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Quintana-Revista do Departamento de Historia da Arte最新文献

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LAS PINTURAS MURALES DE SANTO ASENSIO DE LOS CANTOS (LA RIOJA)
IF 0.1
Quintana-Revista do Departamento de Historia da Arte Pub Date : 2022-11-30 DOI: 10.15304/quintana..7852
Raquel Sáenz Pascual
{"title":"LAS PINTURAS MURALES DE SANTO ASENSIO DE LOS CANTOS (LA RIOJA)","authors":"Raquel Sáenz Pascual","doi":"10.15304/quintana..7852","DOIUrl":"https://doi.org/10.15304/quintana..7852","url":null,"abstract":"Se conservan pocas pinturas murales medievales en La Rioja, por lo que son especialmente valiosas, a pesar de que algunas de ellas no hayan llegado hasta nosotros completas ni en buenas condiciones. Es el caso de la ermita de Santo Asensio de los Cantos (Ojacastro), con un conjunto pictórico que se fecha en el primer tercio del s. XIII y se sitúa en el interior del ábside. En la actualidad se pueden contemplar las escenas de la Epifanía, la Última Cena y cuatro figuras de religiosos en los derrames de los vanos. La conservación del conjunto es fruto de destacados esfuerzos a lo largo del tiempo, conocidos gracias a las fuentes documentales. En el artículo se recoge información sobre algunas de estas acciones de conservación y se ofrece una lectura iconográfica de las pinturas en clave eucarística, acorde con la época en que fueron realizadas.","PeriodicalId":55925,"journal":{"name":"Quintana-Revista do Departamento de Historia da Arte","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90936667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Erratum a “REFLEXIVIDAD E IRONÍA AUTOCONSCIENTE EN EL CINE MUSICAL ESPAÑOL DE LOS AÑOS SETENTA” ["Quintana", n. 20 (2021). https://doi.org/10.15304/quintana.20.7178] “70年代西班牙音乐电影中的反身性和自觉反讽”的勘误表[“Quintana”，n. 20(2021)。https://doi.org/10.15304/quintana.20.7178]
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Quintana-Revista do Departamento de Historia da Arte Pub Date : 2022-11-29 DOI: 10.15304/quintana.21.8867
Santiago Lomas Martínez
{"title":"Erratum a “REFLEXIVIDAD E IRONÍA AUTOCONSCIENTE EN EL CINE MUSICAL ESPAÑOL DE LOS AÑOS SETENTA” [\"Quintana\", n. 20 (2021). https://doi.org/10.15304/quintana.20.7178]","authors":"Santiago Lomas Martínez","doi":"10.15304/quintana.21.8867","DOIUrl":"https://doi.org/10.15304/quintana.21.8867","url":null,"abstract":"","PeriodicalId":55925,"journal":{"name":"Quintana-Revista do Departamento de Historia da Arte","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75272567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A STUDY ON SIMILE AND PURIFICATION IN THE “PHILOSOPHY OF DECORATION” OF IRANIAN ISLAMIC ART FROM IBN ARABI’S POINT OF VIEW 从伊本·阿拉比的视角看伊朗伊斯兰艺术“装饰哲学”中的明喻与净化
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Quintana-Revista do Departamento de Historia da Arte Pub Date : 2022-11-29 DOI: 10.15304/quintana..7833
Sadaf Pour Mahmoud
{"title":"A STUDY ON SIMILE AND PURIFICATION IN THE “PHILOSOPHY OF DECORATION” OF IRANIAN ISLAMIC ART FROM IBN ARABI’S POINT OF VIEW","authors":"Sadaf Pour Mahmoud","doi":"10.15304/quintana..7833","DOIUrl":"https://doi.org/10.15304/quintana..7833","url":null,"abstract":"Iranian Islamic art refers to the works of culture and civilization of the Iranian Muslim nation in the Islamic era. In its thinking and epistemological nature, it has a different language from simile and purification and is associated with a rich philosophy called \"decoration\" based on spiritual manifestations. Therefore, in creating works based on a simile and purification attitude, the existence of truth has never been neglected and the art world has been considered as manifestations of truth. This research is a descriptive and analytical research. Through documents, libraries and field observations, various data were collected by examining the principles and components of simile and purification with emphasis on Ibn Arabi's point of view and analyzing of how the Muslim