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Terminus 1900: The Métro and the Universal Expositions in Fin-de-siècle Paris 1900年终点站：巴黎的地铁和环球展览
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-07-02 DOI: 10.1080/14787318.2020.1794447
Caroline Grubbs
{"title":"Terminus 1900: The Métro and the Universal Expositions in Fin-de-siècle Paris","authors":"Caroline Grubbs","doi":"10.1080/14787318.2020.1794447","DOIUrl":"https://doi.org/10.1080/14787318.2020.1794447","url":null,"abstract":"ABSTRACT In 1900, two spectacles of technological progress, artistic invention, and political ambition were unveiled in Paris: The universal exposition and Line 1 of the Paris Métro. This essay considers schemes for underground and elevated Métro systems that were published from 1870 to 1900 and argues that these speculative designs map new configurations of technology, urban space, and cultural identity onto fin-de-siècle Paris. Ultimately, Métro projects function as showcases of the modern city, and they draw on and participate in the promotional logic and narrative of national pride on display at the contemporary expositions.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"24 1","pages":"203 - 220"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2020.1794447","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49253354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fragments of the Past: The Petit Palais, the Exposition Universelle, and the Ghosts of French Imperialism 过去的碎片：小皇宫、万国博览会和法国帝国主义的幽灵
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-07-02 DOI: 10.1080/14787318.2020.1794448
S. Pappas
{"title":"Fragments of the Past: The Petit Palais, the Exposition Universelle, and the Ghosts of French Imperialism","authors":"S. Pappas","doi":"10.1080/14787318.2020.1794448","DOIUrl":"https://doi.org/10.1080/14787318.2020.1794448","url":null,"abstract":"ABSTRACT My article discusses how the universal exposition is displayed in the Petit Palais museum in Paris. The Petit Palais' articulation of its own relationship to the Exposition of 1900 raises important questions about whether or not the full and complex history of the exposition can be on display in the same space reserved for national pride and mass tourism. Through a reading of the permanent installation at the Petit Palais, I examine what the universal exposition reveals about grappling with legacy.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"24 1","pages":"245 - 259"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2020.1794448","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44489622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Universal Expositions: Behind the Scenes and Beyond the Fairgrounds (Response Essay) 世界博览会:幕后与场外(回应文章)
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-07-02 DOI: 10.1080/14787318.2020.1794452
Peter S. Soppelsa
{"title":"Universal Expositions: Behind the Scenes and Beyond the Fairgrounds (Response Essay)","authors":"Peter S. Soppelsa","doi":"10.1080/14787318.2020.1794452","DOIUrl":"https://doi.org/10.1080/14787318.2020.1794452","url":null,"abstract":"ABSTRACT This essay comments on the articles collected for this special issue about international expositions in France. It finds four major themes for new directions in exposition studies. First is the long literary and cultural shadow of expositions, or the shifting timescales that gave these temporary events lasting legacies. Second are the (often unintended) concrete consequences and costs for host cities of expositions understood as mega-events and mega-projects. Third is the inverse or obverse of ‘display’, those things that expositions conceal or hide. Fourth are the ways that expositions shaped and were shaped by the world beyond their gates.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"24 1","pages":"260 - 267"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2020.1794452","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43355771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Obscure Visions: The 1867 Aquarium and Its Literary Legacy 朦胧的视觉：1867年的水族馆及其文学遗产
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-07-02 DOI: 10.1080/14787318.2020.1794446
Kathryn A. Haklin
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引用次数: 0
Introduction 介绍
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-07-02 DOI: 10.1080/14787318.2020.1794450
Anne O’Neil-Henry
{"title":"Introduction","authors":"Anne O’Neil-Henry","doi":"10.1080/14787318.2020.1794450","DOIUrl":"https://doi.org/10.1080/14787318.2020.1794450","url":null,"abstract":"","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"24 1","pages":"115 - 122"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2020.1794450","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43594777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Ça n’empêche pas d’être un homme’: Requeering Masculinity in Rachilde’s Monsieur Vénus (1884) “这并不妨碍你成为一个男人”：在拉希尔德的《维纳斯先生》（1884）中要求男子气概
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-05-27 DOI: 10.1080/14787318.2020.1770396
Mathew Rickard
{"title":"‘Ça n’empêche pas d’être un homme’: Requeering Masculinity in Rachilde’s Monsieur Vénus (1884)","authors":"Mathew Rickard","doi":"10.1080/14787318.2020.1770396","DOIUrl":"https://doi.org/10.1080/14787318.2020.1770396","url":null,"abstract":"ABSTRACT Many have struggled to argued whether Rachilde reverses gender binaries or reinforces them by ensuring the continuation of active and passive partners within the narrative of Monsieur Vénus. However, both foundational and recent turns in queer theory regarding heterosexuality present gender non-conformity as a result of a fluidity of gender performance, rather than one based on an opposing binary. This article deals with Rachilde’s ambiguous approach to gender, by focusing on different moulds of masculinity. I take a step back from critical approaches which necessarily read her oeuvre in the light of the gender binary, and ‘requeer’ her work by presenting the ‘norm’ of heterosexuality in a non-normative light.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"24 1","pages":"269 - 283"},"PeriodicalIF":0.1,"publicationDate":"2020-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2020.1770396","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45290918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Gustave Doré’s Histoire de la Sainte Russie (1854): The Invention of Graphic Rhetoric, or the Artist at War 古斯塔夫·多雷的《圣俄罗斯史》（1854）：图形修辞的发明，或战争中的艺术家
