Ukrayins''ki kul''turologichni studiyi最新文献

{"title":"THE CREATIVE WORK OF BORIS VIAN WITHIN FRENCH HUMANITIES OF THE 1940s–1960s","authors":"Svitlana Kholodynska","doi":"10.17721/ucs.2023.1(12).07","DOIUrl":"https://doi.org/10.17721/ucs.2023.1(12).07","url":null,"abstract":"In the second half of the 20th century, discussions around the understanding of crisis phenomena that permeated all spheres of human life became more frequent, in particular, the spheres of art and aesthetics were also touched upon. The crisis in the artistic sphere was connected with the general cultural crisis of the late 19th and early 20th centuries, the decline of spirituality, and the relativization of values, primarily moral and aesthetic. Analysis of the crisis in the sphere of artistic practice and aesthetics of the 20th century was the subject of scientific research by several representatives of Polish aesthetics of the second half of the 20th century: R. Ingarden, S. Morawski, B. Dziemidok, and others. The primary attention of these thinkers was devoted to the understanding of transformational processes in modern artistic creativity and the analysis of its influence on aesthetics with a clear emphasis on the importance of the axiological perspective. A thorough analysis of the problems of the crisis in artistic creativity and aesthetics of the 20th century can be found in the works of S. Morawski. He studied the causes and consequences of transformations in artistic creativity since the beginning of the 20th century, in particular, the consequences for the formation of the modern axiosphere, and its role in changing modern aesthetic consciousness. However, S. Morawski's prediction regarding the replacement of aesthetics with anti-aesthetics was not confirmed. On the contrary, art that implements aesthetic values has survived, although the range of aesthetic values has increased significantly. Modern philosophy of art is open to the most controversial artistic proposals. This is because it breaks with those normative principles that limit freedom. The most important thing, however, is that normative and descriptive aesthetics always have an axiological character, which all representatives of Polish aesthetics emphasized in the second half of the 20th century.","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":"139 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136207162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"CITY IDENTITY AS A SOCIO-CULTURAL PHENOMENON","authors":"Anastasiia Tormakhova","doi":"10.17721/ucs.2023.1(12).13","DOIUrl":"https://doi.org/10.17721/ucs.2023.1(12).13","url":null,"abstract":"The city is the center of modern society. Each of them was formed under certain socio-cultural conditions. During its existence, it was transformed, acquired a different visual image. It reproduces the change in worldview narratives that prevailed in society and appears as the factor influencing the formation of the cultural identity of the citizens. A city is not only a physical space in which people live. It is a cell that has its own unique character. The uniqueness of the city is defined as identity, as it is formed under the influence of historical and cultural development, as a result of the existence of collective memory, etc. The specifics of the city's cultural identity largely depends on cultural memory. The concept of \"collective memory\" is formed in connection with a certain interpretation of the events of the past. The recipients should be included in historical milestones not so much on a rational-logical level, but mostly on an emotional one. The perception of the city is connected with aesthetic pleasure, but at the same time it appears as a certain construct. As a result of the process of globalization, the formation of cities with a more unified character is taking place. But the leadership of many cities seeks to focus on shaping a unique ethos of the city, which will be achieved through cultural policy, design and architecture. As a rule, such urban centers have significant popularity, a certain reputation and attract people who want to live there or at least visit it. The city and its ethos influence the formation of the identity of its inhabitants. And the residents themselves can act as the driving force that will shape the city's identity in the conditions of the spread of globalization influences. Each of the big cities demonstrates compliance with a certain leading value that gives it originality and uniqueness. On the way to the formation of the global identity of the city, the cooperation of representatives of various institutions and citizens is extremely important, which is an example of interaction based on communication.","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":"112 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136258345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE IMPLICIT CONCEPTION OF MUSIC IN BOETHIUS' \"DE CONSOLATIONE PHILOSOPHIAE\"","authors":"Alina Kahalo","doi":"10.17721/ucs.2023.1(12).17","DOIUrl":"https://doi.org/10.17721/ucs.2023.1(12).17","url":null,"abstract":"The paper is an attempt to demonstrate the possibility and necessity of an implicit