artist used and his goals of using the combination of the two components in the philosophy of decoration. The results show that \"simile and purification\", as a mystical approach, has led to the formation of a special language in the structure of Iranian art; therefore, in the philosophy of decoration, the mystic artist has used it as a tool to manifest the beauty and perfection of God in forms through the embodiment of unity.","PeriodicalId":55925,"journal":{"name":"Quintana-Revista do Departamento de Historia da Arte","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84678696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A STUDY ON SIMILE AND PURIFICATION IN THE “PHILOSOPHY OF DECORATION” OF IRANIAN ISLAMIC ART FROM IBN ARABI’S POINT OF VIEW 从伊本·阿拉比的视角看伊朗伊斯兰艺术“装饰哲学”中的明喻与净化
IF 0.1
Quintana-Revista do Departamento de Historia da Arte Pub Date : 2022-11-29 DOI: 10.15304/quintana.21.7833
S. Pourmahmoud
{"title":"A STUDY ON SIMILE AND PURIFICATION IN THE “PHILOSOPHY OF DECORATION” OF IRANIAN ISLAMIC ART FROM IBN ARABI’S POINT OF VIEW","authors":"S. Pourmahmoud","doi":"10.15304/quintana.21.7833","DOIUrl":"https://doi.org/10.15304/quintana.21.7833","url":null,"abstract":"Iranian Islamic art refers to the works of culture and civilization of the Iranian Muslim nation in the Islamic era. In its thinking and epistemological nature, it has a different language from simile and purification and is associated with a rich philosophy called \"decoration\" based on spiritual manifestations. Therefore, in creating works based on a simile and purification attitude, the existence of truth has never been neglected and the art world has been considered as manifestations of truth. This research is a descriptive and analytical research. Through documents, libraries and field observations, various data were collected by examining the principles and components of simile and purification with emphasis on Ibn Arabi's point of view and analyzing of how the Muslim artist used and his goals of using the combination of the two components in the philosophy of decoration. The results show that \"simile and purification\", as a mystical approach, has led to the formation of a special language in the structure of Iranian art; therefore, in the philosophy of decoration, the mystic artist has used it as a tool to manifest the beauty and perfection of God in forms through the embodiment of unity.","PeriodicalId":55925,"journal":{"name":"Quintana-Revista do Departamento de Historia da Arte","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77737870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
BACK TO PARADISE: EXPERIENCES WITH FANALES AS A TOOL FOR APPROACHING THE RENEWAL SPACE 回到天堂:以fanales作为接近更新空间的工具的体验
IF 0.1
Quintana-Revista do Departamento de Historia da Arte Pub Date : 2022-11-28 DOI: 10.15304/quintana.21.8044
Olaya Sanfuentes
{"title":"BACK TO PARADISE: EXPERIENCES WITH FANALES AS A TOOL FOR APPROACHING THE RENEWAL SPACE","authors":"Olaya Sanfuentes","doi":"10.15304/quintana.21.8044","DOIUrl":"https://doi.org/10.15304/quintana.21.8044","url":null,"abstract":"This article aims to show the complex object of a fanal -a glass lantern where a sculpture of Baby Jesus surrounded by miniatures depicting nature dwells- as a three-dimensional representation of the hortus conclusus. The reflection and data provided, show this object as a garden to take care of and as a reminder of the search and mental pilgrimage to the renewal space.","PeriodicalId":55925,"journal":{"name":"Quintana-Revista do Departamento de Historia da Arte","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74798643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ARQUITETURA E ORNAMENTO NAS FESTAS DA CANONIZAÇÃO DOS JESUÍTAS ESTANISLAU KOSTKA E LUÍS GONZAGA EM PORTUGAL (1727) 葡萄牙耶稣会士ESTANISLAU KOSTKA和luis GONZAGA被封为圣徒的建筑和装饰(1727年)
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Quintana-Revista do Departamento de Historia da Arte Pub Date : 2022-11-28 DOI: 10.15304/quintana.21.7585
