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‘Ma tête mise à nu:’ Wigs and Wigmakers in Madame Bovary 《我赤裸的头:包法利夫人的假发和假发制造者》
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2021-01-02 DOI: 10.1080/14787318.2021.1875971
S. Lee
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引用次数: 0
Precursors of Antislavery: Reassessing the Académie Française Poetry Competition of 1823 反奴隶制的先驱：重新审视1823年法兰西学院诗歌比赛
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2021-01-02 DOI: 10.1080/14787318.2021.1900501
Helen McKelvey
{"title":"Precursors of Antislavery: Reassessing the Académie Française Poetry Competition of 1823","authors":"Helen McKelvey","doi":"10.1080/14787318.2021.1900501","DOIUrl":"https://doi.org/10.1080/14787318.2021.1900501","url":null,"abstract":"ABSTRACT Focussing on a selection of the poems from the 1823 Académie Française's Prix de Poésie, which had for its title l'Abolition de la traite des noirs, this article will explore the key imagery underpinning representations of slavery and arguments for abolition at the time, answering the critical neglect of antislavery poetry and bringing fresh insight to our understanding of the perceptions and representations of early nineteenth-century slavery. Using postcolonial theory, I will interrogate and problematise the narratives the poets have reproduced, as well as analyse the development of abolitionist discourse over the course of the early nineteenth century.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"25 1","pages":"70 - 89"},"PeriodicalIF":0.1,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2021.1900501","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48270639","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Incroyable and Merveilleuse: The Politics of Fashion in Balzac’s Les Chouans 《不可思议》与《梅尔维尔》:巴尔扎克《风流韵事》中的时尚政治
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2021-01-02 DOI: 10.1080/14787318.2021.1886646
P. Young
{"title":"Incroyable and Merveilleuse: The Politics of Fashion in Balzac’s Les Chouans","authors":"P. Young","doi":"10.1080/14787318.2021.1886646","DOIUrl":"https://doi.org/10.1080/14787318.2021.1886646","url":null,"abstract":"ABSTRACT In Les Chouans, Balzac casts two central characters – Corentin and Marie de Verneuil – as an Incroyable and a Merveilleuse, extravagantly-dressed figures from the revolutionary era. Analysing the historical and cultural significance of the Incroyable and the Merveilleuse underscores an ambiguity inherent in this novel, as these dandies (here, sent to disable royalist forces) were known for opposing the Revolution. Corentin and Marie de Verneuil, through their remarkable attire, offer an explicit – but ultimately unclear – expression of their political convictions, one that suggests a conflicted attitude towards the historical change they are sent to effect.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"25 1","pages":"1 - 16"},"PeriodicalIF":0.1,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2021.1886646","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48243367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Change of Hearth: Magic, Marketing, and Modernity in the Odelin Stove Le Rustique Postcard Series 壁炉的变化:魔术，营销，和现代在奥德林炉乡村明信片系列
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-10-01 DOI: 10.1080/14787318.2020.1843382
Michael D. Garval
{"title":"Change of Hearth: Magic, Marketing, and Modernity in the Odelin Stove Le Rustique Postcard Series","authors":"Michael D. Garval","doi":"10.1080/14787318.2020.1843382","DOIUrl":"https://doi.org/10.1080/14787318.2020.1843382","url":null,"abstract":"ABSTRACT Ten 1904 postcards, marketing the Odelin Le Rustique stove, spin a fanciful, magical tale, an early example of branded storytelling, within the little–studied medium of Belle Époque advertising postcards. A self–contained series, part of a broader multi– and intermedial campaign, the cards emerged in a fluid media and marketing landscape, as companies experimented with promoting their products. Conveying a world in flux, the series interweaves narrative, cultural, ideological, socioeconomic, racial, and technological threads, to cast this crucial kitchen appliance as a vestige of ancient enchantment, harking back to the prehistoric conquest of fire, and as a key vehicle of modernization.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"24 1","pages":"284 - 320"},"PeriodicalIF":0.1,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2020.1843382","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46200990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ladies’ Choice: Prehistory and Sexual Selection in Au Bonheur des dames 《女人的选择:Au Bonheur des dames》中的史前与性选择
