{"title":"Recent Dickens Studies 2021","authors":"Emily Bell","doi":"10.5325/dickstudannu.54.2.0229","DOIUrl":"https://doi.org/10.5325/dickstudannu.54.2.0229","url":null,"abstract":"\u0000 This article provides a survey of Dickens scholarship published in 2021, organized under the following headings: (1) Biographical Dickens; (2) Dickens, Man of Science & Medicine; (3) Ecocriticism, Environment & Nature; (4) Dickensian Education in Great Expectations; (5) Dickens & Gender; (6) Character, Conventions & Genre Reexamined; (7) Dickens & Religion; (8) Dickens & Language; (9) Politics & Movement; (10) Dickens’s Geographies: London & Abroad; (11) Dickensian Influences; (12) Dickens Adapted, Dickens & Theater; (13) Art & Dickens; and (14) Teaching Dickens & Digital Resources. The conclusion synthesizes some of the threads of these sections in considering areas that are growing in popularity. The review aims to be comprehensive, with my apologies for any work overlooked.","PeriodicalId":53232,"journal":{"name":"Dickens Studies Annual","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47736281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Interview with Michael Hollington, the Anti-Specialist","authors":"Natalie McKnight, Michael Hollington","doi":"10.5325/dickstudannu.54.2.0176","DOIUrl":"https://doi.org/10.5325/dickstudannu.54.2.0176","url":null,"abstract":"\u0000 The coeditors of DSA are launching a series of interviews with senior Victorianists, and they are beginning with an interview with Michael Hollington. Michael reflects on his early reading experience with Dickens via Classics Illustrated and celebrates influential educators he studied under, including a primary school headmaster, a professor at Cambridge University, and a Milton professor at University of Illinois. Throughout, Michael extols the benefits of being a generalist in literary studies, not just a specialist.","PeriodicalId":53232,"journal":{"name":"Dickens Studies Annual","volume":"1 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42493760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Speculative Capital, Speculative Reading: The Materialist Ethics of Fiction in Charles Dickens’s Our Mutual Friend and The Pickwick Papers","authors":"Peter Katz","doi":"10.5325/dickstudannu.54.2.0121","DOIUrl":"https://doi.org/10.5325/dickstudannu.54.2.0121","url":null,"abstract":"\u0000 Dickens’s novels explicitly critique the disaggregation of economics and morality in speculative capitalism. This article argues that the novels equally condemn the logic of speculation in other forms: speculative knowledge and speculations about other people’s interiors. All these logics depend on a process of distancing from materiality to create wealth: speculation on value is far removed from gold, and a character’s interiority is far from the clothing that one might interpret to signify their feelings. And so, just as to remove morality from economic relationships dehumanizes people, to remove materiality from reading dehumanizes literature. In place of speculative logic, Dickens’s fiction magnifies surfaces. To critique speculative reading in his novels, Dickens creates characters who read texts and people metaphorically for their own social and monetary gain: literary men. Through Arthur Clennam’s speculative gaze in Little Dorrit, Silas Wegg’s disembodied leg in Our Mutual Friend, and Pickwick’s discovery of a very nice rock in The Pickwick Papers, this article argues that the critique of speculation in these texts creates a materialist ethics of reading—one that foregrounds surface over interpretation.","PeriodicalId":53232,"journal":{"name":"Dickens Studies Annual","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48664115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Queer Lives of Victorian Feminist Criticism","authors":"Paris Shih","doi":"10.5325/dickstudannu.54.2.0188","DOIUrl":"https://doi.org/10.5325/dickstudannu.54.2.0188","url":null,"abstract":"\u0000 Histories of Victorian queer studies often start with Eve Kosofsky Sedgwick’s Between Men (1985). In these historiographies, sexuality remains the center of scholarly inquiries and eventually comes to stand for forms of “queerness.” Seeking to expand our understanding of “queerness,” this article traces alternative histories of Victorian queer studies through feminist historicist and postcolonial criticism in the 1980s and 1990s. Writing against the first wave of feminist criticism, these studies problematize the figure of the domestic woman and theorize her queerness through different lenses. By exploring the conflicting and often contradictory process of gender-making in the nineteenth century, feminist historicists foreground the “gender trouble” of the domestic woman and her queer potential. Such queer