{"title":"Lise Jaillant,廉价现代主义。扩大市场,出版商系列和先锋派","authors":"C. Reynier","doi":"10.4000/EBC.7073","DOIUrl":null,"url":null,"abstract":"Taking her cue from such scholars as Peter Brooker and Andrew Thacker, Patrick Collier or Ann Ardis who claims that modernism emerged ‘in a publishing ecosystem that was far richer, and far more complexly diversified, than the first several generations of bibliographic scholarship on modernism recognized’, Lise Jaillant explores the publishing context of modernist texts, focusing on reprint series. She thus aims at remapping the landscape of early twentieth-century print culture, which has so...","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Lise Jaillant, Cheap Modernism. Expanding Markets, Publishers’ Series and the Avant-Garde\",\"authors\":\"C. Reynier\",\"doi\":\"10.4000/EBC.7073\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Taking her cue from such scholars as Peter Brooker and Andrew Thacker, Patrick Collier or Ann Ardis who claims that modernism emerged ‘in a publishing ecosystem that was far richer, and far more complexly diversified, than the first several generations of bibliographic scholarship on modernism recognized’, Lise Jaillant explores the publishing context of modernist texts, focusing on reprint series. She thus aims at remapping the landscape of early twentieth-century print culture, which has so...\",\"PeriodicalId\":53368,\"journal\":{\"name\":\"Etudes Britanniques Contemporaines\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-04-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Etudes Britanniques Contemporaines\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/EBC.7073\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Etudes Britanniques Contemporaines","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/EBC.7073","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Lise Jaillant, Cheap Modernism. Expanding Markets, Publishers’ Series and the Avant-Garde
Taking her cue from such scholars as Peter Brooker and Andrew Thacker, Patrick Collier or Ann Ardis who claims that modernism emerged ‘in a publishing ecosystem that was far richer, and far more complexly diversified, than the first several generations of bibliographic scholarship on modernism recognized’, Lise Jaillant explores the publishing context of modernist texts, focusing on reprint series. She thus aims at remapping the landscape of early twentieth-century print culture, which has so...