conception of music in Boethius. An explicit conception is something that is obviously present in a text. That is what is usually studied within the 'history of ideas'. Contrary to this, an implicit conception is an unconscious picture of the author's world, in which the basic concepts of explicit conception are grounded. Therefore, the implicit conception is a condition for the possibility of any explicit text. So, the well-known text of Boethius' \"De institutione musica\", which but replicates mostly Pythagorean views of music, is an explicit conception. We chose \"De consolatione philosophiae\" as the most representative and semantically loaded text by Boethius to look for his implicit conception of music. It is based on different but unconscious grounds. We read this text to look for unconscious semantics associated with the concept. Thus, the unconscious semantics of music should be studied using the psychoanalytic approach in its broadest sense. The approach asks for the cues of connotations of the terms used by Boethius. The history of reception of the text, including different translations, can show the way. We should bear in mind, too, that the text we read is the record of an internal dialogue, which brings forth a different ontological horizon. Besides, we should see the text as a texture of signs and symptoms, pointing to unconscious notions Boethius had developed. The necessity of such an approach and the relevance of the results obtained within it are discussed in the article. The guidelines for the reconstruction of the implicit conception of music in Boethius are outlined and the elements of this conception are proposed. By further development of the method demonstrated and applied in this paper we shall be able not only to understand Boethius better, but we can reveal the intrinsic contents of the basic concepts describing the realities culture scholars are working with.","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136301694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Written communication in urban spaces: publication, textual materiality and appropriations","authors":"Antonio Castillo Gómez, Olena Pavlova","doi":"10.17721/ucs.2023.1(12).20","DOIUrl":"https://doi.org/10.17721/ucs.2023.1(12).20","url":null,"abstract":"The Routledge Companion to Cultural History in the Western World 1st edition Edited By A Arcangeli et al chapter Written communication in urban spaces: publication, textual materiality and appropriations pp. 310-331 by Antonio Castillo Gómez © 2020 Routledge Reproduced by permission of Taylor & Francis Group Translated by Olena Pavlova","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136305522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"\"CRISIS OF ART\" AND \"CRISIS OF AESTHETICS\" IN RESEARCH OF POLISH HUMANITIES OF THE SECOND HALF OF THE 20th CENTURY","authors":"Kateryna Shevchuk","doi":"10.17721/ucs.2023.1(12).06","DOIUrl":"https://doi.org/10.17721/ucs.2023.1(12).06","url":null,"abstract":"In the second half of the 20th century, discussions around the understanding of crisis phenomena that permeated all spheres of human life became more frequent, in particular, the spheres of art and aesthetics were also touched upon. The crisis in the artistic sphere was connected with the general cultural crisis of the late 19th and early 20th centuries, the decline of spirituality, and the relativization of values, primarily moral and aesthetic. Analysis of the crisis in the sphere of artistic practice and aesthetics of the 20th century was the subject of scientific research by several representatives of Polish aesthetics of the second half of the 20th century: R. Ingarden, S. Morawski, B. Dziemidok, and others. The primary attention of these thinkers was devoted to the understanding of transformational processes in modern artistic creativity and the analysis of its influence on aesthetics with a clear emphasis on the importance of the axiological perspective. A thorough analysis of the problems of the crisis in artistic creativity and aesthetics of the 20th century can be found in the works of S. Morawski. He studied the causes and consequences of transformations in artistic creativity since the beginning of the 20th century, in particular, the consequences for the formation of the modern axiosphere, and its role in changing modern aesthetic consciousness. However, S. Morawski's prediction regarding the replacement of aesthetics with anti-aesthetics was not confirmed. On the contrary, art that implements aesthetic values has survived, although the range of aesthetic values has increased significantly. Modern philosophy of art is open to the most controversial artistic proposals. This is because it breaks with those normative principles that limit freedom. The most important thing, however, is that normative and descriptive aesthetics always have an axiological character, which all representatives of Polish aesthetics emphasized in the second half of the 20th century.","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136207803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"GRAPHOSPHERE IN URBAN SPACE OF THE EARLY MODERN (XV – XVIII CENTURIES) IN THE DIMENSION