维多利亚时代女权主义批评的酷儿生活

IF 0.6 0 LITERATURE, BRITISH ISLES
Paris Shih
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引用次数: 0

摘要

维多利亚时代酷儿研究的历史往往始于伊芙·科索夫斯基-塞奇威克的《男人之间》(1985)。在这些史书中,性仍然是学术研究的中心,并最终代表了“酷儿”的形式。为了扩大我们对“酷儿性”的理解,本文通过20世纪80年代和90年代的女权主义历史主义和后殖民主义批评,追溯了维多利亚酷儿研究的另类历史。这些研究与女权主义批评的第一波浪潮相反,对家庭女性的形象提出了问题,并通过不同的视角对她的怪异进行了理论化。女权主义历史主义者通过探索19世纪性别形成的相互冲突且往往相互矛盾的过程,展望了家庭女性的“性别麻烦”及其酷儿潜力。然而,这种奇怪的潜力随后被后殖民女权主义学者置于英国帝国主义的背景下,他们重新审视了国内女性气质和帝国意识形态之间的矛盾关系,从而突出了维多利亚时代英国性别和帝国形成的交织过程。这些作品在建立和修正当代酷儿理论的同时,不仅构成了维多利亚酷儿研究的另类历史,而且指向了其可能的未来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Queer Lives of Victorian Feminist Criticism
Histories of Victorian queer studies often start with Eve Kosofsky Sedgwick’s Between Men (1985). In these historiographies, sexuality remains the center of scholarly inquiries and eventually comes to stand for forms of “queerness.” Seeking to expand our understanding of “queerness,” this article traces alternative histories of Victorian queer studies through feminist historicist and postcolonial criticism in the 1980s and 1990s. Writing against the first wave of feminist criticism, these studies problematize the figure of the domestic woman and theorize her queerness through different lenses. By exploring the conflicting and often contradictory process of gender-making in the nineteenth century, feminist historicists foreground the “gender trouble” of the domestic woman and her queer potential. Such queer potential, however, is subsequently located in the context of English imperialism by postcolonial feminist scholars, who revisit the ambivalent relationship between domestic femininity and imperial ideology, thereby highlighting the intertwined processes of gender- and empire-making in Victorian England. Simultaneously building on and revising contemporary queer theory, these works not only constitute alternative histories of Victorian queer studies but also point to its possible futures.
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来源期刊
Dickens Studies Annual
Dickens Studies Annual LITERATURE, BRITISH ISLES-
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