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Whose Peril? 谁的危险？
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WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2024-07-01 DOI: 10.5325/willcarlwillrevi.41.1.0058
Christopher MacGowan
{"title":"Whose Peril?","authors":"Christopher MacGowan","doi":"10.5325/willcarlwillrevi.41.1.0058","DOIUrl":"https://doi.org/10.5325/willcarlwillrevi.41.1.0058","url":null,"abstract":"\u0000 Since Charles Bernstein’s influential essay on William Carlos Williams and the Academy, in some ways little has changed in the way Williams’s work is treated in critical discussion and his presentation in some standard college textbooks. This article looks at some examples and considers work by Stephanie Burt and Robert Pinsky, which suggests an alternative perspective.","PeriodicalId":53869,"journal":{"name":"WILLIAM CARLOS WILLIAMS REVIEW","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141715676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“No One to Witness and Adjust”: The Academy Still in Peril "无人见证和调整"：学院依然岌岌可危
IF 0.1
WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2024-07-01 DOI: 10.5325/willcarlwillrevi.41.1.0021
Juliana Spahr
{"title":"“No One to Witness and Adjust”: The Academy Still in Peril","authors":"Juliana Spahr","doi":"10.5325/willcarlwillrevi.41.1.0021","DOIUrl":"https://doi.org/10.5325/willcarlwillrevi.41.1.0021","url":null,"abstract":"\u0000 This article is a response to Charles Bernstein’s “The Academy in Peril,” the essay in which he first uses the term “official verse culture.” Using Williams’s convoluted history with leftist magazines in the 1930s and 1940s as an example, it both agrees with Bernstein about their being an official verse and also points to how verse that is often unofficial is also official. It concludes with the author reflecting on poetry’s embeddedness in higher education and what that means for the future.","PeriodicalId":53869,"journal":{"name":"WILLIAM CARLOS WILLIAMS REVIEW","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141692908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Spring and All: The Present 100 Years Later 春天和一切：100 年后的今天
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WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2024-07-01 DOI: 10.5325/willcarlwillrevi.41.1.0012
Bob Perelman
{"title":"Spring and All: The Present 100 Years Later","authors":"Bob Perelman","doi":"10.5325/willcarlwillrevi.41.1.0012","DOIUrl":"https://doi.org/10.5325/willcarlwillrevi.41.1.0012","url":null,"abstract":"\u0000 This article reflects on and praises Charles Bernstein’s 1983 MLA talk “The Academy in Peril: William Carlos Williams Meets the MLA” following the occasion of its fortieth anniversary. Picking up on Bernstein’s view of Williams, the article offers a reading of Spring and All, focusing on its varying uses of prose and poetry and its relation to T. S. Eliot’s The Waste Land.","PeriodicalId":53869,"journal":{"name":"WILLIAM CARLOS WILLIAMS REVIEW","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141709809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
No Ideas but in Technology: William Carlos Williams, Concepts of the New, and Electronic Literature 没有思想，只有技术：威廉-卡洛斯-威廉斯、新概念和电子文学
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WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2024-07-01 DOI: 10.5325/willcarlwillrevi.41.1.0030
Hazel Smith
{"title":"No Ideas but in Technology: William Carlos Williams, Concepts of the New, and Electronic Literature","authors":"Hazel Smith","doi":"10.5325/willcarlwillrevi.41.1.0030","DOIUrl":"https://doi.org/10.5325/willcarlwillrevi.41.1.0030","url":null,"abstract":"\u0000 This article argues that William Carlos Williams’s work foreshadows the evolution of electronic literature, which it suggests is one of the main fields in which poets can now explore new literary directions. The first half of the article inspects concepts of the new in William Carlos Williams’s Spring and All and Charles Bernstein’s landmark essay “The Academy in Peril: William Carlos Williams Meets the MLA.” It speculates on what form the new can now take in contemporary poetry and the relationship between the new and the experimental. It also probes the changes that have taken place in the relationship between poetry, critical writing, and the academy since the publication of Spring and All and Bernstein’s “The Academy in Peril” essay. The second half of the article explores Williams’s involvement in the project The Readies that is a precursor to electronic literature and the manipulation of his poetry in generative computer bots. It also demonstrates how ideas about space, ekphrasis and enjambment expressed in Williams’s essays and creative practice relate to features of electronic literature.","PeriodicalId":53869,"journal":{"name":"WILLIAM CARLOS WILLIAMS REVIEW","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141715599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Spring and All No Longer in Peril 春天，一切不再危险
