Future Anterior最新文献_第6页

Whose Heritage? Architectural Preservation and Disabled Access in Boston and San Francisco 谁的遗产?波士顿和旧金山的建筑保护和残疾人通道

IF 0.1 4区艺术学

Future Anterior Pub Date : 2020-08-21 DOI: 10.5749/futuante.16.1.0035

W. Liebermann

{"title":"Whose Heritage? Architectural Preservation and Disabled Access in Boston and San Francisco","authors":"W. Liebermann","doi":"10.5749/futuante.16.1.0035","DOIUrl":"https://doi.org/10.5749/futuante.16.1.0035","url":null,"abstract":"Abstract:How do disability and preservation converge in the contemporary American landscape of laws, professional design expertise, and popular imagination? Because buildings are the quintessential sites of memory, making and remaking them to include formerly excluded groups generates new social narratives. Due to entrenched ideas about the threat posed by disabled access accommodations to heritage sites, disputes frequently arise over rebuilding cherished architecture, shaping the way publics balance conserving cultural heritage with collective ethics of care.This essay examines two such controversies: a wheelchair ramp in the Board of Supervisors chamber in San Francisco City Hall and the plan to install wheelchair curb ramps in Boston’s Beacon Hill neighborhood. Combining discourse and material analysis of the two projects, this essay dismantles hardened oppositions between “authentic” heritage and disabled access positions, and offers new readings of architectural heritage, forms of remembrance, public space, and the social shaping of the disabled subject. In particular, this essay discloses how politicization of access through the idea of lost architectural heritage reframes access as optional, suspending (indefinitely) the implementation of civil rights.","PeriodicalId":53609,"journal":{"name":"Future Anterior","volume":"136 1","pages":"35 - 56"},"PeriodicalIF":0.1,"publicationDate":"2020-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88736646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Conversion, Renovation, Restoration: The Paris Deaf Institute, 1760–1840 转换，翻新，修复:巴黎聋人学院，1760-1840

IF 0.1 4区艺术学

Future Anterior Pub Date : 2020-08-21 DOI: 10.5749/futuante.16.1.0069

Sun-Young Park

{"title":"Conversion, Renovation, Restoration: The Paris Deaf Institute, 1760–1840","authors":"Sun-Young Park","doi":"10.5749/futuante.16.1.0069","DOIUrl":"https://doi.org/10.5749/futuante.16.1.0069","url":null,"abstract":"Abstract:This article places the ongoing struggle between disability activism and architectural preservation in a new light, by examining the creation and renovation of the Institute for Deaf- Mutes in Paris during the period when a political and social discourse of preservationism was first being constructed. This school was converted from the former Saint-Magloire seminary during the French Revolution of 1789, as disability education was nationalized and as the revolutionary government debated the fate of Old Regime edifices and symbols. While the seminary was never officially designated a “historic monument” worth conserving, the translation of this former religious site into a national deaf institute took place alongside, and intersected with, nascent debates on preservation and restoration that spanned the revolutionary and postrevolutionary eras. Through this investigation, this article recovers the principles of inclusion, democracy, and the social collective that infused the earliest conservation efforts, ultimately to counter the binary model of historical integrity versus accessibility that colors contemporary battles over preservation and the built environment.","PeriodicalId":53609,"journal":{"name":"Future Anterior","volume":"34 1","pages":"69 - 84"},"PeriodicalIF":0.1,"publicationDate":"2020-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85089549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Invented Ex Situ 非原位发明

IF 0.1 4区艺术学

Future Anterior Pub Date : 2020-06-28 DOI: 10.5749/futuante.15.2.0001

Mari Lending

引用次数: 0

Moving Monuments in the Age of Social Media 社交媒体时代的移动纪念碑

IF 0.1 4区艺术学

Future Anterior Pub Date : 2020-06-28 DOI: 10.5749/futuante.15.2.0133

Mechtild Widrich

引用次数: 1

Going Mobile: Greenfield Village in Practice 走向移动:绿地村的实践

IF 0.1 4区艺术学

Future Anterior Pub Date : 2020-06-28 DOI: 10.5749/futuante.15.2.0095

Justin Parscher

{"title":"Going Mobile: Greenfield Village in Practice","authors":"Justin Parscher","doi":"10.5749/futuante.15.2.0095","DOIUrl":"https://doi.org/10.5749/futuante.15.2.0095","url":null,"abstract":"Abstract:Henry Ford's idiosyncratic practice of ex-situ preservation resulted in the hybrid landscape of Greenfield Village, a collection of disparate buildings with perceived heritage value assembled on a single site in Dearborn, Michigan. This essay argues that the site is best understood as a dynamic system intended to produce a certain type of citizenship fitting Ford's own self-image: active, physical engagement with material culture in order to articulate and diffuse virtue. Greenfield Village's current identification as a tourist destination obscures both Ford's original intent for the site as a school based on hands-on pedagogy, and the way that the site still affords its various user groups the ability to construct historical narrative. The essay reads the site's eccentric historiography of the United States both as an analogue of literary projects of national portraiture and as a procedural rhetoric encouraging a way of living through performance in space. While Greenfield Village's original method is deeply tied to the racism and populism of its creator, its very flexibility affords today's users and proprietors the means to actively contest these biases and put forth new visions of history.","PeriodicalId":53609,"journal":{"name":"Future Anterior","volume":"182 1","pages":"111 - 94"},"PeriodicalIF":0.1,"publicationDate":"2020-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80332281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Byzantium, To and Fro: The "Pavillon de la Grèce," from the Paris 1900 Expo to Athens 拜占庭，来来回回:从1900年巴黎世博会到雅典的“美丽展馆”