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-10-01 DOI: 10.1080/14787318.2020.1859345
Sara Phenix, Daryl Lee
{"title":"Ladies’ Choice: Prehistory and Sexual Selection in Au Bonheur des dames","authors":"Sara Phenix, Daryl Lee","doi":"10.1080/14787318.2020.1859345","DOIUrl":"https://doi.org/10.1080/14787318.2020.1859345","url":null,"abstract":"ABSTRACT Criticism of Au Bonheur des Dames has traditionally framed the novel’s Darwinian dynamics in terms of socioeconomic natural selection. We explore another facet of Darwinism in the novel: sexual selection. The urban modernity of Au Bonheur des Dames belies Zola’s concern with deep time. We consider courtship and seduction in the novel in the context of nineteenth-century theories of evolution. Darwin’s The Descent of Man revised the theory of natural selection to account for aesthetics in mate selection. With its focus on fashion and mating, Au Bonheur is a laboratory for Zola’s ideas about competition and display in human coupling.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"24 1","pages":"341 - 365"},"PeriodicalIF":0.1,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2020.1859345","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47102703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Parisian Prowlers: Mapping Maldoror, Mervyn, and Lautréamont in Paris 巴黎的徘徊者:绘制巴黎的马尔多罗、默文和劳特拉西蒙
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-10-01 DOI: 10.1080/14787318.2020.1847011
Madeleine J. Wolf
{"title":"Parisian Prowlers: Mapping Maldoror, Mervyn, and Lautréamont in Paris","authors":"Madeleine J. Wolf","doi":"10.1080/14787318.2020.1847011","DOIUrl":"https://doi.org/10.1080/14787318.2020.1847011","url":null,"abstract":"ABSTRACT This article focuses on the final 'chant' of Les Chants de Maldoror (1869) by the Comte de Lautréamont (Isidore Ducasse). In the enigmatic final scenes, Maldoror stalks and kills a young English man, Mervyn, in the streets of Paris. The murder is detailed in striking geographic detail, and Parisian monuments feature prominently in the young man's demise. Combining close readings with original maps of these final scenes, I compare the Paris of Lautréamont's literary imagination with the city's historic, cartographic reality to understand what the representation of the city says about the author's perception of fiction and his literary legacy.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"24 1","pages":"321 - 340"},"PeriodicalIF":0.1,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2020.1847011","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46362534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
De la Galerie des Machines à Luna Park : prendre du bon temps dans les expositions internationales parisiennes (1855–1900) 从机器画廊到月球公园:在巴黎的国际展览中享受美好时光(1855 - 1900)
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-07-02 DOI: 10.1080/14787318.2020.1794695
C. Demeulenaere-Douyère
{"title":"De la Galerie des Machines à Luna Park : prendre du bon temps dans les expositions internationales parisiennes (1855–1900)","authors":"C. Demeulenaere-Douyère","doi":"10.1080/14787318.2020.1794695","DOIUrl":"https://doi.org/10.1080/14787318.2020.1794695","url":null,"abstract":"ABSTRACT Les grandes expositions du XIXe siècle ont d'abord été des «grands messes» du commerce et de l'industrie, vouées à magnifier les avancées de la technique moderne. Mais, rapidement, devant la pression des réalités économiques et la demande croissante du public, elles se sont aussi transformées en lieux de plaisirs et de divertissement. Les attractions s'y multiplient. Certaines sont pédagogiques, visant à vulgariser des sciences alors en développement, comme la Lune à un mètre (1900) ; d'autres sont simplement ludiques, cherchant surtout à étonner les visiteurs et à leur proposer un dépaysement spatio-temporel.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"24 1","pages":"123 - 145"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2020.1794695","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45437959","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Appropriating Japonisme at the 1900 Exposition: Sada Yacco, Loie Fuller, and the ‘Geishas’ of Le Panorama du Tour du Monde 在1900年世博会上赞扬日本：萨达·雅科、洛伊·富勒和《世界巡回报》的“艺妓”
