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Etudes Britanniques Contemporaines最新文献

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‘Let’s do our thing’: Theatre as a Democratic Forum Opposing the Institutionalised Political Discourse on the War in Iraq “让我们做我们的事”:戏剧作为反对伊拉克战争制度化政治话语的民主论坛
Etudes Britanniques Contemporaines Pub Date : 2019-05-06 DOI: 10.4000/EBC.6490
Marie-Amélie Coste
{"title":"‘Let’s do our thing’: Theatre as a Democratic Forum Opposing the Institutionalised Political Discourse on the War in Iraq","authors":"Marie-Amélie Coste","doi":"10.4000/EBC.6490","DOIUrl":"https://doi.org/10.4000/EBC.6490","url":null,"abstract":"La decision du gouvernement de Tony Blair d’intervenir en Irak aux cotes des Etats-Unis a provoque des 2003 de vives reactions sur la scene theâtrale britannique. L’opposition au conflit, proteiforme et virulente, a permis de renouer avec l’espace theâtral comme forum populaire et d’ouvrir le dialogue dramatique au dialogue philosophique, politique et ethique. Cet article se propose d’examiner la demarche politique et dramaturgique de trois pieces (Called to Account: The Indictment of Anthony Charles Lynton Blair for the Crime of Aggression Against Iraq—A Hearing de Richard Norton-Taylor et Nicholas Kent, Chilcot de Richard Norton-Taylor et Matt Woodhead et The Vertical Hour de David Hare), ainsi que leur reception afin de determiner les modalites du debat politique sur la guerre d’Irak au sein de l’institution theâtrale britannique et sur la valeur du contre-discours qu’elle entend opposer a l’institution politique.","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48686080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Caroline Donnellan, Towards Tate Britain. Public Policy, Private Vision 卡罗琳·唐纳伦，《走向泰特美术馆》公共政策，私人愿景
Etudes Britanniques Contemporaines Pub Date : 2019-05-06 DOI: 10.4000/ebc.7010
Charlotte Gould
{"title":"Caroline Donnellan, Towards Tate Britain. Public Policy, Private Vision","authors":"Charlotte Gould","doi":"10.4000/ebc.7010","DOIUrl":"https://doi.org/10.4000/ebc.7010","url":null,"abstract":"The 1970s and 1980s made it difficult to imagine that London would soon become the successor to Paris and New York as the centre of the international art world, and that its docks, still scarred from the Blitz and derelict from the demise of industry, would soon form part of what is considered central London. Southwark, then, was far from its present state and could not yet boast a tube station, a footbridge linking it to Saint Paul’s Cathedral, a scenic walk along the river and swanky shops ...","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70074989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
John Fuller: A Revolutionary Poet? An Interview with the Author of The Bone Flowers (2016) 约翰·富勒:革命诗人?《骨花》作者访谈录(2016)
Etudes Britanniques Contemporaines Pub Date : 2019-05-06 DOI: 10.4000/ebc.6706
Aurélien Saby
{"title":"John Fuller: A Revolutionary Poet? An Interview with the Author of The Bone Flowers (2016)","authors":"Aurélien Saby","doi":"10.4000/ebc.6706","DOIUrl":"https://doi.org/10.4000/ebc.6706","url":null,"abstract":"Cet entretien avec le poete contemporain John Fuller interroge la notion de revolution—au sens le plus large du terme—a la fois dans son œuvre et plus particulierement dans son dernier ouvrage, le long poeme narratif intitule The Bone Flowers paru en 2016. Dans quelle mesure Fuller se considere-t-il comme un poete revolutionnaire ? Peut-on revolutionner l’ecriture poetique en s’inspirant de formes classiques, a l’instar de l’ottava rima, strophe remise a l’honneur dans The Bone Flowers pour rendre hommage a Lord Byron ? La parole du satiriste, si virulent celui-ci soit-il a l’encontre des manquements ou quetes les plus insensees de ses contemporains, laisse-t-elle poindre l’espoir d’une revolution sociale a l’horizon des vers ? Autant de questions auxquelles John Fuller repond dans une interview menee au printemps 2018.","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70074879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
