{"title":"近代早期(15 - 18世纪)城市空间中的文字圈:安东尼奥·卡斯蒂略gÓmez的文化史维度","authors":"Olena Pavlova","doi":"10.17721/ucs.2023.1(12).21","DOIUrl":null,"url":null,"abstract":"The article explains the fundamental concepts of the graphosphere, shedding light on the organization of written communication within urban spaces during the early Modern period (15th to 18th centuries). The elucidation of these basic concepts is approached through the lens of various oppositions, such as \"center-periphery\" (N. Luhmann), \"great-little tradition\" (R. Redfield, M. Singer), \"independent-subservient architecture\" (G. Hegel), and \"space of representations-representational spaces\" (H. Lefebvre). The specificity of these cultural-historical approaches is revealed through the theoretical and empirical dimensions of studying the graphosphere, which involves differentiating between signifiers and signifieds. Therefore, examining written communication in early modern cities (15th to 18th centuries) clarifies the significance of material culture as a central theme in cultural history. This exploration goes beyond the narrow definition of textual materiality and encompasses examining the locations and methods of publication. This broader perspective expands how this topic can be conceptualized and provides an empirical foundation. Written communication practices not only influence the semantic centrality of space (although it remains closely connected to urban space) but also contribute to the transformation of textual materiality and the differentiation between public place and public space. In the early Modern period, written communication, while still connected to urban walls, gained a greater potential for re-signifying public space. This led to its appropriation through graphic colonization and illegal acts (which both indicate the democratic nature of cultural changes and increase the potential for communication conflicts). The autonomization of signifiers order establishes the superiority of representational spaces over the space of representations. The \"paper wars\" can be seen as the first historical form of information warfare and the beginnings of a \"great tradition\" of colonizing public space without physical occupation, which became a prerequisite for territorial occupation","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"GRAPHOSPHERE IN URBAN SPACE OF THE EARLY MODERN (XV – XVIII CENTURIES) IN THE DIMENSION OF ANTONIO CASTILLO GÓMEZ'S CULTURAL HISTORY\",\"authors\":\"Olena Pavlova\",\"doi\":\"10.17721/ucs.2023.1(12).21\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article explains the fundamental concepts of the graphosphere, shedding light on the organization of written communication within urban spaces during the early Modern period (15th to 18th centuries). The elucidation of these basic concepts is approached through the lens of various oppositions, such as \\\"center-periphery\\\" (N. Luhmann), \\\"great-little tradition\\\" (R. Redfield, M. Singer), \\\"independent-subservient architecture\\\" (G. Hegel), and \\\"space of representations-representational spaces\\\" (H. Lefebvre). The specificity of these cultural-historical approaches is revealed through the theoretical and empirical dimensions of studying the graphosphere, which involves differentiating between signifiers and signifieds. Therefore, examining written communication in early modern cities (15th to 18th centuries) clarifies the significance of material culture as a central theme in cultural history. This exploration goes beyond the narrow definition of textual materiality and encompasses examining the locations and methods of publication. This broader perspective expands how this topic can be conceptualized and provides an empirical foundation. Written communication practices not only influence the semantic centrality of space (although it remains closely connected to urban space) but also contribute to the transformation of textual materiality and the differentiation between public place and public space. In the early Modern period, written communication, while still connected to urban walls, gained a greater potential for re-signifying public space. This led to its appropriation through graphic colonization and illegal acts (which both indicate the democratic nature of cultural changes and increase the potential for communication conflicts). The autonomization of signifiers order establishes the superiority of representational spaces over the space of representations. The \\\"paper wars\\\" can be seen as the first historical form of information warfare and the beginnings of a \\\"great tradition\\\" of colonizing public space without physical occupation, which became a prerequisite for territorial occupation\",\"PeriodicalId\":52653,\"journal\":{\"name\":\"Ukrayins''ki kul''turologichni studiyi\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ukrayins''ki kul''turologichni studiyi\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17721/ucs.2023.1(12).21\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ukrayins''ki kul''turologichni studiyi","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17721/ucs.2023.1(12).21","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文解释了文字圈的基本概念,揭示了现代早期(15至18世纪)城市空间中书面交流的组织。这些基本概念的阐释是通过各种对立的镜头来实现的,比如“中心-外围”(N. Luhmann),“伟大-渺小的传统”(R. Redfield, M. Singer),“独立-从属的建筑”(G.黑格尔),以及“表征的空间-表征的空间”(H. Lefebvre)。这些文化历史方法的特殊性是通过研究文字圈的理论和经验维度来揭示的,其中包括区分能指和所指。因此,研究早期现代城市(15至18世纪)的书面交流,阐明了物质文化在文化史上作为中心主题的重要性。这种探索超越了文本材料的狭隘定义,并包括审查出版的地点和方法。这个更广阔的视角扩展了如何将这个主题概念化,并提供了经验基础。书面交流实践不仅影响了空间的语义中心性(尽管它仍然与城市空间密切相关),而且有助于文本物质性的转变以及公共场所和公共空间之间的区分。在现代早期,书面交流虽然仍然与城墙相连,但在重新定义公共空间方面获得了更大的潜力。这导致其通过图形殖民化和非法行为被挪用(这两者都表明了文化变革的民主性质,并增加了传播冲突的可能性)。能指秩序的自主化确立了表征空间相对于表征空间的优越性。“纸战”可以被看作是信息战的第一种历史形式,是在没有实体占领的情况下殖民公共空间的“伟大传统”的开始,这成为领土占领的先决条件
GRAPHOSPHERE IN URBAN SPACE OF THE EARLY MODERN (XV – XVIII CENTURIES) IN THE DIMENSION OF ANTONIO CASTILLO GÓMEZ'S CULTURAL HISTORY
The article explains the fundamental concepts of the graphosphere, shedding light on the organization of written communication within urban spaces during the early Modern period (15th to 18th centuries). The elucidation of these basic concepts is approached through the lens of various oppositions, such as "center-periphery" (N. Luhmann), "great-little tradition" (R. Redfield, M. Singer), "independent-subservient architecture" (G. Hegel), and "space of representations-representational spaces" (H. Lefebvre). The specificity of these cultural-historical approaches is revealed through the theoretical and empirical dimensions of studying the graphosphere, which involves differentiating between signifiers and signifieds. Therefore, examining written communication in early modern cities (15th to 18th centuries) clarifies the significance of material culture as a central theme in cultural history. This exploration goes beyond the narrow definition of textual materiality and encompasses examining the locations and methods of publication. This broader perspective expands how this topic can be conceptualized and provides an empirical foundation. Written communication practices not only influence the semantic centrality of space (although it remains closely connected to urban space) but also contribute to the transformation of textual materiality and the differentiation between public place and public space. In the early Modern period, written communication, while still connected to urban walls, gained a greater potential for re-signifying public space. This led to its appropriation through graphic colonization and illegal acts (which both indicate the democratic nature of cultural changes and increase the potential for communication conflicts). The autonomization of signifiers order establishes the superiority of representational spaces over the space of representations. The "paper wars" can be seen as the first historical form of information warfare and the beginnings of a "great tradition" of colonizing public space without physical occupation, which became a prerequisite for territorial occupation