo-Islamic architecture in Southern India","authors":"Phillip B. Wagoner, J. H. Rice","doi":"10.2307/3249963","DOIUrl":"https://doi.org/10.2307/3249963","url":null,"abstract":"","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"61 1","pages":"77-117"},"PeriodicalIF":0.3,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249963","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68509086","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ARTIBUS ASIAEPub Date : 2001-01-01DOI: 10.2307/3249910
Liu Yang
{"title":"Images for the temple: Imperial patronage in the development of Tang Daoist art","authors":"Liu Yang","doi":"10.2307/3249910","DOIUrl":"https://doi.org/10.2307/3249910","url":null,"abstract":"","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"61 1","pages":"189-261"},"PeriodicalIF":0.3,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249910","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68507478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ARTIBUS ASIAEPub Date : 2000-01-01DOI: 10.2307/3249881
E. J. Laing
{"title":"Suzhou Pian and other dubious paintings in the received oeuvre of Qiu Ying","authors":"E. J. Laing","doi":"10.2307/3249881","DOIUrl":"https://doi.org/10.2307/3249881","url":null,"abstract":"L'artiste Suzhou, Qiu Ying (XVIe s.), a acquis sa notoriete grâce a dses portraits de femmes, ses paysages dans un style archaique bleu-et-vert, et sa technique descriptive fastidieuse. Or, les trop nombreuses copies realisees a partir de ces peintures rendent la constitution et l'authentification de son oeuvre picturale tres difficile. En consequence, les faux et les productions douteuses restent non ientifies et, de ce fait, devalorisent les realisations de Qiu Ying. L'A aborde donc le probleme de la contrefacon tout en evoquant les quelques signes d'ecriture qui permettent d'authentifier dans le cas de cet artiste.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"59 1","pages":"265-295"},"PeriodicalIF":0.3,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249881","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68507131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ARTIBUS ASIAEPub Date : 2000-01-01DOI: 10.2307/3249878
A. Mcnair
{"title":"On the Patronage by Tang-Dynasty Nuns at Wanfo Grotto, Longmen","authors":"A. Mcnair","doi":"10.2307/3249878","DOIUrl":"https://doi.org/10.2307/3249878","url":null,"abstract":"Cet article est consacre aux grottes de pelerinage bouddhistes apparues a l'epoque des Wei a Longmen (Chine). Ses grottes sont caracterisees par des mecenats successifs. Ainsi ces lieux saints renfermaient des statues, des petites niches statuaires ajoutees par les divers mecenes. Dans certaines grandes grottes, les programmes sculpturaux principaux etaient finis ou reactualises au cours de la dynastie des Tang sous l'impulsion d'un mecene appartenant a l'elite sociale puis des petites niches etaient ajoutees, plus tard, par des sponsors n'appartenant pas a cette elite. La grotte de Wanfo est un cas particulier : son programme scultpural de grande dimension commandite par les mecenes de l'elite n'est pas unifie ms represente differentes sources bouddhistes scripturales. Les inscriptions votives montrent, par ailleurs, que les commandes des mecenes appartenant a l'elite et de ceux non representatifs de cette categorie sociale ont ete realisees au meme moment dans le cadre du meme programme. Ces inscriptions revelent egalement une importance du mecenat des religieuses bouddhistes. L'A porpose une analyse de ce programme.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"59 1","pages":"161-188"},"PeriodicalIF":0.3,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249878","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68506854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ARTIBUS ASIAEPub Date : 2000-01-01DOI: 10.2307/3249924
L. Falkenhausen, Lothar Ledderose
{"title":"Ten Thousand Things: Module and Mass Production in Chinese Art, the A. W. Mellon Lectures in the Fine Arts","authors":"L. Falkenhausen, Lothar Ledderose","doi":"10.2307/3249924","DOIUrl":"https://doi.org/10.2307/3249924","url":null,"abstract":"","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"60 1","pages":"333"},"PeriodicalIF":0.3,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249924","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68508081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ARTIBUS ASIAEPub Date : 2000-01-01DOI: 10.2307/3249919
C. Glynn
{"title":"A Rajasthani Princely Album: Rajput Patronage of Mughal-Style Painting","authors":"C. Glynn","doi":"10.2307/3249919","DOIUrl":"https://doi.org/10.2307/3249919","url":null,"abstract":"L'A presente, ici, un album constitue sous le mecenat d'un prince de l'Etat d'Amber et conforme a la tradition musulmane du livre. La presente etude de certaines de ses peintures rassemblees dans cet ouvrage demontrent qu'elles sont de style moghol bien qu'elles laissent entrevoir une manifestation rare de l'habilite des artistes rājput a assimiler une tradition etablie et de la transformer afin de creer leur propre mode d'expression. En analysant l'iconographie de ces peintures l'A insiste sur la fusion d'elements musulmans et hindoux qui rend cet album particulier et qui est caracteristique de la cour d'Amber sous Man Singh.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"60 1","pages":"222-264"},"PeriodicalIF":0.3,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249919","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68508291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ARTIBUS ASIAEPub Date : 2000-01-01DOI: 10.2307/3249939
Sophia-Karin Psarras
{"title":"Rethinking the Non-Chinese Southwest","authors":"Sophia-Karin Psarras","doi":"10.2307/3249939","DOIUrl":"https://doi.org/10.2307/3249939","url":null,"abstract":"L'A traite ici de la constitution du materiel culturel des peuples non chinois en Chine au cours de l'âge du Bronze et sous la dynastie Han. L'A s'interroge sur les relations qu'entretenaient ces populations avec leurs voisins et le passe. Le mobilier funeraire mis au jour dans les tombe revele la presence d'objets chinois. L'A etudie donc le decor de ces objets constitues, pour l'essentiel, de ceramiques et d'objets en bronze et les compare aux productions chinoises.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"60 1","pages":"5-58"},"PeriodicalIF":0.3,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249939","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68508742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}