Maria João Pereira Coutinho
{"title":"ARQUITETURA E ORNAMENTO NAS FESTAS DA CANONIZAÇÃO DOS JESUÍTAS ESTANISLAU KOSTKA E LUÍS GONZAGA EM PORTUGAL (1727)","authors":"Maria João Pereira Coutinho","doi":"10.15304/quintana.21.7585","DOIUrl":"https://doi.org/10.15304/quintana.21.7585","url":null,"abstract":"O presente texto resulta da análise dos vários relatos referentes à dupla canonização de Luís Gonzaga (1568-1591) e Estanislau Kostka (1550-1568), em 1726, que teve particular eco no contexto nas celebrações da Companhia de Jesus em Portugal. As vertentes dos programas, da arquitetura e da cenografia contribuíram para a metamorfose dos espaços e, uma vez mais, para se afirmar a capacidade que esse instituto religioso teve para organizar celebrações e outros atos performativos, que envolveram a corte e vários segmentos sociais. Considerando os diversos testemunhos que narram estes acontecimentos, procurou-se colocar em diálogo as festas de Braga, Santarém, Lisboa e Évora, interrogando a obra e compreendendo as linhas comuns a todos estes jubileus.","PeriodicalId":55925,"journal":{"name":"Quintana-Revista do Departamento de Historia da Arte","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74275652","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DE VUELTA AL PARAÍSO: EXPERIENCIAS CON FANALES COMO HERRAMIENTA DE APROXIMACIÓN AL ESPACIO DE RENOVACIÓN 回到天堂:用探照灯作为改造空间的工具的经验
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Quintana-Revista do Departamento de Historia da Arte Pub Date : 2022-11-28 DOI: 10.15304/quintana..8044
O. Sanfuentes
{"title":"DE VUELTA AL PARAÍSO: EXPERIENCIAS CON FANALES COMO HERRAMIENTA DE APROXIMACIÓN AL ESPACIO DE RENOVACIÓN","authors":"O. Sanfuentes","doi":"10.15304/quintana..8044","DOIUrl":"https://doi.org/10.15304/quintana..8044","url":null,"abstract":"Este artículo pretende mostrar el complejo objeto de un fanal -una cápsula de vidrio de cristal con una escultura del Niño Jesús dentro, rodeada de miniaturas que representan la naturaleza- como representación tridimensional del hortus conclusus. La reflexión y los datos aportados muestran este objeto como un jardín a cuidar y como recordatorio de la búsqueda y peregrinaje mental hacia el espacio de renovación.","PeriodicalId":55925,"journal":{"name":"Quintana-Revista do Departamento de Historia da Arte","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74252786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
OS SONS DA PEDRA. O RONSEL DO MESTRE MATEO: REFLEXIONES SOBRE UNA EXPOSICIÓN NECESARIA
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Quintana-Revista do Departamento de Historia da Arte Pub Date : 2022-11-28 DOI: 10.15304/quintana..8672
Carlos Villanueva Abeleiras
{"title":"OS SONS DA PEDRA. O RONSEL DO MESTRE MATEO: REFLEXIONES SOBRE UNA EXPOSICIÓN NECESARIA","authors":"Carlos Villanueva Abeleiras","doi":"10.15304/quintana..8672","DOIUrl":"https://doi.org/10.15304/quintana..8672","url":null,"abstract":"El antiguo proyecto de la reconstrucción en madera de los instrumentos del Pórtico de la Gloria (1990-1994), promovido por los profesores José López-Calo y Carlos Villanueva, bajo el mecenazgo de la Fundación Barrié, además de toda la actividad que generó (en forma de publicaciones, exposiciones, conciertos, documentales, etc.), es recordado y referenciado como la actividad artístico-cultural que transformó la lutería en Galicia: de la meramente tradicional y local a la construcción de instrumentos antiguos, medievales y barrocos que hoy en día se venden en buena parte del mundo. Para conmemorar y poner en valor el antiguo proyecto y su proyección actual, desde el grupo de investigación Organistrum pusimos en marcha un Simposio y la Exposición que aquí reseñamos. La misma pudo visitarse en Santiago, en el Salón Artesonado del Pazo de Fonseca, entre el 29 de abril y el 28 de mayo de 2022, y estaba dedicada a José López-Calo, Serafín Moralejo y John Wright. En ella se presentaron las creaciones y prototipos de los