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Refracting the Gaze: A Conversation with Ines Johnson-Spain on Becoming Black (2019) 折射目光:与伊内斯·约翰逊-西班牙关于成为黑人的对话(2019)
IF 0.2
Feminist German Studies Pub Date : 2022-03-01 DOI: 10.1353/fgs.2022.0008
Angelica Fenner
{"title":"Refracting the Gaze: A Conversation with Ines Johnson-Spain on Becoming Black (2019)","authors":"Angelica Fenner","doi":"10.1353/fgs.2022.0008","DOIUrl":"https://doi.org/10.1353/fgs.2022.0008","url":null,"abstract":"Abstract:Filmmaker Ines Johnson-Spain discusses her personal journey to connect with her African paternal heritage, knowledge of which had been suppressed by her (white) parents throughout her childhood in East Germany. The resulting feature-length documentary sheds light on the GDR’s complex international entanglements as these derived from the recruitment of international students from socialist countries, including those in the Global South. Conversations with family and friends from the GDR and with her paternal relatives in Togo and Benin reveal how the traversal of national borders has, at different stages of German history, reconfigured the social web of attachments. As both the film’s director and its protagonist, Johnson-Spain performatively confronts previously unreworked racisms of the national past that have shaped the terms of her affiliations even into the present. She thereby contributes to the archivalization of Black German history—performing a psychical labor as impactful on a personal level as it is on the scale of national history and that of the Black diaspora.","PeriodicalId":53717,"journal":{"name":"Feminist German Studies","volume":"8 1","pages":"118 - 140"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89500924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: The Singular Plural of Feminist Film Practice 导论:女性主义电影实践的单复数
IF 0.2
Feminist German Studies Pub Date : 2022-03-01 DOI: 10.1353/fgs.2022.0003
Angelica Fenner, Barbara Mennel
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引用次数: 0
In Memoriam Tatjana Turanskyj, 1967–2021
IF 0.2
Feminist German Studies Pub Date : 2022-03-01 DOI: 10.1353/fgs.2022.0000
{"title":"In Memoriam Tatjana Turanskyj, 1967–2021","authors":"","doi":"10.1353/fgs.2022.0000","DOIUrl":"https://doi.org/10.1353/fgs.2022.0000","url":null,"abstract":"Abstract:This article uses a case study approach to analyze current German practice with respect to women’s film heritage. A sketch of the contemporary German film-archival landscape is followed by a brief survey of women’s film in the curatorial program of the Deutsche Kinemathek, focusing specifically on the 2019 Berlinale Retrospective Selbstbestimmt: Perspektiven von Filmemacherinnen (Self-determined: Perspectives from women filmmakers). National film heritage practice is compared with approaches across feminist institutions and projects, including festivals, feminist and queer archives, and one-off events; approaches from both contexts are then situated in relation to the place of films by women in federal digitization policy and practice. Analysis of two short films returns the focus to the notion of a self-determined film history underpinning the 2019 retrospective; tensions are explored between the feminist teleology that term implies and a curatorial practice of intersectional gender performance that is evident in many of the feminist initiatives discussed.","PeriodicalId":53717,"journal":{"name":"Feminist German Studies","volume":"21 1","pages":"1 - 117 - 118 - 140 - 141 - 159 - 160 - 181 - 182 - 201 - 26 - 27 - 53 - 54 - 72 - 73 - 97 - 98 - ix"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73911767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Shoes, Drunk Women, and Phallic Girls: Tatjana Turanskyj’s Feminist Interventions in German Cinema 鞋，醉酒的女人，生殖器女孩:Tatjana Turanskyj在德国电影中的女权主义干预
IF 0.2
Feminist German Studies Pub Date : 2022-03-01 DOI: 10.1353/fgs.2022.0011
Alice Bardan