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-07-02 DOI: 10.1080/14787318.2020.1794449
E. Emery
{"title":"Appropriating Japonisme at the 1900 Exposition: Sada Yacco, Loie Fuller, and the ‘Geishas’ of Le Panorama du Tour du Monde","authors":"E. Emery","doi":"10.1080/14787318.2020.1794449","DOIUrl":"https://doi.org/10.1080/14787318.2020.1794449","url":null,"abstract":"ABSTRACT Japanese exhibits filled the 1900 Paris Exposition, from the official pavilion at the Trocadéro to ‘geishas' performing in the Panorama du Tour du Monde. The highlight for French reporters, however, was actress Sada Yacco's performances at the Théâtre Loïe Fuller on the rue de Paris. The former geisha joined American Fuller in creating original spectacles that captivated audiences not as Japanese ‘ethnography', as in other exhibits, but as ‘art’. This article draws attention to the rhetorical and commercial strategies used by these women to attract audiences to their own unique artistic performances of Japonisme, Western creations inspired by Japanese traditions.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"24 1","pages":"221 - 244"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2020.1794449","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45632974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Framing the Market at the Paris Universal Expositions 巴黎世博会的市场框架
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-07-02 DOI: 10.1080/14787318.2020.1794696
Van Troi Tran
{"title":"Framing the Market at the Paris Universal Expositions","authors":"Van Troi Tran","doi":"10.1080/14787318.2020.1794696","DOIUrl":"https://doi.org/10.1080/14787318.2020.1794696","url":null,"abstract":"ABSTRACT From 1855 to 1900, the Paris expositions gradually included an increasing number of commercial spots and venues operated by private companies and entrepreneurs. This article examines the emergence and development of these private concessions such as cafés, kiosks, shops and restaurants on the exhibitions grounds, and how they accompanied the rise of entertainment and mass culture in fin-de-siècle Paris. More specifically, it will address the organizational aspects and the logistics of these new sites of consumer culture in order to show how consumer capitalism was not just exhibited but also materially performed at the Paris universal expositions.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"24 1","pages":"164 - 178"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2020.1794696","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48284179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Les mondes coloniaux et exotiques dans les grandes expositions parisiennes. Un demi-siècle de présences (1855-1907) 巴黎大型展览中的殖民和异国世界。半个世纪的存在(1855-1907)
IF 0.1 4区 社会学
Dix-Neuf Pub Date : 2020-07-02 DOI: 10.1080/14787318.2020.1794451
P. Blanchard
{"title":"Les mondes coloniaux et exotiques dans les grandes expositions parisiennes. Un demi-siècle de présences (1855-1907)","authors":"P. Blanchard","doi":"10.1080/14787318.2020.1794451","DOIUrl":"https://doi.org/10.1080/14787318.2020.1794451","url":null,"abstract":"Résumé Pendant un demi-siècle, Paris accueille le reste du monde et son Empire colonial dans plusieurs expositions universelles et coloniales. Cette mise en scène du monde, à travers des pavillons spécifiques et des présences « indigènes », attire des millions de visiteurs, fabrique un « certain regard » sur l' « Ailleurs » et l'altérité, tout en construisant le regard de la France sur le monde. Paris met aussi en scène des populations « exotiques » afin de divertir les Parisiens et les visiteurs et fabrique le regard de plusieurs générations de Français sur les populations dites « exotiques ».","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"24 1","pages":"146 - 163"},"PeriodicalIF":0.1,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2020.1794451","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47806920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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