Luxury-History Culture Consumption最新文献_第5页

“If We Want Things to Stay as They Are, Things Will Have to Change.” Covid, Couture and the 1% “如果我们希望事情保持现状，就必须做出改变。”Covid, Couture和那1%的人

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Luxury-History Culture Consumption Pub Date : 2021-04-23 DOI: 10.1080/20511817.2021.1897266

Jonathan Faiers

引用次数: 1

“The Circle of Life Is Endless”: Shih Li-Jen’s “King Kong Rhino” in Venice and beyond “生命的循环是无尽的”：施在威尼斯及其他地方的“金刚犀牛”

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Luxury-History Culture Consumption Pub Date : 2021-01-02 DOI: 10.1080/20511817.2020.1864601

J. Dickenson

{"title":"“The Circle of Life Is Endless”: Shih Li-Jen’s “King Kong Rhino” in Venice and beyond","authors":"J. Dickenson","doi":"10.1080/20511817.2020.1864601","DOIUrl":"https://doi.org/10.1080/20511817.2020.1864601","url":null,"abstract":"Abstract When “King Kong Rhino”—the monumental–sculpture by the Taiwanese artist Shih Li-Jen (1955–) left Venice for Bassano del Grappa in December 2018, it joined a distinguished line of rhinoceroses to have embarked on a European tour. This article examines the place of Shih’s rhinoceros sculptures in this “Endless Circle of Life,” beginning with the European journeys of two historical rhinoceroses, Ganda who arrived in Portugal in 1515, and Clara who was displayed in Venice in 1751. The article outlines Shih’s idiosyncratic collage of themes from Eastern and Western history, philosophy, spirituality and mythology, and his perception of the rhinoceros as powerful but threatened, as expressed in his motto “Strength and Vulnerability.” The animal’s vulnerability has been fuelled by its long history of exploitation for profit. Though it remains an object of commodification today—in some societies rhinoceros horn is revered as the ultimate gift—there has recently been a discernible shift in the way these magnificent animals are viewed, a shift away from exploitation and which Shih claims drives his work. Despite his expressed intentions, however, this paper suggests that, perhaps unwittingly, the marketing of his work serves to extend the long history of human exploitation of the rhinoceros. Finally, the commodification of Venice and its Biennale, at which “King Kong Rhino” was exhibited, is discussed in the context of the current COVID-19 pandemic.","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"8 1","pages":"145 - 161"},"PeriodicalIF":0.2,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42808545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Rhino Horns and Scraps of Unicorn: The Sense of Touch and the Consumption of Rhino Horns in Early Modern Iberia 犀角和独角兽的碎屑：现代伊比利亚早期犀角的触觉和消费

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Luxury-History Culture Consumption Pub Date : 2021-01-02 DOI: 10.1080/20511817.2021.1877000

Bruno A Martinho

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引用次数: 1

The Last Sacrifice: The Potential of a Revived Venetian World 最后的牺牲:一个复兴的威尼斯世界的潜力

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Luxury-History Culture Consumption Pub Date : 2021-01-02 DOI: 10.1080/20511817.2020.1864599

Allison Zurfluh

{"title":"The Last Sacrifice: The Potential of a Revived Venetian World","authors":"Allison Zurfluh","doi":"10.1080/20511817.2020.1864599","DOIUrl":"https://doi.org/10.1080/20511817.2020.1864599","url":null,"abstract":"Introduction The sun is beginning to sink over Torcello as I navigate my way back toward Burano. It is Sunday, and the weekend is mercifully coming to an end. I round the south corner of Isola Santa Cristina and pull up to a nesting barena (saltmarsh mudflat) that is home to a family of small white seagulls, known in dialect as coc ai. About three weeks ago, I met two tiny nestlings there while picking up trash that floats in from the mainland and have gone to observe quietly and unobtrusively twice a week, careful not to stay too long or disturb their habitat. Italy had a four-day holiday this week, and an unprecedented number of leisure boats speeding their way into the north. I was surprised and felt uneasy with the endless drone of motors and uninformed traffic in this protected and delicate environment. With a deep knowledge of, and respect for, the city of Venice, its people and environment, Allison Zurfluh curates bespoke educative itineraries into Venice’s northern lagoon. She has worked for twenty years as a translator in Classical Music and Olympic Sport; is the chief editor of DeluxePad, the luxury lifestyle magazine for private aircraft, and has contributed to international publications such as Cond e Nast Traveller UK, Swiss Universe in-flight Magazine, InTime Venice & Veneto, Swiss Style, and Legendary Stein in Salzburg. Zurfluh is also the author of The Veremonda Resurrection which traces the revival of a seventeenthcentury Venetian opera (Gli Ori, 2016), and of a children’s book on Venice Lia Leaves the Library (Lineadacqua Edizioni, 2017). allisonzurfluh@gmail.com Lu xu ry D O I: 10 .1 08 0/ 20 51 18 17 .2 02 0. 18 64 59 9","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"8 1","pages":"105 - 116"},"PeriodicalIF":0.2,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41543070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Clara in Qatar: A New Life for a Meissen Porcelain Rhinoceros 卡塔尔的克拉拉：迈森瓷犀牛的新生活