David Lloyd, Beckett’s Thing: Painting and Theatre 大卫·劳埃德，《贝克特的作品:绘画与戏剧》
Etudes Britanniques Contemporaines Pub Date : 2019-05-06 DOI: 10.4000/ebc.7053
J. Bénard
{"title":"David Lloyd, Beckett’s Thing: Painting and Theatre","authors":"J. Bénard","doi":"10.4000/ebc.7053","DOIUrl":"https://doi.org/10.4000/ebc.7053","url":null,"abstract":"In Beckett’s Thing: Theatre and Painting (2016), David Lloyd sheds new light on Samuel Beckett’s aesthetic ties to painting, which the writer himself describes in his essays about art, reconsidering the relationship between the subject behind representation and the object of representation. Starting from the premise that the object won’t be laid bare as long as the subject’s possessive gaze and instrumental way to represent it prevails, Lloyd does away with the consensual and somewhat simplis...","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70075004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lise Jaillant, Cheap Modernism. Expanding Markets, Publishers’ Series and the Avant-Garde Lise Jaillant，廉价现代主义。扩大市场，出版商系列和先锋派
Etudes Britanniques Contemporaines Pub Date : 2019-04-11 DOI: 10.4000/EBC.7073
C. Reynier
{"title":"Lise Jaillant, Cheap Modernism. Expanding Markets, Publishers’ Series and the Avant-Garde","authors":"C. Reynier","doi":"10.4000/EBC.7073","DOIUrl":"https://doi.org/10.4000/EBC.7073","url":null,"abstract":"Taking her cue from such scholars as Peter Brooker and Andrew Thacker, Patrick Collier or Ann Ardis who claims that modernism emerged ‘in a publishing ecosystem that was far richer, and far more complexly diversified, than the first several generations of bibliographic scholarship on modernism recognized’, Lise Jaillant explores the publishing context of modernist texts, focusing on reprint series. She thus aims at remapping the landscape of early twentieth-century print culture, which has so...","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70074550","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Revolutionary Closure in A. S. Byatt’s Neo-Victorian Fiction a·s·拜厄特新维多利亚时代小说的革命性终结
Etudes Britanniques Contemporaines Pub Date : 2019-04-11 DOI: 10.4000/EBC.6565
Armelle Parey
{"title":"Revolutionary Closure in A. S. Byatt’s Neo-Victorian Fiction","authors":"Armelle Parey","doi":"10.4000/EBC.6565","DOIUrl":"https://doi.org/10.4000/EBC.6565","url":null,"abstract":"Cet article examine la notion de fermeture dans la fiction neo-victorienne d’A. S. Byatt, genre qui est generalement considere comme timide ou reactionnaire dans son traitement de la fin, se contentant de reproduire le type de fin fermee communement associe au roman victorien. Les fins de ‘Precipice-Encurled’, Possession (y compris la suite breve parue dans Victorian Poetry) et Angels and Insects sont ainsi analysees par le biais des paradigmes etablis par Earl Ingersoll dans son etude sur la fin et le genre, Waiting for the End. En outre, la question de la fin dans ces trois textes neo-victoriens est mise en rapport avec une representation auto-reflexive du passe.","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48646188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
« Like a Roll of Negative Film » : montages optiques et fragmentation de soi dans Insel et « The Child and the Parent » de Mina Loy 《像一卷负片》:蒙太奇、视觉和破碎的生活方式，以及米娜·洛伊的《孩子和父母》
Etudes Britanniques Contemporaines Pub Date : 2019-04-11 DOI: 10.4000/EBC.6190
D. Drouin