potential, however, is subsequently located in the context of English imperialism by postcolonial feminist scholars, who revisit the ambivalent relationship between domestic femininity and imperial ideology, thereby highlighting the intertwined processes of gender- and empire-making in Victorian England. Simultaneously building on and revising contemporary queer theory, these works not only constitute alternative histories of Victorian queer studies but also point to its possible futures.","PeriodicalId":53232,"journal":{"name":"Dickens Studies Annual","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43070068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Figuring Tough Subjects: Vague Labor and Narratorial Detection in Bleak House","authors":"Alexander Lynch","doi":"10.5325/dickstudannu.54.2.0147","DOIUrl":"https://doi.org/10.5325/dickstudannu.54.2.0147","url":null,"abstract":"\u0000 This article examines Dickens’s Bleak House alongside the history of crossing-sweeping, a species of “vague” labor whose variable duties frustrated practices of Foucauldian discipline inside and outside Victorian novels. To depict this labor, the article argues, Dickens’s novel makes use of the flexible mechanisms of social management Foucault calls “security,” and, more specifically, the aesthetic infrastructure of these mechanisms, a regime of representation the essay terms “figural.” This regime mobilizes “typical” personae, like “the crossing-sweeper” and “the nervous woman,” to represent and regulate ungraspable groups. These vaguely formulated figures, the article shows, “problematize” those persons who resemble them, making them objects of action within relevant dispositifs (e.g., health, criminality, sexuality). By recounting the figural pursuits of his crossing-sweeper (Jo) by a police detective (Inspector Bucket), other professionals, and laypeople, Dickens ironizes the use of figures, exposing figures’ typifying effects and the absurd presumptions of “narratorial” omniscience they license. In turn, Dickens illuminates the violent abstractions effected by the agencies that deploy figures to regulate social vagueness. By moving between figures’ police-effects and figural policing, this article expands the history of police detection to include its participation in regimes of representation and traces the figural interventions central to the novel form.","PeriodicalId":53232,"journal":{"name":"Dickens Studies Annual","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45567429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Noncanonical Victorian Women Novelists in the Twenty-First Century: Reconsidering Recovery Work","authors":"Tamara S. Wagner","doi":"10.5325/dickstudannu.54.2.0212","DOIUrl":"https://doi.org/10.5325/dickstudannu.54.2.0212","url":null,"abstract":"\u0000 Over the last decades, projects of rediscovery, driven by feminist criticism as well as a growing interest in the noncanonical itself, have reshaped Victorian Studies. Nevertheless, even as a growing number of these rediscovered texts have now been absorbed into the canon, their inclusion in anthologies, general overviews, and companions has been intriguingly uneven. This article offers a reconsideration of the feminist recovery of noncanonical Victorian texts in the contrasting case studies of the sensation novel, the silver-fork novel, and antifeminist writing. Examining the rediscovery and shifting reception of these three genres sheds light on the changing goals, methods, and effects of recovery work, as well as the opportunities that exist for this work in the twenty-first century.","PeriodicalId":53232,"journal":{"name":"Dickens Studies Annual","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46006573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stains, Blushes, Flushes, and Other Telltale Marks in Our Mutual Friend","authors":"Mark M. Hennelly, Jr.","doi":"10.5325/dickstudannu.53.2.0241","DOIUrl":"https://doi.org/10.5325/dickstudannu.53.2.0241","url":null,"abstract":"\u0000 This article focuses on stains, blushes, flushes, and other nonphonetic marks such as scriptural signifiers in Our Mutual Friend. These metonymic markings help constitute what Dickens called the “main line” of the novel’s development. This line turns rhizomorphic as it figuratively begins with the rope line salvaging the stained corpse in the novel’s fifth paragraph and extends to the later lines ironically salvaging Gaffer Hexam’s own marked corpse and the dead-alive Rogue Riderhood’s body as examples of the death-by-drowning with the possibility of resurrection motif. But the fifth paragraph also anticipates other significant signifying tropes and events in Our Mutual Friend as the meaning of all such signifiers, whether finally legible or illegible, requires close reading by the novel’s