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Introduction. Les voies de la pansonorité 引言。全音性的途径
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1062563ar
P. Bazin, R. Hasegawa
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引用次数: 0
La contribution du Quatuor Molinari au rayonnement par le disque de la musique de R. Murray Schafer, Jean Papineau-Couture et Petros Shoujounian 莫利纳里四重奏通过R. Murray Schafer、Jean Papineau-Couture和Petros Shoujounian的音乐光盘对影响的贡献
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1066485AR
Alexis Raynault
{"title":"La contribution du Quatuor Molinari au rayonnement par le disque de la musique de R. Murray Schafer, Jean Papineau-Couture et Petros Shoujounian","authors":"Alexis Raynault","doi":"10.7202/1066485AR","DOIUrl":"https://doi.org/10.7202/1066485AR","url":null,"abstract":"Interprete mondialement reconnu du repertoire contemporain et recipiendaire de nombreux prix, le Quatuor Molinari a enregistre pres de quinze disques depuis sa fondation en 1997. Cet article traite de l’apport des disques du Quatuor Molinari au rayonnement de la musique de trois compositeurs canadiens – R. Murray Schafer, Jean Papineau-Couture et Petros Shoujounian – en le contextualisant historiquement par rapport a la genese des oeuvres abordees et aux autres ensembles qui les ont jouees.","PeriodicalId":53890,"journal":{"name":"Circuit","volume":"27 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74763067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
L’ascendance du maître, ou l’empreinte théorique d’Ivan Wyschnegradsky sur Régime 11, Type A (1978) de Bruce Mather 大师的祖先，或ivan Wyschnegradsky在Bruce Mather的饮食11,Type A(1978)中的理论足迹
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1062569ar
P. Bazin
{"title":"L’ascendance du maître, ou l’empreinte théorique d’Ivan Wyschnegradsky sur Régime 11, Type A (1978) de Bruce Mather","authors":"P. Bazin","doi":"10.7202/1062569ar","DOIUrl":"https://doi.org/10.7202/1062569ar","url":null,"abstract":"Le compositeur canadien Bruce Mather a fait la rencontre d’Ivan Wyschnegradsky en 1974, quelques annees seulement avant le deces de celui-ci. L’amitie qui nait alors entre les deux hommes mene d’abord au premier enregistrement commercial de la musique de Wyschnegradsky par le duo Mather-LePage, puis a la premiere oeuvre microtonale signee par Mather, Regime 11, Type A (1978), composee pour une formation de deux pianos complementaires accordes a distance d’un quart de ton. Cet article fait d’abord le survol de certains principes theoriques developpes par Wyschnegadsky, relate ensuite la relation qu’il a partagee avec Mather, et propose finalement une analyse de l’ouverture de Regime 11, Type A, dans laquelle le principe d’espaces non-octaviants est repris par celui, qui, aujourd’hui encore, se considere comme le disciple du maitre russe.","PeriodicalId":53890,"journal":{"name":"Circuit","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81776603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reality Sounding: Annesley Black’s not thinking about the elephants 现实听起来:Annesley Black并没有想到大象
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1066487AR
Anthony Tan
{"title":"Reality Sounding: Annesley Black’s not thinking about the\u0000 elephants","authors":"Anthony Tan","doi":"10.7202/1066487AR","DOIUrl":"https://doi.org/10.7202/1066487AR","url":null,"abstract":"This paper presents an analysis of Annesley Black’s not thinking about the elephants (2018), for saxophone quartet and live electronics. Written for Montreal’s Quasar Saxophone Quartet, this work explores concepts of suppression and emergence through traditional musical dimensions such as melody, counterpoint, and form, but also through contemporary musical dimensions such as psychoacoustics (difference tones), theatrical elements, and live electronics. Black’s practice engages critically with the compositional process itself by formulating dialectic relationships between material and compositional strategies (both intuitive and systematic). This work encourages the listener to engage in a multidimensional listening experience where conceptual extremes become a catalyst for the building of narrative and tension.","PeriodicalId":53890,"journal":{"name":"Circuit","volume":"27 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91186588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tu es musique 你就是音乐
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1066494AR
Joséphine Bacon
{"title":"Tu es musique","authors":"Joséphine Bacon","doi":"10.7202/1066494AR","DOIUrl":"https://doi.org/10.7202/1066494AR","url":null,"abstract":"","PeriodicalId":53890,"journal":{"name":"Circuit","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74527387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Avant-propos. Une hétérogenèse 前言。一个hétérogenèse
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1062562ar
Maxime Mckinley
{"title":"Avant-propos. Une hétérogenèse","authors":"Maxime Mckinley","doi":"10.7202/1062562ar","DOIUrl":"https://doi.org/10.7202/1062562ar","url":null,"abstract":"","PeriodicalId":53890,"journal":{"name":"Circuit","volume":"8 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87556459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Le Quatuor selon Molinari : ma vie consacrée au quatuor à cordes 莫利纳里的四重奏:我献身于弦乐四重奏的一生
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1066484AR
Olga Ranzenhofer
{"title":"Le Quatuor selon Molinari : ma vie consacrée au quatuor à cordes","authors":"Olga Ranzenhofer","doi":"10.7202/1066484AR","DOIUrl":"https://doi.org/10.7202/1066484AR","url":null,"abstract":"Ce texte presente le projet et le cheminement artistique du Quatuor Molinari tel qu’anime par sa fondatrice, la violoniste Olga Ranzenhofer, qui est aussi la directrice artistique de l’ensemble. L’auteure raconte ses rencontres marquantes avec deux grands artistes canadiens, Guido Molinari et R. Murray Schafer, qui ont marque le parcours du quatuor et inspire ses musiciens a explorer l’art d’aujourd’hui et a creer des rapprochements avec le public. Elle y decrit et explique les evenements Le Quatuor selon… ainsi que les Dialogues, qui ont permis aux musiciens et au public l’exploration du repertoire des xxe et xxie siecles pour quatuor a cordes par la presentation de cycles complets de quatuors d’importants compositeurs d’aujourd’hui. C’est avec passion qu’Olga Ranzenhofer decrit le long et exaltant cheminement du travail de musicien de quatuor, du choix du repertoire au concert, en passant par les nombreuses heures de travail et l’enregistrement d’un cd.","PeriodicalId":53890,"journal":{"name":"Circuit","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81412259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Katia Makdissi-Warren : étapes et oeuvres marquantes
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1066488ar
N. Pascal
{"title":"Katia Makdissi-Warren : étapes et oeuvres marquantes","authors":"N. Pascal","doi":"10.7202/1066488ar","DOIUrl":"https://doi.org/10.7202/1066488ar","url":null,"abstract":"","PeriodicalId":53890,"journal":{"name":"Circuit","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82466761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nouveautés en bref
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1062571ar
Charles-Antoine Fréchette
{"title":"Nouveautés en bref","authors":"Charles-Antoine Fréchette","doi":"10.7202/1062571ar","DOIUrl":"https://doi.org/10.7202/1062571ar","url":null,"abstract":"","PeriodicalId":53890,"journal":{"name":"Circuit","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76638481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Une « pièce habitable » : Watt de Pascal Dusapin “客厅”:Pascal Dusapin的瓦特
Circuit Pub Date : 2019-01-01 DOI: 10.7202/1059428AR
Igor Ballereau
{"title":"Une « pièce habitable » : Watt de Pascal Dusapin","authors":"Igor Ballereau","doi":"10.7202/1059428AR","DOIUrl":"https://doi.org/10.7202/1059428AR","url":null,"abstract":"","PeriodicalId":53890,"journal":{"name":"Circuit","volume":"307 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74203566","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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