{"title":"« Like a Roll of Negative Film » : montages optiques et fragmentation de soi dans Insel et « The Child and the Parent » de Mina Loy","authors":"D. Drouin","doi":"10.4000/EBC.6190","DOIUrl":"https://doi.org/10.4000/EBC.6190","url":null,"abstract":"L’œuvre poetique de Mina Loy eclipse bien souvent ses textes autobiographiques en prose, dont beaucoup restent encore inedits. Cet article propose d’etudier les innovations avant-gardistes de l’artiste britannique, en s’appuyant sur deux textes autobiographiques composes dans les annees 1930 : le roman surrealiste Insel et « The Child and the Parent ». J’espere montrer que Loy elabore un art tres personnel du morcellement, de la projection et de l’assemblage d’images dans la conscience toujours en mouvement de l’artiste moderne. Ces jeux d’optique remettent en question l’unite du soi grâce aux techniques du decoupage, du collage et du montage. Mon attention se portera sur les strategies de fragmentation et de recomposition kaleidoscopique du sujet autobiographique, dans un dialogue entre les arts inspire par la peinture, par la photographie et par le cinema.","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70074654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Leonard Woolf’s The Hotel (1939): The Singular Art of Unifying Contraries 伦纳德·伍尔夫的《旅馆》(1939):统一对立的独特艺术
Etudes Britanniques Contemporaines Pub Date : 2019-04-11 DOI: 10.4000/EBC.6778
L. Haghshenas
{"title":"Leonard Woolf’s The Hotel (1939): The Singular Art of Unifying Contraries","authors":"L. Haghshenas","doi":"10.4000/EBC.6778","DOIUrl":"https://doi.org/10.4000/EBC.6778","url":null,"abstract":"The Hotel, l’unique piece de Leonard Woolf fut publiee en 1938. En depit de ses efforts, l’ecrivain britannique ne parvint jamais a la mettre en scene. La piece de Woolf traite des questions importantes telles que la responsabilite de l’individu dans la formation du destin collectif et la necessite du dialogue et de la collaboration dans un monde globalise tres complexe. Cet article se penche sur le choix que fait Woolf d’un hotel comme lieu de rencontre et chambre d’echo. Il examine d’abord ce choix a la lumiere de la ‘logique du lieu’ et de la theorie de l’agir du philosophe japonais Kitaro Nishida puis se focalise sur le lien qu’entretient la piece avec le theâtre politique d’avant-garde de Joan Littlewood, le Theatre of Action.","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70074900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction 介绍
Etudes Britanniques Contemporaines Pub Date : 2019-04-11 DOI: 10.4000/ebc.6143
C. Bernard
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引用次数: 0
Interior Monologue as Social Critique in James Kelman’s How Late It Was, How Late (1994) 作为社会批判的内心独白——詹姆斯·凯尔曼的《多么晚，多么晚》(1994)
Etudes Britanniques Contemporaines Pub Date : 2019-04-11 DOI: 10.4000/EBC.6857
Anna Travis
{"title":"Interior Monologue as Social Critique in James Kelman’s How Late It Was, How Late (1994)","authors":"Anna Travis","doi":"10.4000/EBC.6857","DOIUrl":"https://doi.org/10.4000/EBC.6857","url":null,"abstract":"James Kelman’s use of interior monologue, in his novel How Late It Was, How Late, portrays a consciousness enacting Althusser’s modern state paradox: a contradiction within the subject between the ideology of free subjectivity and the reality of subjection. Protagonist Sammy Samuel displays this contradiction when readers are thrown into his private voice of ‘free’ subjectivity, railing against the voices of social subjection. His interior monologue becomes a stoic core and autonomous realm, a direct, free-form inner voice, reacting to the sensory disorientation of blindness and confronting bureaucratic voices who refuse to ‘officially’ recognize his sight loss. Interior monologue potentially gives voice to oppressed subjects, but something more commanding is at work here. The ‘inner space’ in this fiction constructs a terrain for the dialectics of authenticity to fully inhabit. Sammy’s autonomy, his motivation by rational principle, lies in his rejection of the welfare system, to whom he is a phase in a bureaucratic process. His interior monologue becomes an ‘authentic’ truth, addressed to the self in an idiolect that appears uncontaminated by social obligation or public expression.","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70074948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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