Journal of Posthuman Studies-Philosophy Technology Media最新文献_第5页

Cyborgs’ Perception, Cognition, Society, Environment, and Ethics: Interview with Neil Harbisson and Moon Ribas, 14 October 2016, Ace Hotel, New York City 赛博格的感知、认知、社会、环境和伦理:专访尼尔·哈比森和穆恩·里巴斯，2016年10月14日，纽约艾斯酒店

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Journal of Posthuman Studies-Philosophy Technology Media Pub Date : 2019-01-01 DOI: 10.5325/JPOSTSTUD.3.1.0060

Alcaraz

引用次数: 6

The Philosophical Case for Robot Friendship 机器人友谊的哲学案例

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Journal of Posthuman Studies-Philosophy Technology Media Pub Date : 2019-01-01 DOI: 10.5325/JPOSTSTUD.3.1.0005

Danaher

引用次数: 64

Toward Material and Interspecies Communication: An Interview with Eduardo Kac 迈向物质与物种间交流:对爱德华多·卡茨的访谈

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Journal of Posthuman Studies-Philosophy Technology Media Pub Date : 2019-01-01 DOI: 10.5325/JPOSTSTUD.3.1.0074

Alcaraz

引用次数: 2

Tensions about Technology, Monstrous Doubling, and Magical Illusion in The Prestige 《致命魔法》中关于技术、怪物倍增和魔法幻觉的紧张关系

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Journal of Posthuman Studies-Philosophy Technology Media Pub Date : 2019-01-01 DOI: 10.5325/jpoststud.3.2.0141

Humann

引用次数: 0

Beyond Representation: Relationality and Affect in Musical Practices 超越表现:音乐实践中的关系与情感

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Journal of Posthuman Studies-Philosophy Technology Media Pub Date : 2019-01-01 DOI: 10.5325/jpoststud.3.2.0159

Martí

引用次数: 1

Tracing the Subjectivities of the Changing Human: Hegel, Self-Understanding, and Posthuman Objective Freedom 追寻人类变化的主体性:黑格尔、自我理解与后人类的客观自由

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Journal of Posthuman Studies-Philosophy Technology Media Pub Date : 2018-06-01 DOI: 10.5325/JPOSTSTUD.2.2.0006

Rose

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引用次数: 2

The Coal Beds of Generations X, Y, and Z: Syncing, Learning, and Propagating in the Age of the Posthuman X、Y、Z世代的煤层:后人类时代的同步、学习与传播

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Journal of Posthuman Studies-Philosophy Technology Media Pub Date : 2018-06-01 DOI: 10.5325/jpoststud.2.2.0003

Eloise Govier

{"title":"The Coal Beds of Generations X, Y, and Z: Syncing, Learning, and Propagating in the Age of the Posthuman","authors":"Eloise Govier","doi":"10.5325/jpoststud.2.2.0003","DOIUrl":"https://doi.org/10.5325/jpoststud.2.2.0003","url":null,"abstract":"\u0000 In this article I broaden the discussion of posthuman pedagogy by arguing that when humans and Artificial Intelligences (AIs) engage, they are not separate entities but are instead “in-phenomena” (K. Barad, “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter,” Signs: Journal of Women in Culture and Society 28[3] [2003]: 801–31). I contend that the division between humans and AI is artificial, and dispute the ontological separability of the two entities while they are in-phenomena. Instead, using anthropologist Tim Ingold’s notion of “correspondence-thinking,” I argue that humans and technology “sync up” and enter into “correspondence” (T. Ingold, “On Human Correspondence,” Journal of the Royal Anthropological Institute 23[1] [2017a]: 9–27). By doing so, I contend that the human body enters a different ontological category, which I describe using the neologism “humAIn.” I take inspiration from philosopher and physicist Karen Barad, and using her approach to causality and agency, contend that the ontological gap between human and AI is collapsed during “intra-actions.” Thus, the blood-filled veins of the human body and the blinking light of the metallic body coordinate and operate in unison—they are in sync. To explore the transient state humans enter while syncing with AIs, I outline ethnographic research carried out with the “chatterbot” hosted in my smartphone. While syncing with the device, I consider collaborative learning, a modality that attends to the role of education in wider society, and think through the repercussions of syncing for human–AI civic life. I argue that humAIn entities generate a valuable quasi-synthetic resource—proto-data—and these are the new coal beds of generations X, Y, and Z.","PeriodicalId":55935,"journal":{"name":"Journal of Posthuman Studies-Philosophy Technology Media","volume":"72 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78435604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Posthumanism and Miss Representation: Scarlett Johansson Is Getting Under the Skin of Men 后人文主义和代表小姐:斯嘉丽·约翰逊在男人的皮肤下

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Journal of Posthuman Studies-Philosophy Technology Media Pub Date : 2018-06-01 DOI: 10.5325/JPOSTSTUD.2.2.0004

Matthews

{"title":"Posthumanism and Miss Representation: Scarlett Johansson Is Getting Under the Skin of Men","authors":"Matthews","doi":"10.5325/JPOSTSTUD.2.2.0004","DOIUrl":"https://doi.org/10.5325/JPOSTSTUD.2.2.0004","url":null,"abstract":"\u0000 Four recent Scarlett Johansson films—Under the Skin, Her, Lucy, and Ghost in the Machine—work in tandem as a subversive, reactionary form of phallocentrism both disguised as and in repudiation of a posthuman ontology that heralds the obsolescence of man. These films, far from being feminist manifestos, are, upon closer examination, a male reaction to the perceived existential threat posed by posthumanism to masculinity, itself. Central to what Rosi Braidotti refers to as the “posthuman predicament” is Scarlett Johansson, whom I will address, not as a singular entity, but as a multiplicity that manifests simultaneously as a flesh-and-blood human being, as a Hollywood actor and icon, as a twenty-first-century female prototype, and, ultimately, as a rhetorical cultural construct. With her come-hither looks, husky voice, voluptuous figure, versatility, and social and political activism, Scarlett Johansson the actor presents as the ultimate liberated woman; Scarlett Johansson the cultural construct, however, performs a much different function. Informed by Johansson’s public persona and embedded in Johansson’s four characters and the fictional worlds they inhabit is an unsubtle threat to notions of male supremacy both implicit and historically manifest under the umbrella of humanism. Whether immolated, unplugged and decommissioned, vanished into the ether as a techno-consciousness, or digitally dissolved, Scarlett Johansson’s characters in these films personify man’s anxiety about the extinction of his humanist self.","PeriodicalId":55935,"journal":{"name":"Journal of Posthuman Studies-Philosophy Technology Media","volume":"72 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78736132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Enhancing Toward the Last Universal Common Descendant 向最后一个世界共同后裔迈进

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Journal of Posthuman Studies-Philosophy Technology Media Pub Date : 2018-06-01 DOI: 10.5325/jpoststud.2.2.0005

Johann A. R. Roduit, M. Caon, V. Menuz

引用次数: 1

Transhumanist Parties as Niche Parties 作为利基政党的超人类主义政党

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Journal of Posthuman Studies-Philosophy Technology Media Pub Date : 2018-06-01 DOI: 10.5325/JPOSTSTUD.2.2.0007

Szabados

引用次数: 2