Gustave Doré’s Histoire de la Sainte Russie (1854): The Invention of Graphic Rhetoric, or the Artist at War

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
F. Moore
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引用次数: 0

Abstract

ABSTRACT The Histoire pittoresque, dramatique et caricaturale de la Sainte Russie (1854) by Gustave Doré (1832–83) is unique in the history of nineteenth-century European graphic art and an exceptional project within Doré's artistic career. Illustrated with 500 wood engravings, it narrates the history of Russia from its origins to the contemporary Crimean war. This article examines the volume as a tour de force of technological innovation and graphic rhetoric that confronts the challenge of how to represent war and its violence. To appeal to a broad audience, the artist pioneered a caricatural, graphic sequential history that anticipates modern bande dessinée tackling twentieth-century warfare.
古斯塔夫·多雷的《圣俄罗斯史》(1854):图形修辞的发明,或战争中的艺术家
摘要古斯塔夫·多雷(Gustave Doré,1832–83)的《圣俄罗斯历史》(1854)是十九世纪欧洲平面艺术史上独一无二的作品,也是多雷艺术生涯中的一个杰出项目。它以500幅木雕为插图,讲述了俄罗斯从起源到当代克里米亚战争的历史。本文将这本书视为技术创新和图形修辞的巡回演出,以应对如何表现战争及其暴力的挑战。为了吸引广大观众,这位艺术家开创了一部讽刺性的、图形化的连续历史,预示着现代乐队将应对20世纪的战争。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Dix-Neuf
Dix-Neuf HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
18
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