Whose Heritage? Architectural Preservation and Disabled Access in Boston and San Francisco

IF 0.1 4区 艺术学 Q3 Arts and Humanities
W. Liebermann
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Abstract

Abstract:How do disability and preservation converge in the contemporary American landscape of laws, professional design expertise, and popular imagination? Because buildings are the quintessential sites of memory, making and remaking them to include formerly excluded groups generates new social narratives. Due to entrenched ideas about the threat posed by disabled access accommodations to heritage sites, disputes frequently arise over rebuilding cherished architecture, shaping the way publics balance conserving cultural heritage with collective ethics of care.This essay examines two such controversies: a wheelchair ramp in the Board of Supervisors chamber in San Francisco City Hall and the plan to install wheelchair curb ramps in Boston’s Beacon Hill neighborhood. Combining discourse and material analysis of the two projects, this essay dismantles hardened oppositions between “authentic” heritage and disabled access positions, and offers new readings of architectural heritage, forms of remembrance, public space, and the social shaping of the disabled subject. In particular, this essay discloses how politicization of access through the idea of lost architectural heritage reframes access as optional, suspending (indefinitely) the implementation of civil rights.
谁的遗产?波士顿和旧金山的建筑保护和残疾人通道
摘要:残障与保护如何在当代美国的法律景观、专业设计知识和大众想象中融合?因为建筑是典型的记忆场所,对它们进行改造,使其包括以前被排斥的群体,从而产生新的社会叙事。由于人们对残疾人无障碍设施对遗产遗址构成威胁的根深蒂固的看法,关于重建珍贵建筑的争论经常出现,塑造了公众在保护文化遗产和集体关怀伦理之间的平衡方式。本文考察了两个这样的争议:旧金山市政厅监事会会议室的轮椅坡道,以及在波士顿比肯山社区安装轮椅坡道的计划。结合两个项目的话语和材料分析,本文拆除了“真实”遗产与残疾人通道位置之间的顽固对立,并提供了对建筑遗产、纪念形式、公共空间和残疾人主体社会塑造的新解读。特别是,本文揭示了通过建筑遗产丢失的概念,访问的政治化如何将访问重新定义为可选的,暂停(无限期)公民权利的实施。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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