{"title":"Shoes, Drunk Women, and Phallic Girls: Tatjana Turanskyj’s Feminist Interventions in German Cinema","authors":"Alice Bardan","doi":"10.1353/fgs.2022.0011","DOIUrl":"https://doi.org/10.1353/fgs.2022.0011","url":null,"abstract":"Abstract:As a feminist filmmaker, Tatjana Turanskyj relentlessly grapples with the question of how an ethically engaged cinema can explore questions about women’s agency and solidarity. Inspired by a longer West German tradition of feminist filmmaking that sought to create a women’s cinema able to function as “an oppositional public sphere” (Gegenöffentlichkeit), her films eschew the conventions of dominant cinema, relying on non-didactic, non-cathartic, circular narratives. This essay unpacks the role of these aesthetic strategies in Eine flexible Frau (2010) and Top Girl (2014), which center on an alcoholic and a prostitute. My analysis argues that these films critique neoliberalism’s narratives of free choice and autonomy that compel women to render their lives knowable and meaningful. Drawing on Sianne Ngai’s conceptualization of “ugly feelings,” a phrase that encompasses a range of dysphoric feelings and emotional negativity, I show how Turanskyj’s work visualizes dynamics of refusal to conform to neoliberal demands.","PeriodicalId":53717,"journal":{"name":"Feminist German Studies","volume":"41 1","pages":"182 - 201"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79052298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Ethics of Difference: Masculinity and Foreignness in Maren Ade’s and Valeska Grisebach’s 差异伦理:玛伦·阿德和瓦勒斯卡·格里斯巴赫的男子气概与异域性
IF 0.2
Feminist German Studies Pub Date : 2022-03-01 DOI: 10.1353/fgs.2022.0009
Gozde Naiboglu
{"title":"The Ethics of Difference: Masculinity and Foreignness in Maren Ade’s and Valeska Grisebach’s","authors":"Gozde Naiboglu","doi":"10.1353/fgs.2022.0009","DOIUrl":"https://doi.org/10.1353/fgs.2022.0009","url":null,"abstract":"Abstract:This article explores the convergence of masculinity and foreignness in Maren Ade’s Toni Erdmann (2016) and Valeska Grisebach’s Western (2017). Identifying a growing focus on masculinity in recent works by women directors around the world, I argue that both films express an urgent need in feminist film culture to understand and challenge patriarchal oppression as necessarily connected to other forms of social hierarchy based on difference. Engaging with Luce Irigaray’s ethics of difference and her theory of wonder, I view these films as feminist efforts to go beyond solely exposing hegemonic masculinities in order to denaturalize gendered subjectivity primarily through the experience of foreignness. Wonder, I suggest, is not only the ethical or relational basis through which Ade and Grisebach articulate and denaturalize hegemonic masculinities, but also the basis on which the protagonists engage with alterity (including their own) in these films.","PeriodicalId":53717,"journal":{"name":"Feminist German Studies","volume":"25 1","pages":"141 - 159"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81708411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Embodiment, Agency, and Ethics in Margarethe von Trotta’s Cinema: From Rosa Luxemburg (1986) to Hannah Arendt (2012) 玛格丽特·冯·特洛塔电影中的化身、代理与伦理:从罗莎·卢森堡(1986)到汉娜·阿伦特(2012)
IF 0.2
Feminist German Studies Pub Date : 2022-03-01 DOI: 10.1353/fgs.2022.0006
C. Breger
{"title":"Embodiment, Agency, and Ethics in Margarethe von Trotta’s Cinema: From Rosa Luxemburg (1986) to Hannah Arendt (2012)","authors":"C. Breger","doi":"10.1353/fgs.2022.0006","DOIUrl":"https://doi.org/10.1353/fgs.2022.0006","url":null,"abstract":"Abstract:This article traces feminist filmmaking lineages from the New German Cinema into the twenty-first century via Margarethe von Trotta’s feature-length biopics. Conceptually, the article rethinks feminist authorship in response to twenty-first-century subject-critical frameworks, such as new materialism, Deleuzian philosophy, and actor-network theory. Connecting the third of these to feminist and queer performance studies and contemporary phenomenology, I propose a model of nonsovereign authorship that challenges traditional humanist (masculinist) conceptions of agency by emphasizing conditions and affordances of human embodiment and network entanglement. Importantly, this nonsovereignty does not void questions of intersectional feminist ethics and politics. Hannah Arendt’s focus on the Eichmann controversy and Arendt’s relationship with Martin Heidegger together facilitate layered reflections on embodiment, agency, and ethics on the diegetic level. On the level of production, von Trotta’s long-term collaborations with Barbara Sukowa and Pamela Katz allow me to apply the concept of networked authorship to the legacies of second-wave feminist theory and practice.","PeriodicalId":53717,"journal":{"name":"Feminist German Studies","volume":"17 1","pages":"73 - 97"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74523157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Queer Moments and Cruel Optimism in Evelyn Schmidt’s Das Fahrrad (1981) 伊夫林·施密特的《父亲》中的酷儿时刻和残酷的乐观主义
