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Studies in Eastern European Cinema最新文献

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Interview with Želimir Žilnik – August, 2022
Studies in Eastern European Cinema Pub Date : 2022-10-14 DOI: 10.1080/2040350x.2022.2133354
Vlastimir Sudar
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引用次数: 0
A Journey through the Balkans’ Early Cinema History 巴尔干半岛早期电影史之旅
Studies in Eastern European Cinema Pub Date : 2022-09-29 DOI: 10.1080/2040350X.2022.2127228
Mélisande Leventopoulos
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引用次数: 0
Secret Agents, Informers, and Traitors: Agnieszka Holland’s Fever (Gorączka, 1980) 特工、告密者和叛徒:阿格涅斯卡·霍兰德的热病(Gorączka, 1980)
Studies in Eastern European Cinema Pub Date : 2022-09-29 DOI: 10.1080/2040350x.2022.2125221
E. Ostrowska
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引用次数: 0
Mapping experimental cinema in the ‘grey zone’ 在“灰色地带”绘制实验电影
Studies in Eastern European Cinema Pub Date : 2022-09-16 DOI: 10.1080/2040350X.2022.2123130
Bori Máté
{"title":"Mapping experimental cinema in the ‘grey zone’","authors":"Bori Máté","doi":"10.1080/2040350X.2022.2123130","DOIUrl":"https://doi.org/10.1080/2040350X.2022.2123130","url":null,"abstract":"in the region, contributing to further ‘the institutionalization and affirmation of cinema activities’ and leading ‘a number of local film pioneers to invest in film equipment and effectively start producing their own films’ (193). In Chapter 4 like in Chapter 5 however, a filmography would have helped the reader to embrace the studied phenomena (even if, as the author has explained, a general panorama cannot be reached) and distinguish at the same time the cinematographic processes involving different territories. Nonetheless, Chapter 5 also connects cinema exhibition with film shooting very interestingly: Grgić highlights the filming activities of some travelling as well as sedentary exhibitors in the region and, conversely, she also provides information on the diffusion of moving images shot locally. To conclude, this ‘inclusive’ dimension of Grgić’s book, consisting in the combination of moving images’ formal analysis and films’ cultural circulations, significantly contributes to making Early Cinema, Modernity and Visual Culture a successful attempt in the field of cultural cinema history.","PeriodicalId":52267,"journal":{"name":"Studies in Eastern European Cinema","volume":"22 1","pages":"108 - 110"},"PeriodicalIF":0.0,"publicationDate":"2022-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81912580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bosnia and Herzegovina on Screen: Self-Orientalism in Jasmila Žbanić’s Film Quo Vadis, Aida? 银幕上的波黑:贾斯米拉Žbanić电影《阿依达?》中的自我东方主义
Studies in Eastern European Cinema Pub Date : 2022-09-12 DOI: 10.1080/2040350x.2022.2121456
Bruno Lovric, Miriam Hernández
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引用次数: 0
Lívia Gyarmathy (1932–2022)
Studies in Eastern European Cinema Pub Date : 2022-08-25 DOI: 10.1080/2040350x.2022.2112773
András Szekfü
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引用次数: 0
Fragments of a Forgotten Spectacle: Tito, the Serbs, and Appropriated Time 被遗忘景象的片段:铁托、塞尔维亚人和被占用的时间
Studies in Eastern European Cinema Pub Date : 2022-08-08 DOI: 10.1080/2040350X.2022.2106895
Vlastimir Sudar
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引用次数: 0
The Artist and the Work. A Response to Ewa Mazierska’s Article Roman Polanski (and Others) on Trial 艺术家与作品。对Ewa Mazierska的文章Roman Polanski(和其他人)受审的回应
Studies in Eastern European Cinema Pub Date : 2022-08-08 DOI: 10.1080/2040350x.2022.2107769
A. Piotrowska
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引用次数: 1
Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe 仪器。中欧和东欧的电影、媒体和数字文化
Studies in Eastern European Cinema Pub Date : 2022-07-15 DOI: 10.1080/2040350X.2022.2084836
D. Youngblood
{"title":"Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe","authors":"D. Youngblood","doi":"10.1080/2040350X.2022.2084836","DOIUrl":"https://doi.org/10.1080/2040350X.2022.2084836","url":null,"abstract":"The end of communist regimes across central and eastern Europe, including Russia and the other republics of the former USSR, led not only to the redrawing of the political map of Europe, but as importantly, to the reconfiguration of the intellectual and cultural worlds of this vast region. From the perspective of the past thirty years, we can better appreciate the extent of these cultural and intellectual revolutions, which have led to increased and improved communication and cooperation among artists and intellectuals across national boundaries even as political relations have faltered—in some cases catastrophically. Nowhere has this shift been more evident than in film and media studies. Founded in 2015, Apparatus is a peer-reviewed, online, Open Access (OA) scholarly journal based in Berlin, which received its initial funding from Deutsche Forschungsgemeinschaft (DFG). The journal is hosted by Freie Universität Berlin. Its core leadership team consists of its founder and editor-in-chief Natascha Drubek (Germany), publishing director Irina Schulzki (Belgium), IT director John-Thomas Eltringham (Germany), reviews editor Evgeniia Trufanova (US), English language editor John Leman Riley (UK), and editorsat-large Adelheid Heftberger (Germany), Mario Slugan (UK), and Denise J. Youngblood (US). The journal’s international, interdisciplinary character is also evident in the composition of its editorial advisory board of twenty scholars specializing in various aspects of visual and media cultures as well as in more traditional humanities disciplines like history and literature; the board represents many European countries as well as the UK and US.","PeriodicalId":52267,"journal":{"name":"Studies in Eastern European Cinema","volume":"52 1","pages":"310 - 313"},"PeriodicalIF":0.0,"publicationDate":"2022-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87064631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Roman Polanski (and Others) on Trial 罗曼·波兰斯基(和其他人)受审
Studies in Eastern European Cinema Pub Date : 2022-06-20 DOI: 10.1080/2040350X.2022.2088135
E. Mazierska
{"title":"Roman Polanski (and Others) on Trial","authors":"E. Mazierska","doi":"10.1080/2040350X.2022.2088135","DOIUrl":"https://doi.org/10.1080/2040350X.2022.2088135","url":null,"abstract":"Abstract This article engages with arguments in recent discussions about Polanski’s personal conduct, and the effect of these discussions on the reception of his films. It also uses these debates to shed light on the changing attitudes toward cinema and art at large, pointing to the growing importance of the artists’ personal conduct, especially sexual conduct, in the assessment of their work, including making spotless behaviour a condition to reach the audience. It does so from a position which is critical of censorship. The article draws on Polanski’s biography, especially the part describing his encounter with Samantha Gailer (now Samantha Geimer) and recent journalistic discourse about his conduct and films, following the rise of the #MeToo movement. It is informed by debates about authorship in film and art and the relationship between moral and aesthetic values.","PeriodicalId":52267,"journal":{"name":"Studies in Eastern European Cinema","volume":"284 1","pages":"211 - 228"},"PeriodicalIF":0.0,"publicationDate":"2022-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76856065","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
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