characters and readers alike. And other Dickens novels, like Oliver Twist, A Tale of Two Cities, and The Mystery of Edwin Drood, provide a significantly larger context for the stains and other markings in Our Mutual Friend. According to the problematic principle of the inside outside the outside, surface signifiers, particularly somatic signifiers, often become self-defining indicators of nearly all the novel’s characters and their interrelationships.","PeriodicalId":53232,"journal":{"name":"Dickens Studies Annual","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47509835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Troilism, David Copperfield, and the Problem of Eve Kosofsky Sedgwick","authors":"J. Gordon","doi":"10.5325/dickstudannu.53.1.0001","DOIUrl":"https://doi.org/10.5325/dickstudannu.53.1.0001","url":null,"abstract":"\u0000 Steerforth's seduction of Emily instead of David is an example of “troilism,” of homosexual desire displaced onto a more acceptable third party. In this, it resembles, but is different from, the “homosociality” introduced into critical discourse by Eve Kosofsky Sedgwick. Notably, it intersects with another triangle, that of Rosa Dartle, Emily, and Steerforth, in which homosexual desire is not in play. The storm that kills Steerforth originates in Rosa's thwarted desire for him and, especially, in her resentment of his affair with another woman, Emily, who, from the same motive, she tracks down and threatens to pursue and have killed. Her wish to have Emily “branded” on her “face” comes from a defining trauma, the scar that Steerforth inflicted on her face. The storm is, explicitly, a meteorological version of similar dynamics in play in the triangles of Our Mutual Friend and Edwin Drood. Addressing these novels along with David Copperfield requires addressing and confuting what I believe to be Sedgwick's erroneously “homosocial” readings of all three.","PeriodicalId":53232,"journal":{"name":"Dickens Studies Annual","volume":"1 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41445822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Recent Dickens Studies: 2020","authors":"Leslie S. Simon","doi":"10.5325/dickstudannu.53.1.0088","DOIUrl":"https://doi.org/10.5325/dickstudannu.53.1.0088","url":null,"abstract":"\u0000 This article surveys Dickens scholarship published in 2020, identifying these key trends: (1) adaptations and other afterlives, with dozens of publications appearing that year in commemoration of the sesquicentennial of Dickens's death; (2) form, with special attention to genre and affect, as observed in Victorian studies broadly; (3) gender and sexuality, with a primary focus on Dickens and women; and (4) politics and media, with a new urgency given to fact-checking as a rhetorical marker of critical integrity. The article also nods to the trends likely to increase in popularity in the next few years of research, by highlighting scholarship that deals even tangentially with (5) science and health and (6) race and intercultural exchanges.","PeriodicalId":53232,"journal":{"name":"Dickens Studies Annual","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47355647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An Overview of Digital Resources for the Study of Victorian Fiction","authors":"Lydia Craig","doi":"10.5325/dickstudannu.53.1.0070","DOIUrl":"https://doi.org/10.5325/dickstudannu.53.1.0070","url":null,"abstract":"\u0000 Utilizing open-access, institutional, and subscription-only digital databases for research can advance studies in Victorian literature. Despite occasional issues with sample size, barriers to access, or bad OCR, these databases hold unprecedented quantities of nineteenth-century literature awaiting scrutiny, as indicated by research examples provided. Several long-standing or recent projects on the novel, literary culture, or race in the Victorian era are discussed in terms of their application for personal research and classroom instruction. Among these are the recently unveiled databases One More Voice and Undisciplining the Victorian Classroom, which bring non-European perspectives to the forefront of discourse in answer to the recent call to center and engage with marginalized nineteenth-century voices previously buried in archives due to racial difference. Primary sources, by offering new perspectives on life in the nineteenth century, can now enrich both scholarship and academic syllabi. Digital scans, if defined as free access or fair use, can be requisitioned for groundbreaking projects centered around literary writing, publication, and culture, or historical inquiry.","PeriodicalId":53232,"journal":{"name":"Dickens Studies Annual","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42053286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}