OF ANTONIO CASTILLO GÓMEZ'S CULTURAL HISTORY","authors":"Olena Pavlova","doi":"10.17721/ucs.2023.1(12).21","DOIUrl":"https://doi.org/10.17721/ucs.2023.1(12).21","url":null,"abstract":"The article explains the fundamental concepts of the graphosphere, shedding light on the organization of written communication within urban spaces during the early Modern period (15th to 18th centuries). The elucidation of these basic concepts is approached through the lens of various oppositions, such as \"center-periphery\" (N. Luhmann), \"great-little tradition\" (R. Redfield, M. Singer), \"independent-subservient architecture\" (G. Hegel), and \"space of representations-representational spaces\" (H. Lefebvre). The specificity of these cultural-historical approaches is revealed through the theoretical and empirical dimensions of studying the graphosphere, which involves differentiating between signifiers and signifieds. Therefore, examining written communication in early modern cities (15th to 18th centuries) clarifies the significance of material culture as a central theme in cultural history. This exploration goes beyond the narrow definition of textual materiality and encompasses examining the locations and methods of publication. This broader perspective expands how this topic can be conceptualized and provides an empirical foundation. Written communication practices not only influence the semantic centrality of space (although it remains closely connected to urban space) but also contribute to the transformation of textual materiality and the differentiation between public place and public space. In the early Modern period, written communication, while still connected to urban walls, gained a greater potential for re-signifying public space. This led to its appropriation through graphic colonization and illegal acts (which both indicate the democratic nature of cultural changes and increase the potential for communication conflicts). The autonomization of signifiers order establishes the superiority of representational spaces over the space of representations. The \"paper wars\" can be seen as the first historical form of information warfare and the beginnings of a \"great tradition\" of colonizing public space without physical occupation, which became a prerequisite for territorial occupation","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136302688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"FROM \"RED\" TO \"NEW\" CULTURE: TRADITION AND INNOVATIONS IN CHINESE MARXISM","authors":"Vitalii Turenko","doi":"10.17721/ucs.2023.1(12).05","DOIUrl":"https://doi.org/10.17721/ucs.2023.1(12).05","url":null,"abstract":"The article examines in detail the understanding of culture and cultural practices in the context of such concepts of Chineseized Marxism as \"red culture\" and \"new culture\". It was revealed that culture, as well as aesthetic studies, were in the center of attention of Chinese Marxist circles. Accordingly, within the framework of the idea of \"new democracy\" the formation and further development of a \"new culture\" is developed, which involves the preservation of traditional priorities of Chinese civilization and the introduction of new aspects that relate both to the Marxist considerations of the leaders of the CCP and in accordance with modern global trends. Based on this, culture and the cultural revolution are inextricably linked with Marxist projects of criticizing capitalist modernity and building an alternative modernity. In this respect, the various practices and plans of Chinese Marxism are similar to those of Western Marxism. It is substantiated that along with the idea of \"new culture\" the concept of \"red culture\" functions, which differs from the former in its containing a synthesis of traditional Chinese culture and an understanding of the latter within the framework of Chineseized Marxism. This, according to thinkers and leaders of the CCP, helps in the fight against cultural imperialism disguised as globalization. Chinese aesthetic scholars followed the Western Marxist agenda; but at the same time deliberately criticized Western Marxism and its Maoist connections. It is noteworthy that the Chinese Marxist experience of the post-revolutionary society and the vision that arose from it drew another cognitive map, an alternative \"cultural topology\" for modern cultural studies. They offer us an epistemological alternative for understanding the genealogy of critical concepts and conceptual schemes through which the history of modern Chinese culture is interpreted. Chineseized Marxism examines these \"topological cultural spaces\" from a critical perspective, drawing attention to Chinese theories themselves and juxtaposing these theories with Western Marxist ones so that their assumptions can be subjected to critical scrutiny.","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":"97 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136206796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LITERARY TRANSLATION AS CROSS-CULTURAL COMMUNICATION","authors":"Sophia Puzyrko","doi":"10.17721/ucs.2023.1(12).16","DOIUrl":"https://doi.org/10.17721/ucs.2023.1(12).16","url":null,"abstract":"The