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Introduction. Le « cas Dusapin » 引言。“Dusapin案例”
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1059423AR
Maxime Mckinley
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引用次数: 0
L’univers de Katia Makdissi-Warren (un diagramme)
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1066489ar
N. Pascal
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引用次数: 0
Lessons in Love and Violence et Written on Skin : deux opéras de Benjamin au service d’une lisibilité dramatique et musicale 《爱与暴力的教训》和《写在皮肤上的教训》:本雅明的二人人格障碍与人格障碍
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1059431AR
M. Tachon
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引用次数: 0
« Ces deux-là » : sur Macbeth Underworld 《这两个人》:《麦克白黑社会》
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1059430AR
P. Dusapin
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引用次数: 0
Chanter Dusapin : dialogues avec Françoise Kubler et Georg Nigl Chanter Dusapin:与francoise Kubler和Georg Nigl的对话
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1059425AR
V. Ranallo
{"title":"Chanter Dusapin : dialogues avec Françoise Kubler et Georg Nigl","authors":"V. Ranallo","doi":"10.7202/1059425AR","DOIUrl":"https://doi.org/10.7202/1059425AR","url":null,"abstract":"Les compositeurs et leurs interpretes collaborent a la creation des oeuvres. La nature et le degre de cette collaboration sont variables. Cet article s’interesse a la marque laissee sur la musique vocale de Pascal Dusapin par le contact des chanteurs Francoise Kubler et Georg Nigl. L’analyse se colore de l’experience de l’auteur, lui-meme praticien de la musique de ce compositeur. Le parcours du compositeur prend son essor dans une approche experimentale, mise de l’avant dans la musique de chambre, et s’ouvre graduellement a l’opera, oeuvre d’art total. Ce cheminement se cristallise dans les rapports de Dusapin avec Kubler et Nigl. A la question de l’expressivite de la diction, ou de sa neutralisation et de son abstraction, Dusapin repond par l’immediatete de la dimension theâtrale, a travers les timbres de la voix et les mimiques corporelles. Le geste imagine par le compositeur communique un affect. Il est non seulement vocal, mais il englobe le deploiement du corps chantant dans l’espace.","PeriodicalId":53890,"journal":{"name":"Circuit","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80103752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Enfin de l’espace (ultrachromatique et non-octaviant) ! 终于有空间了(超消色差和非八度)!
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1062564ar
P. Leroux
{"title":"Enfin de l’espace (ultrachromatique et non-octaviant) !","authors":"P. Leroux","doi":"10.7202/1062564ar","DOIUrl":"https://doi.org/10.7202/1062564ar","url":null,"abstract":"Dans cet article, Philippe Leroux evoque sa rencontre avec Ivan Wyschnegradsky et ce qu’elle a apporte a sa vision de la composition. Pour cela, il explique – apres les avoir decrits sommairement – en quoi les principales theories compositionnelles de Wyschnegradsky que sont les periodicites et les cycles non-octaviants ainsi que les echelles ultrachromatiques, se differenciaient des principes seriels, stochastiques ou d’objets sonores en vogue a Paris a la fin des annees 1970. Il aborde ensuite l’influence qu’ont pu avoir ces theories sur sa musique, et comment elles ont joue pour lui un role liberateur en proposant une facon d’envisager le travail sur les hauteurs de note qui s’affranchit des visions motivique, aleatoire ou de timbre harmonique. Il evoque enfin comment il s’en est peu a peu affranchi, tout en reconnaissant en quoi ces theories ont fortement participe a sa conception de la notion de continuum perceptif.","PeriodicalId":53890,"journal":{"name":"Circuit","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87732419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Deux exclusivités web : alcides lanza/Steven Kazuo Takasugi
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1062573ar
Daniel Áñez
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引用次数: 0
Création contemporaine et partage des traditions : à la rencontre de Katia Makdissi-Warren 当代创作与传统分享:与卡蒂亚·马克迪斯-沃伦会面
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1066490ar
Vicky Tremblay
{"title":"Création contemporaine et partage des traditions : à la rencontre de Katia Makdissi-Warren","authors":"Vicky Tremblay","doi":"10.7202/1066490ar","DOIUrl":"https://doi.org/10.7202/1066490ar","url":null,"abstract":"","PeriodicalId":53890,"journal":{"name":"Circuit","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73739545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
« Cohérence d’une oeuvre métissée » : extrait de thèse de doctorat (2007) “metissee作品的连贯性”:博士论文节选(2007)
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1066493AR
Katia Makdissi-Warren
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引用次数: 0
Introduction. Les voies de la pansonorité 引言。全音性的途径
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1062563ar
P. Bazin, R. Hasegawa
{"title":"Introduction. Les voies de la pansonorité","authors":"P. Bazin, R. Hasegawa","doi":"10.7202/1062563ar","DOIUrl":"https://doi.org/10.7202/1062563ar","url":null,"abstract":"","PeriodicalId":53890,"journal":{"name":"Circuit","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73836335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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