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-01-02 DOI: 10.1080/14787318.2019.1667686
F. Moore
{"title":"Gustave Doré’s Histoire de la Sainte Russie (1854): The Invention of Graphic Rhetoric, or the Artist at War","authors":"F. Moore","doi":"10.1080/14787318.2019.1667686","DOIUrl":"https://doi.org/10.1080/14787318.2019.1667686","url":null,"abstract":"ABSTRACT The Histoire pittoresque, dramatique et caricaturale de la Sainte Russie (1854) by Gustave Doré (1832–83) is unique in the history of nineteenth-century European graphic art and an exceptional project within Doré's artistic career. Illustrated with 500 wood engravings, it narrates the history of Russia from its origins to the contemporary Crimean war. This article examines the volume as a tour de force of technological innovation and graphic rhetoric that confronts the challenge of how to represent war and its violence. To appeal to a broad audience, the artist pioneered a caricatural, graphic sequential history that anticipates modern bande dessinée tackling twentieth-century warfare.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"24 1","pages":"17 - 53"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2019.1667686","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45358098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Romantic Basis of a Poetic Ecology in Nerval’s ‘Vers dorés’ 纳瓦尔的《幻境》中诗意生态的浪漫基础
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-01-02 DOI: 10.1080/14787318.2020.1719334
Martine Mees
{"title":"The Romantic Basis of a Poetic Ecology in Nerval’s ‘Vers dorés’","authors":"Martine Mees","doi":"10.1080/14787318.2020.1719334","DOIUrl":"https://doi.org/10.1080/14787318.2020.1719334","url":null,"abstract":"ABSTRACT This article aims to follow in the footsteps of French ecocriticism, while creating a double shift in its point of view: firstly, by questioning the work of the romantic writer Gérard de Nerval, who has never truly been studied through the prism of ecopoetry. Secondly, by proposing a resolutely transdisciplinary analysis at the crossroads of literature and philosophy. This study highlights the modernity of Nerval’s metaphysical conceptions of Nature but also how the poem ‘Vers dorés’ may become the manifesto of a poetic ecology through its performativity and its mobilisation of the figure of ruin.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"24 1","pages":"69 - 81"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2020.1719334","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43864220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Colour and Conflict in Nineteenth-Century Île Bourbon: the Case of the Affaire Houat 19世纪波旁岛的色彩与冲突——以侯亚特事件为例
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-01-02 DOI: 10.1080/14787318.2019.1679516
P. Prasad
{"title":"Colour and Conflict in Nineteenth-Century Île Bourbon: the Case of the Affaire Houat","authors":"P. Prasad","doi":"10.1080/14787318.2019.1679516","DOIUrl":"https://doi.org/10.1080/14787318.2019.1679516","url":null,"abstract":"ABSTRACT This article studies the coverage of a racially motivated political trial in 1830s Île Bourbon (present-day Reunion Island) in the Parisian periodical Revue des colonies. I argue that in its otherwise astute defense of the mixed-race defendant Louis-Timagène Houat, the periodical's editors exhibit an Atlantic bias, ignoring insular concerns, such as the relationships among Île Bourbon's diverse castes and classes. This case study serves as a litmus test of the pitfalls of enlisting Atlantic frameworks when approaching the colonial Indian Ocean. Instead, we may look at nineteenth-century Indian Ocean literature to provide methodological direction in the study of the region.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"24 1","pages":"1 - 16"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2019.1679516","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47622952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Frenchmen Into Peasants Into Frenchmen: Revolutionary Past and Future in George Sand’s Nanon 从法国人到农民到法国人:乔治·桑的《南农》中革命的过去与未来
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-01-02 DOI: 10.1080/14787318.2019.1699694
Biliana Kassabova
{"title":"Frenchmen Into Peasants Into Frenchmen: Revolutionary Past and Future in George Sand’s Nanon","authors":"Biliana Kassabova","doi":"10.1080/14787318.2019.1699694","DOIUrl":"https://doi.org/10.1080/14787318.2019.1699694","url":null,"abstract":"ABSTRACT Published following the Franco-Prussian War and the Paris Commune, George Sand's 1872 novel Nanon is written as the 1850 memoirs of a peasant woman who had lived through the French Revolution. Focusing on the temporal shifts of the novel, I argue that by considering the temporalities of Nanon in conjunction with spatial movements, we can see Sand's refusal to think about the Revolution as a rupture in history. In the novel, the Frenchmen of the urban revolution are substituted with peasants who can reach back into the Celtic origins of France and construct a more peaceful French society.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"24 1","pages":"113 - 99"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2019.1699694","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45450372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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