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WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2024-07-01 DOI: 10.5325/willcarlwillrevi.41.1.0001
Elin Käck
{"title":"Spring and All No Longer in Peril","authors":"Elin Käck","doi":"10.5325/willcarlwillrevi.41.1.0001","DOIUrl":"https://doi.org/10.5325/willcarlwillrevi.41.1.0001","url":null,"abstract":"\u0000 This article revisits a talk at a William Carlos Williams panel that would come to have a major impact on discussions of poetry and poetics, but which also made clear the problematic critical divide between the Williams of the short lyric and the Williams of genre-defying, experimental work, such as Spring and All. The panel took place at the 1983 MLA Convention in New York City, and the speaker was Charles Bernstein. This introductory article to this special issue discusses the original event as well as the talk itself—“The Academy in Peril: William Carlos Williams Meets the MLA”—which has since been published in essay form. In addition, this introduction considers the lasting importance of Spring and All, which was also the topic of a 2023 MLA Williams panel in which Bernstein participated with Bob Perelman and Juliana Spahr to provide their perspectives on the 100th anniversary of Spring and All and the fortieth anniversary of “The Academy in Peril.”","PeriodicalId":53869,"journal":{"name":"WILLIAM CARLOS WILLIAMS REVIEW","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141709189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Modernist Hangover? William Carlos Williams as Bob Perelman’s Poetic Cure 现代主义宿醉？威廉-卡洛斯-威廉斯是鲍勃-佩雷尔曼的诗歌疗法
IF 0.1
WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2024-07-01 DOI: 10.5325/willcarlwillrevi.41.1.0071
Hélène Aji
{"title":"Modernist Hangover? William Carlos Williams as Bob Perelman’s Poetic Cure","authors":"Hélène Aji","doi":"10.5325/willcarlwillrevi.41.1.0071","DOIUrl":"https://doi.org/10.5325/willcarlwillrevi.41.1.0071","url":null,"abstract":"\u0000 This article works through an examination of Bob Perelman’s poems in relation to major Williamsian defining features of the poet, poetic language, and poetics, and asks: Is there a way to recover from a modernist past that has become enshrined and canonized? How to relate to the bewildering inventiveness, as it sometimes walks hand in hand with a stupefying dogmatism? Developing a form of poetic activism over a span of more than fifty years, Perelman has shown growing interest in Williams’s work, the poems and the essays, as possible matrixes for a poetic practice that encompasses the preoccupation with language, the intermedial awareness of the poem’s interactions with the visual, and the ethical commitment to a political and philosophical discourse on the human.","PeriodicalId":53869,"journal":{"name":"WILLIAM CARLOS WILLIAMS REVIEW","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141712778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Which Side Are You On? 你站在哪一边？
IF 0.1
WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2024-07-01 DOI: 10.5325/willcarlwillrevi.41.1.0086
Charles Bernstein
{"title":"Which Side Are You On?","authors":"Charles Bernstein","doi":"10.5325/willcarlwillrevi.41.1.0086","DOIUrl":"https://doi.org/10.5325/willcarlwillrevi.41.1.0086","url":null,"abstract":"\u0000 Recollections of the author’s 1983 speech on Williams at the MLA Annual Convention led to a critique of his formulation of “official verse culture” with special reference to Randall Jarrell. Are there “sides” in modernist and contemporary American poetry? Some poets seem to be embraced by “both sides” (including, but not at all times, Williams), while others, equally significant, are not. Cultural homogeneity, often unconscious, works against aesthetically necessary diversity. In 1983, as well as in this work, the author employed rhetorical strategies for poetic ends, or possibly vice versa. A strong argument is made for Williams not only as a great poet but a supernal—indeed foundational—thinker for modernist and contemporary poetics.","PeriodicalId":53869,"journal":{"name":"WILLIAM CARLOS WILLIAMS REVIEW","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141713256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
William Carlos Williams and the Subject of Aging 威廉-卡洛斯-威廉斯与衰老的主题
WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2023-12-01 DOI: 10.5325/willcarlwillrevi.40.2.0206
Stephen Hahn
{"title":"William Carlos Williams and the Subject of Aging","authors":"Stephen Hahn","doi":"10.5325/willcarlwillrevi.40.2.0206","DOIUrl":"https://doi.org/10.5325/willcarlwillrevi.40.2.0206","url":null,"abstract":"\u0000 This essay examines how Williams’s approach to the subject of aging in his poetry developed over time, from an early and inchoate desire for deeper knowledge of life to a complex celebration of aging as an integral part of the life process. It argues that Williams’s treatment of aging subjects (whether identified with the lyric speaker of a poem or a person characterized in a poem) is distinct from that of other major poets, encouraging the reader’s empathetic engagement while also pointing up the aging subject’s resistance to care. The essay concludes that Williams’s distinctive view of death, represented in a poem such as “The Descent,” is one of relinquishment rather than resistance.","PeriodicalId":53869,"journal":{"name":"WILLIAM CARLOS WILLIAMS REVIEW","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138624416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Invisible Labor in William Carlos Williams 威廉-卡洛斯-威廉斯笔下的隐形劳动
WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2023-12-01 DOI: 10.5325/willcarlwillrevi.40.2.0165
Florian Gargaillo
{"title":"Invisible Labor in William Carlos Williams","authors":"Florian Gargaillo","doi":"10.5325/willcarlwillrevi.40.2.0165","DOIUrl":"https://doi.org/10.5325/willcarlwillrevi.40.2.0165","url":null,"abstract":"\u0000 Although Williams has been praised for depicting working-class life in verse, many of his poems on the subject are marked by curious evasions. This essay considers three aspects of his approach that have received little attention. First, Williams minimizes or erases working-class people in settings where they would presumably be central. Second, he avoids depicting manual labor entirely or treats it as a metaphor for other forms of work. Third, he opposes any attempts to read his poems about the working class politically, by evoking and then quickly revoking the potential for political allegory. These evasions can be traced back to Williams’s distaste for poetry that places politics over form, as well as his objections to Marxist thought. But the poems also betray doubts about his ability to understand and represent working-class life in light of his more privileged social situation. By close reading a range of canonical and lesser-known poems, this article demonstrates that Williams’s portrayal of the working class is far more slippery, avoidant, and conflicted than the scholarship has acknowledged.","PeriodicalId":53869,"journal":{"name":"WILLIAM CARLOS WILLIAMS REVIEW","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138613471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A New Language for a New Perception: A Study of the Influence of Chinese Poetry on the Composition of Spring and All 新感知的新语言：中国诗歌对《春天和一切》创作的影响研究
WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2023-12-01 DOI: 10.5325/willcarlwillrevi.40.2.0243
Olivier Bochettaz
{"title":"A New Language for a New Perception: A Study of the Influence of Chinese Poetry on the Composition of Spring and All","authors":"Olivier Bochettaz","doi":"10.5325/willcarlwillrevi.40.2.0243","DOIUrl":"https://doi.org/10.5325/willcarlwillrevi.40.2.0243","url":null,"abstract":"\u0000 This essay highlights the numerous evidences of Chinese influences on Williams’s poetry, and particularly on the composition of Spring and All. What was it in Chinese poetry that could help Williams accomplish his poetic modernization which Pound was urging him to perform? In which ways and to which extent did Williams use Chinese poetic forms and concepts to compose his modernist masterpiece? As a continuation of the research of Wai-Lim Yip and Zhaoming Qian, two of the very few scholars who have focused their attention on this topic, this essay asks how much of what is seen by Western critics as poetic innovations by Williams can actually be seen as appropriations or derivations from Chinese language and poetics. It highlights that many of the poetic devices used in Spring and All, Williams’s breakthrough volume as a modernist, are actually either borrowed from traditional Chinese poetics, or result from the fusion of the English language with ideogramic linguistic concepts.","PeriodicalId":53869,"journal":{"name":"WILLIAM CARLOS WILLIAMS REVIEW","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138614653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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