article carries out a cultural analysis of the importance of literary translation as cross-cultural communication in the process of intercultural interaction for the sake of theoretical understanding of the conditions and possibilities of maximum mutual understanding and transfer of experience between the cultures of different states. Like any kind of translation, artistic translation is a multifaceted and complex phenomenon. From an institutional point of view, it can be considered as a specific form of literary reception and cultural mediation, as a form of cultural production that takes place in a specific environment at the junction of two (often national) literatures and cultures. Literary translation is often motivated not only by the dynamics of local factors, but also by the dynamics of the global space of cultural exchange. The translator has the status of a mediator between cultures. The target text, like the original text, is a cultural semiotic product. translation is undoubtedly an act of intercultural communication; this should be the unquestionable starting point for any modern research in translation. It is obvious that the aim of the present article is not to challenge indisputable facts. Rather, the main point is that what presents itself as a unanimously accepted thesis is in fact open to multiple interpretations due to the polysemy of the term culture. The cultural aspects of translation are inevitably affected by the still unsettled debates about culture. The translator is a specialist in intercultural communication. He knows how to determine the most appropriate means of mediation for the desired meaning in a given socio-cultural context. Communication is a common and well-known part of our lives that we often do not pay attention to it's importance. Moreover, we often participate in the communication process only as senders and recipients of information without being aware that we are dealing with a complex process, which itself contains many interconnected steps with each other. Human society is built and exists precisely thanks to the human ability for communication. Cross-cultural communication is hard work that requires mediation, appropriation, and negotiation. The literary text is processed, consumed and interpreted by the target reader, the bearer of certain ideological and aesthetic views","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136301674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TRANSFORMATION OF THE CULTURAL LANDSCAPES OF UKRAINIAN CITIES IN THE REAR IN THE CONTEXT OF THE FULL-SCALE WAR","authors":"Anastasiia Stepanenko","doi":"10.17721/ucs.2023.1(12).09","DOIUrl":"https://doi.org/10.17721/ucs.2023.1(12).09","url":null,"abstract":"The War between the Russian Federation and Ukraine is one of the most devastating conflicts in history, with an unprecedented scale in Europe since World War II. It has a profound impact on Ukrainian society, resulting in complex changes on multiple levels, including economic, political, cultural, and social aspects. The cultural landscape of Kyiv undergoes transformations of varying intensity and nature throughout the year 2022. These processes can be caused by changes in the functions of sociocultural institutions and architectural structures, alterations in the names of urban toponyms, the placement of military posts, and defensive structures, as well as shifts in the perception of public space and associations related to the city. It has a significant impact on the identity of the city and its residents, as well as on the perception of events and public activism. Creative communities, artistic associations, and cultural and artistic-oriented civic organizations that continue their activities have adapted their work and become part of an active volunteer movement. This article aims to explore the comprehensive effects of the war on the general trends of cultural landscape transformation in Ukrainian cities. It examines various aspects of how the war has influenced Kyiv, such as its impact on the creative sector, changes in media hierarchy, the transformation of urban cultural practices, and changes in the supply and demand of cultural products and services at the local level. The article attempts to investigate and systematize the processes of cultural landscape transformation in Ukrainian cities that have not been directly involved in active combat during the ongoing war of Russia against Ukraine. By adopting a comprehensive approach, this research seeks to encompass various facets of the war's influence on cities and urban communities and facilitate an understanding of their interconnectedness with the broader trends of cultural landscape transformation","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136258646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"IN AXIOLOGICAL SEARCH OF GOOD AND EVIL (book review on Andrii Morozov evil: Metaphysical and theological dimensions)","authors":"M. Rohozha","doi":"10.17721/ucs.2022.1(10).18","DOIUrl":"https://doi.org/10.17721/ucs.2022.1(10).18","url":null,"abstract":"","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67444990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}