巴黎的徘徊者:绘制巴黎的马尔多罗、默文和劳特拉西蒙

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Madeleine J. Wolf
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引用次数: 0

摘要

摘要:本文关注的是劳特拉蒙伯爵(伊西多尔·杜卡塞)创作的《马尔多罗圣歌》(1869)的最后一首“圣歌”。在神秘的最后一幕中,马尔多罗在巴黎街头跟踪并杀害了一名年轻的英国男子默文。这起谋杀案有着惊人的地理细节,巴黎的纪念碑在这名年轻人的死亡中占有突出地位。将细读与这些最终场景的原始地图相结合,我将Lautréamont的巴黎文学想象与这座城市的历史、地图现实进行了比较,以了解这座城市对作者对小说和文学遗产的看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Parisian Prowlers: Mapping Maldoror, Mervyn, and Lautréamont in Paris
ABSTRACT This article focuses on the final 'chant' of Les Chants de Maldoror (1869) by the Comte de Lautréamont (Isidore Ducasse). In the enigmatic final scenes, Maldoror stalks and kills a young English man, Mervyn, in the streets of Paris. The murder is detailed in striking geographic detail, and Parisian monuments feature prominently in the young man's demise. Combining close readings with original maps of these final scenes, I compare the Paris of Lautréamont's literary imagination with the city's historic, cartographic reality to understand what the representation of the city says about the author's perception of fiction and his literary legacy.
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来源期刊
Dix-Neuf
Dix-Neuf HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
18
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