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Luxury-History Culture Consumption Pub Date : 2021-01-02 DOI: 10.1080/20511817.2020.1864598

Sophie Bostock

引用次数: 0

The Night the Rhinos Came 犀牛来的那晚

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Luxury-History Culture Consumption Pub Date : 2021-01-02 DOI: 10.1080/20511817.2020.1864602

Ronna Bloom

引用次数: 0

Re-Inventing Magnificence: Gaining Status from Contribution Not Consumption 再创造辉煌：从贡献而非消耗中获得地位

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Luxury-History Culture Consumption Pub Date : 2021-01-02 DOI: 10.1080/20511817.2020.1864600

Lynn Johnson

{"title":"Re-Inventing Magnificence: Gaining Status from Contribution Not Consumption","authors":"Lynn Johnson","doi":"10.1080/20511817.2020.1864600","DOIUrl":"https://doi.org/10.1080/20511817.2020.1864600","url":null,"abstract":"Abstract Most luxury consumers link rarity to higher status. It may be a luxury car, yacht, haute-couture fashion and accessories, prestige holiday destinations such as Venice, or purchasing “exotic” wildlife products. For some, legal luxury is not enough to fulfil their status need and they take a step into a world of illegal consumption; this is the case for the buyers of rhino horn in Viet Nam. The desire for rare wildlife “products,” both legal and illegal is increasing rapidly. Legally, the desire to supply means species are both captive bred en masse and legally harvested from the wild to fulfil the demand. Illegally, criminal syndicates have moved beyond simply exploiting the existing demand to manufacturing new markets using the same principles luxury goods manufacturers have used for decades to trigger desire and purchasing decisions. Uncurtailed luxury consumption of exotic wildlife “products” is driving the illegal poaching and unsustainable harvesting of many species. Extinction is a direct result of the “vulgarity of desire” for luxury goods made from endangered species. Battling this trend requires a different approach to traditional conservation methods. Nature Needs More utilises an innovative approach to wildlife conservation, that of “demand reduction.” But demand reduction alone is not enough, there is a need to redirect desire away from both legal and illegal consumption of exotic and endangered species. Nature Needs More combines demand reduction campaigns in SE Asia with work to revive and reinvent Magnificence, a concept steeped in history but subverted by luxury in recent centuries. This paper outlines Nature Needs More’s research in the field, and the mechanisms by which we can provide elites with an alternative to fulfil their self-image and status needs based on contribution instead of consumption of our most fragile heritage.","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"8 1","pages":"117 - 143"},"PeriodicalIF":0.2,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48092540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Gigi Bon, the Rhinoceros, Venice, and the Unbearable Heaviness of Being. 吉吉·邦、犀牛、威尼斯和生命的不可承受之重。

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Luxury-History Culture Consumption Pub Date : 2021-01-02 DOI: 10.1080/20511817.2020.1864596

Catherine Kovesi

引用次数: 1

One of a Kind: Clara the Rhinoceros in Eighteenth-Century Venice and the Tale of a Missing Horn 独一无二：18世纪威尼斯的犀牛克拉拉与一只失踪的角的故事

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Luxury-History Culture Consumption Pub Date : 2021-01-02 DOI: 10.1080/20511817.2020.1864597

G. Ridley

{"title":"One of a Kind: Clara the Rhinoceros in Eighteenth-Century Venice and the Tale of a Missing Horn","authors":"G. Ridley","doi":"10.1080/20511817.2020.1864597","DOIUrl":"https://doi.org/10.1080/20511817.2020.1864597","url":null,"abstract":"Abstract In 1741, a Dutch sea captain succeeded in transporting a live female Indian rhino calf from north-east India to his home town of Leiden. Named “Clara,” she was only the fifth Indian rhinoceros to be seen on European soil since the fall of the Roman empire and the only rhinoceros on the continent in the mid-eighteenth century. From 1741 to 1758, Douwemout Van der Meer displayed Clara across Europe to commoners and kings. In 1751, Van der Meer took Clara to Venice, to show her during Carnival. But en route to Venice, Clara shed her horn. Clara and the crowds that queued to see her—even in her hornless state—are recorded in the paintings and etchings of the father and son, Pietro and Alessandro Longhi. The article provides a brief introduction to Clara’s history and mid-eighteenth-century European odyssey, before examining her 1751 visit to Venice. At that time, the fragility of Clara’s status as the only one of her kind in Europe was further heightened by her shed horn, while rumors that she had been lost to the Grand Canal may be seen as an astute marketing ploy on the part of Van der Meer, and strangely prescient of the potential disappearance of both the rhinoceros and Venice itself.","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"8 1","pages":"41 - 58"},"PeriodicalIF":0.2,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47947518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Gracious Hospitable City 亲切好客的城市

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Luxury-History Culture Consumption Pub Date : 2021-01-02 DOI: 10.1080/20511817.2020.1864593

Ronna Bloom

引用次数: 0