IF 0.1 4区艺术学

Future Anterior Pub Date : 2020-06-28 DOI: 10.5749/futuante.15.2.0047

Nikolaos Magouliotis

{"title":"Byzantium, To and Fro: The \"Pavillon de la Grèce,\" from the Paris 1900 Expo to Athens","authors":"Nikolaos Magouliotis","doi":"10.5749/futuante.15.2.0047","DOIUrl":"https://doi.org/10.5749/futuante.15.2.0047","url":null,"abstract":"Abstract:The article deals with the \"Pavillon de la Grèce\": a modern building inspired by Byzantine architecture, designed by French architect Lucien Magne for the Paris 1900 Expo and shortly afterward transferred to Athens, where it functioned as a church. The transfer of this pavilion signaled a key moment in Greek architecture's transition from a Neoclassical paradigm to one based on the country's Byzantine heritage.The text will mainly focus on the pavilion's design and construction in Paris, its reception in the French and Greek press, and, finally, the circumstances of its transfer and reconstruction in Athens. To contextualize this within a broader historical perspective, it also touches upon the building's roots in the preceding French archaeology in Greece during the nineteenth century, as well as its current situation and perception in contemporary Athens.By examining a series of material and cognitive transfers of Byzantine heritage between France and Greece of the late-nineteenth and early-twentieth centuries, this essay argues that xi this Neo-Byzantine pavilion, although modern and subversive in its conception in Paris, was eventually received in Greece as traditional, a renaissance rather than a break with the past.","PeriodicalId":53609,"journal":{"name":"Future Anterior","volume":"33 1","pages":"46 - 60"},"PeriodicalIF":0.1,"publicationDate":"2020-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73299736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Not Quite Wright: Re-performing Frank Lloyd Wright's Architecture Ex Situ 不完全是赖特:重新执行弗兰克·劳埃德·赖特的建筑原址

IF 0.1 4区艺术学

Future Anterior Pub Date : 2020-06-28 DOI: 10.5749/futuante.15.2.0063

A. Paine

{"title":"Not Quite Wright: Re-performing Frank Lloyd Wright's Architecture Ex Situ","authors":"A. Paine","doi":"10.5749/futuante.15.2.0063","DOIUrl":"https://doi.org/10.5749/futuante.15.2.0063","url":null,"abstract":"Abstract:When the threat of recurrent flooding forced the drastic decision to move Frank Lloyd Wright's 1954 Bachman-Wilson House in New Jersey to the Crystal Bridges Museum of American Art in Bentonville, Arkansas, not all of the building made the journey. Despite the museum's assertion that the \"entire structure was … taken apart and each component … labeled, packed, and moved to the Museum, where it was reconstructed in 2015,\" photographs of the reconstruction and other statements by the museum confirm otherwise. In reality, only the mahogany linings, timber surfaces, joinery, and furniture were reused—much of the building's structure was left behind or in storage.Like many buildings reconstructed for display ex situ, the Bachman-Wilson house has undergone a major transformation. Detached from their supporting structures, architectural fragments, facades, period rooms, and entire houses have become new, distorted, and ambiguous objects in museum collections, often likened pejoratively to theatrical stage sets. What, however, should be made of such exhibits, and what might they reveal about architecture more generally? Through a focused study of the Bachman-Wilson House, this essay offers a theorized account of the transformation of architecture relocated for display, providing new insights into such aberrant and misunderstood monuments.","PeriodicalId":53609,"journal":{"name":"Future Anterior","volume":"15 1","pages":"62 - 79"},"PeriodicalIF":0.1,"publicationDate":"2020-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84554878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

No Time, No Place: The Existential Crisis of the Public Monument 没有时间，没有地点:公共纪念碑的存在危机

IF 0.1 4区艺术学

Future Anterior Pub Date : 2020-06-28 DOI: 10.5749/futuante.15.2.0147

K. Savage

引用次数: 2

Ex Situ: On Moving Monuments—Introduction to Future Anterior 非原位:关于移动的纪念碑-未来前路的介绍

IF 0.1 4区艺术学

Future Anterior Pub Date : 2020-06-28 DOI: 10.5749/futuante.15.2.0iii

Jorge Otero-Pailos, Mechtild Widrich

引用次数: 1

Artist's Intervention: From Detroit to Berlin: Rosa Parks' House Re-membered 艺术家的介入:从底特律到柏林:罗莎·帕克斯之家的回忆