IF 0.2
Feminist German Studies Pub Date : 2021-12-06 DOI: 10.1353/fgs.2021.0010
Muriel Cormican
{"title":"Queer Moments and Cruel Optimism in Evelyn Schmidt’s Das Fahrrad (1981)","authors":"Muriel Cormican","doi":"10.1353/fgs.2021.0010","DOIUrl":"https://doi.org/10.1353/fgs.2021.0010","url":null,"abstract":"Abstract:In Das Fahrrad, Evelyn Schmidt examines the fraught relationship of the protagonist, Susanne, to ambition and belonging in her social and national environment. The film shows how her attachment to the fantasy of good motherhood reins her in when she transgresses and continues to function even when her attachment to national narratives of happiness and success through work and a heterosexual relationship breaks down. Drawing on Sara Ahmed’s and Lauren Berlant’s contributions to contemporary affect theory, this essay categorizes Susanne’s responses to the world as queer, willful, happy, and cruelly optimistic in order to reframe the film’s perennial themes. Ultimately, I argue that the othering of lived experience and its representation in the GDR contribute (intentionally or not) to triumphalist discourses that posit neoliberal capitalism as the proper response to the systemically driven drabness, monotony, limitations, inequities, and unhappiness so often associated with life in communist and socialist states.","PeriodicalId":53717,"journal":{"name":"Feminist German Studies","volume":"18 1","pages":"27 - 52"},"PeriodicalIF":0.2,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90497951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Play World: Toys, Texts, and the Transatlantic German Childhood by Patricia Anne Simpson (review) 《游戏世界:玩具、文本和跨大西洋德国人的童年》作者:帕特里夏·安妮·辛普森
IF 0.2
Feminist German Studies Pub Date : 2021-12-06 DOI: 10.1353/fgs.2021.0025
Jennifer Redmann
{"title":"The Play World: Toys, Texts, and the Transatlantic German Childhood by Patricia Anne Simpson (review)","authors":"Jennifer Redmann","doi":"10.1353/fgs.2021.0025","DOIUrl":"https://doi.org/10.1353/fgs.2021.0025","url":null,"abstract":"","PeriodicalId":53717,"journal":{"name":"Feminist German Studies","volume":"27 1","pages":"135 - 136"},"PeriodicalIF":0.2,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90830268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ambiguous Aggression in German Realism and Beyond: Flirtation, Passive Aggression, Domestic Violence by Barbara N. Nagel (review) 德国现实主义及其以后的暧昧侵略:调情、被动侵略、家庭暴力
IF 0.2
Feminist German Studies Pub Date : 2021-12-06 DOI: 10.1353/fgs.2021.0021
Julie Shoults
{"title":"Ambiguous Aggression in German Realism and Beyond: Flirtation, Passive Aggression, Domestic Violence by Barbara N. Nagel (review)","authors":"Julie Shoults","doi":"10.1353/fgs.2021.0021","DOIUrl":"https://doi.org/10.1353/fgs.2021.0021","url":null,"abstract":"","PeriodicalId":53717,"journal":{"name":"Feminist German Studies","volume":"117 1","pages":"127 - 129"},"PeriodicalIF":0.2,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79237136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Asian Fusion: New Encounters in the Asian-German Avant-Garde by Caroline Rupprecht (review) 《亚洲融合:亚洲-德国前卫艺术的新相遇》作者:卡罗琳·鲁普雷希特(书评)
IF 0.2
Feminist German Studies Pub Date : 2021-12-06 DOI: 10.1353/fgs.2021.0022
Arina Rotaru
{"title":"Asian Fusion: New Encounters in the Asian-German Avant-Garde by Caroline Rupprecht (review)","authors":"Arina Rotaru","doi":"10.1353/fgs.2021.0022","DOIUrl":"https://doi.org/10.1353/fgs.2021.0022","url":null,"abstract":"","PeriodicalId":53717,"journal":{"name":"Feminist German Studies","volume":"5 1","pages":"129 - 131"},"PeriodicalIF":0.2,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86402538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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