WILLIAM CARLOS WILLIAMS REVIEW最新文献_第6页

Editor’s Note Editor’s音符

WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2020-01-01 DOI: 10.5325/willcarlwillrevi.37.2.0117

Copestake

引用次数: 0

The Well-Wrought Broken Pieces of a Green Bottle: William Carlos Williams and Object-Oriented Ontology 绿瓶子的碎片：威廉·卡洛斯·威廉姆斯与面向对象本体论

WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2019-11-23 DOI: 10.1353/wcw.2019.0008

Michael Delgado

引用次数: 2

"As if you had never known me": William Carlos Williams's Letters to William Eric in the Pacific Theater, World War Two “仿佛你从未认识过我”：威廉·卡洛斯·威廉姆斯在太平洋剧院写给威廉·埃里克的信，第二次世界大战

WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2019-11-23 DOI: 10.1353/wcw.2019.0007

T. R. Graham

引用次数: 0

William Carlos Williams Bibliography 2018 William Carlos Williams书目2018

WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2019-11-23 DOI: 10.1353/wcw.2019.0012

Simon D. Trüb

引用次数: 0

William Carlos Williams and the Cult of the New 威廉与新教

WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2019-11-23 DOI: 10.1353/wcw.2019.0009

Tony Barnstone

引用次数: 2

Why Should I Write a Poem Now. The Letters of Srinivas Rayaprol and William Carlos Williams, 1949–1958 ed. by Graziano Krätli (review) 我为什么要现在写诗?斯里尼瓦斯·拉亚普罗尔和威廉·卡洛斯·威廉姆斯的书信，1949-1958，格拉齐亚诺编Krätli(评论)

WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2019-11-23 DOI: 10.1353/wcw.2019.0011

C. Giorcelli

引用次数: 0

The Dog and the Fever: A Perambulatory Novella by Pedro Espinosa ed. by Jonathan Cohen (review) 佩德罗·埃斯皮诺萨（Pedro Espinosa）的《狗与发烧：一部流动的长篇小说》（The Dog and The Fever:A Permobil Novella），乔纳森·科恩（Jonathan Cohen）主编（评论）

WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2019-11-23 DOI: 10.1353/wcw.2019.0010

R. Ratzan

引用次数: 0

Marking Fifty Years of Williams Scholarship: Linda Wagner-Martin's "William Carlos Williams's The Great American Novel" 纪念威廉姆斯奖学金50周年:琳达·瓦格纳-马丁的《威廉·卡洛斯·威廉姆斯的伟大美国小说》

WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2019-05-07 DOI: 10.1353/WCW.2019.0006

A. Fisher-Wirth

{"title":"Marking Fifty Years of Williams Scholarship: Linda Wagner-Martin's \"William Carlos Williams's The Great American Novel\"","authors":"A. Fisher-Wirth","doi":"10.1353/WCW.2019.0006","DOIUrl":"https://doi.org/10.1353/WCW.2019.0006","url":null,"abstract":"The Great American Novel,” which the William Carlos Williams Review is reprinting to celebrate fifty years since its first publication, reminds me of one sunny morning in the late 1970s, when I sat in the garage of the fourroom bungalow my first husband and I rented with our two small children, dangling my legs over the arm of my chair, smoking Kents, and trying to make sense of Williams’s strange, brief book. The garage, with its castoff furniture and the $5 motorcycle that didn’t run, was the only place I could work, a bit removed from the house yet still available in case of emergency. I was preparing to write my dissertation at the time—the dissertation that years later became William Carlos Williams and Autobiography: The Woods of His Own Nature—and was slowly reading and rereading everything Williams had published. To tell the truth, I don’t think I encountered Wagner-Martin’s article back then; mostly, I was focusing on autobiography theory and criticism of Williams’s poetry, and probably the biggest influence on my work was J. Hillis Miller’s 1965 book Poets of Reality. But I wish I had read it. I wish I had had a firmer sense of what’s at stake in The Great American Novel, which Linda Wagner-Martin so beautifully now helps me understand.","PeriodicalId":53869,"journal":{"name":"WILLIAM CARLOS WILLIAMS REVIEW","volume":"36 1","pages":"24 - 24"},"PeriodicalIF":0.0,"publicationDate":"2019-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/WCW.2019.0006","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43238595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A Thank You Note to Linda Wagner-Martin 给琳达·瓦格纳·马丁的感谢信

WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2019-05-07 DOI: 10.1353/WCW.2019.0000

C. Macgowan

{"title":"A Thank You Note to Linda Wagner-Martin","authors":"C. Macgowan","doi":"10.1353/WCW.2019.0000","DOIUrl":"https://doi.org/10.1353/WCW.2019.0000","url":null,"abstract":"a distant stage, in May 1979. This was before I had actually settled down to read her pioneer books and articles on William Carlos Williams. I had only just gravitated towards a decision to write my doctoral dissertation on the poet, aided by Walt Litz’s argument that Williams would be a better subject to explore than the other author I had pitched to him with fervor. Having only just gotten started, I was in the process of reading what seemed like a very long list of works by our author. To be followed by what seemed the much shorter list of books and articles on our author—and Linda Wagner-Martin’s name appeared alongside quite a few of them. The occasion of this distant glimpse—which brought some reassurance that young scholars survived the years of doctoral research that loomed ahead, that such scholars might get jobs, and that they might even still have the energy left that Linda Wagner-Martin displayed in her presentation— was what was billed as the “William Carlos Williams ‘Spring and All’ Festival” at Kean College (since 1997, University) of New Jersey. As I look now at the review of the event, which appeared in the WCWN in Spring 1980, I am astonished that the program was so full. Evidently over 200 people attended. Among other events, Harvey Shapiro and David Ignatow read, two films were shown, and there was an evening performance of Williams’s The First President along with the Theodore Harris score adapted for two pianos. I’ll confess that forty years later I remember only the opera, because it seemed to go on for rather a long time, and that distant view of Linda WagnerMartin on stage; the latter because of the many reminders in the years to come of her pioneer studies, as well as the contributions that followed them. A Thank You Note to Linda Wagner-Martin","PeriodicalId":53869,"journal":{"name":"WILLIAM CARLOS WILLIAMS REVIEW","volume":"36 1","pages":"25 - 26"},"PeriodicalIF":0.0,"publicationDate":"2019-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/WCW.2019.0000","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47753476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

"Pop! So, You're Not Dead!": Reimagining Loss in William Carlos Williams's "Burning the Christmas Greens" and "The Sparrow" “爸爸！所以，你没有死！”：威廉·卡洛斯·威廉姆斯的《燃烧圣诞绿地》和《麻雀》中的失落

WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2019-05-07 DOI: 10.1353/WCW.2019.0005

Paul R. Cappucci

引用次数: 0