artesanos Christian Rault, Sverre Jensen, Francisco Luengo, Ronad Z. Taylor, Yves D’Arzizas y Carlos Paniagua; con el importante apoyo de Luciano Pérez y Manuel Brañas, directores de los talleres de las Diputaciones de Lugo y Ourense. La exposición, comisariada por Montserrat Capelán y Carlos Villanueva y con diseño de Manuel Martínez, fue promovida y patrocinada por el grupo de investigación Organistrum (con subvención de la Xunta de Galicia a las Unidades de investigación Competitivas (GPC) y el proyecto I+D+i del Ministerio de Ciencia e Innovación) con la invaluable colaboración del","PeriodicalId":55925,"journal":{"name":"Quintana-Revista do Departamento de Historia da Arte","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80600463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
CUANDO EL HABLA ESTÁ AUSENTE: CRÍTICA INSTITUCIONAL Y MEMORIA HISTÓRICA EN LA OBRA CARTA A ANGELINA ESTÉVEZ (2008), DE MARIA EICHHORN 当语言缺失时:MARIA EICHHORN的《致安吉丽娜的信estevez》(2008)中的制度批判和历史记忆
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Quintana-Revista do Departamento de Historia da Arte Pub Date : 2022-11-23 DOI: 10.15304/quintana..8128
Pedro De Llano Neira
{"title":"CUANDO EL HABLA ESTÁ AUSENTE: CRÍTICA INSTITUCIONAL Y MEMORIA HISTÓRICA EN LA OBRA CARTA A ANGELINA ESTÉVEZ (2008), DE MARIA EICHHORN","authors":"Pedro De Llano Neira","doi":"10.15304/quintana..8128","DOIUrl":"https://doi.org/10.15304/quintana..8128","url":null,"abstract":"Este artículo está dedicado a una obra realizada por Maria Eichhorn (Bamberg, 1962) en Vigo en 2008. Carta a Angelina Estévez es representativa de un momento de cambio en la trayectoria de esta artista alemana, que ha sido reconocida como una de las principales exponentes de las prácticas posconceptuales contemporáneas, en especial en lo que tiene que ver con la reformulación de la crítica institucional. En la primera parte, se contextualiza y documenta el proceso de la obra, que ejemplifica la importancia de los archivos en el arte actual. En la segunda, se analiza la obra a través de un doble marco teórico, que contempla las teorías del filósofo Derrida sobre los conceptos de “suplemento” y “herencia”, por un lado, y los debates historiográficos alrededor de la “memoria histórica”, por otro, para dar lugar, en la última sección de este estudio, a una reflexión sobre la relación crítica que establece Carta a Angelina Estévez con el medio escultórico y la idea de monumento.","PeriodicalId":55925,"journal":{"name":"Quintana-Revista do Departamento de Historia da Arte","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82127172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
SENTIDO Y SIGNIFICACIÓN DE LA DONACIÓN DE RELIQUIAS DEL CARDENAL MENDOZA AL HOSPITAL DE SANTA CRUZ DE TOLEDO 门多萨枢机主教向圣克鲁斯德托莱多医院捐赠遗物的意义和意义
IF 0.1
Quintana-Revista do Departamento de Historia da Arte Pub Date : 2022-11-23 DOI: 10.15304/quintana..7587
M.ª Cristina HERNÁNDEZ CASTELLÓ
{"title":"SENTIDO Y SIGNIFICACIÓN DE LA DONACIÓN DE RELIQUIAS DEL CARDENAL MENDOZA AL HOSPITAL DE SANTA CRUZ DE TOLEDO","authors":"M.ª Cristina HERNÁNDEZ CASTELLÓ","doi":"10.15304/quintana..7587","DOIUrl":"https://doi.org/10.15304/quintana..7587","url":null,"abstract":"Analizamos en el presente artículo la donación de reliquias realizada por parte del cardenal Mendoza (1428-1495) al hospital de Santa Cruz de Toledo, a través de un documento inédito conservado en el Archivo Histórico Provincial de Toledo. Profundizamos en el valor que los vestigios sagrados alcanzaron como obsequios dentro de las prácticas sociales de la época convirtiéndose en presentes que, siendo portadores de lo sagrado, prestigiaban tanto al donante como al receptor y contribuían a la construcción de la imagen del poder.","PeriodicalId":55925,"journal":{"name":"Quintana-Revista do Departamento de Historia da Arte","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89090854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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