SpoolPub Date : 2023-12-24DOI: 10.47982/spool.2023.1.03
Ionas Sklavounos
{"title":"On Dreaming Realities","authors":"Ionas Sklavounos","doi":"10.47982/spool.2023.1.03","DOIUrl":"https://doi.org/10.47982/spool.2023.1.03","url":null,"abstract":"This essay delves into the installation designed by Hans Hollein for the Künstlerhaus facade in Vienna in 1985. It serves as an illustrative case of material speculation in architecture, particularly regarding the incorporation of ‘historical’ elements in contemporary architectural practice. Through a close reading of this installation, realized in the context of the exhibition ‘Traum und Wirklichkeit, Wien 1870-1930’ (Dream and Reality, Vienna 1870-1930), I discuss how such speculation entails the physical replication of carefully chosen ‘historical’ forms and their reassembly in what would be best described as a ‘fragmentary whole.’ However, the reintegration of historical fragments into the present can manifest in diverse ways. I argue that in the installation that reshaped the facade of the Künstlerhaus, Hollein explored two contrasting modes while tracing the possibilities (and pitfalls) of their synthesis.","PeriodicalId":52253,"journal":{"name":"Spool","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139160261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
SpoolPub Date : 2023-12-24DOI: 10.47982/spool.2023.1.07
Hong Wan Chan
{"title":"Retrieving landscape","authors":"Hong Wan Chan","doi":"10.47982/spool.2023.1.07","DOIUrl":"https://doi.org/10.47982/spool.2023.1.07","url":null,"abstract":"This article focuses on two methods employed in the selection, interpretation, and representation of diverse source materials for developing alternative biographies for my ancestral landscape - Nanhai district in the Pearl River Delta in southern China. These biographies aim to approach Nanhai from a long view of continual transformation, as opposed to prevalent readings of the region that focus on the striking spatial contrasts and large-scale developments that have only come about in recent decades. The chronological reading explores a critical shift in the cosmological understanding of the landscape situated in the 19th century through a selection of historical gazetteer maps, while in the excavational reading the diffuse continuity of the lineage in the present-day landscape of Nanhai is traced. In both methods, the drawing functions as a crucial (research) tool to engage the range of source materials.","PeriodicalId":52253,"journal":{"name":"Spool","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139160114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
SpoolPub Date : 2023-12-24DOI: 10.47982/spool.2023.1.01
Valerie Hoberg
{"title":"Artistic Practices as Architectural Research","authors":"Valerie Hoberg","doi":"10.47982/spool.2023.1.01","DOIUrl":"https://doi.org/10.47982/spool.2023.1.01","url":null,"abstract":"The potential of implicit architectural knowledge extends beyond the realm of sciences and technology. It is worthwhile to examine its role in art, artistic practices, and artistic knowledge. This article explores several practical examples from art and architecture, spanning the 20th and 21st centuries. These examples shed light on artistic practices that, apart from enhancing designerly qualities and fostering a reflexive approach, may have a significant research impact in architecture. The methods, processes, and topics of these examples are examined, and their potential for critical improvement is highlighted. Particularly, the concept of ‘not-knowing’ is emphasized as a valuable asset for addressing contemporary and future challenges, not limited to architecture.","PeriodicalId":52253,"journal":{"name":"Spool","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139160766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
SpoolPub Date : 2023-12-24DOI: 10.47982/spool.2023.1.00
L. Schrijver, Frank Van der Hoeven
{"title":"Design and Method in Architectural Research","authors":"L. Schrijver, Frank Van der Hoeven","doi":"10.47982/spool.2023.1.00","DOIUrl":"https://doi.org/10.47982/spool.2023.1.00","url":null,"abstract":"This issue of SPOOL introduces a new thread: ‘Method and Design’, titled “Design and Method in Architectural Research: From Objective Quantification to Material Speculation”. The issue explores the conventional understanding of method through both theoretical contributions and visual essays. The theoretical contributions discuss methodology, material practice, studio approaches, or design principles. The visual essays are more experimental, allowing for design proposals or artistic expressions that explore specific methods, depict scenarios, or articulate a material logic.","PeriodicalId":52253,"journal":{"name":"Spool","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139159898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Collective data-based drawings","authors":"Rubén Valdez, Lucía Jalón Oyarzun, Dieter Dietz, Malcolm Onifade, Aurèle Pulfer","doi":"10.47982/spool.2023.1.06","DOIUrl":"https://doi.org/10.47982/spool.2023.1.06","url":null,"abstract":"The laboratory ALICE (Atelier de la Conception de l’Espace) at the École Polytechnique Fédérale de Lausanne (EPFL) advances a comprehensive approach to data-based drawing oriented towards architectural and urban co-design processes. This drawing methodology has been key in the contributive design process they have applied over the last seven years, covering a range of scales and contexts, both within the public and private spheres. Contribution has become a relational strategy that unites a diverse range of participants, each hailing from various backgrounds and carrying unique needs, which come together around the drawing. For this reason, the cultivation of a robust drawing culture, from their teaching to their research and design activities, has become a cornerstone of ALICE’s philosophy, where drawing is embraced not merely as a representational tool but as a constructive means for design work. Their methodology has now evolved to include data-based drawing techniques, skillfully merging precise surveying with qualitative data analysis, thereby bridging the gap between quantitative and qualitative facets of design. This article explains this data-based approach to drawing through a series of projects developed in the Greater Geneva region. Throughout them, they explain how ALICE’s situated data-based drawings facilitate intricate coordination among students, leading to real-scale interventions; explore the potential of transforming main roads into landscape infrastructures that promote sustainable mobility and urban development; or offer an innovative lens to comprehend the affective connections between citizens and their urban surroundings, transcending traditional cartographic representations. Finally, these efforts are summarised through the analysis of a single drawing showcased at the 2021 Venice Biennale, illustrating the potential of this methodology to harmonize the collective efforts of various stakeholders.","PeriodicalId":52253,"journal":{"name":"Spool","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139160407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
SpoolPub Date : 2023-12-24DOI: 10.47982/spool.2023.1.04
Manuela Triggianese
{"title":"Design of Co-creation in Rotterdam Central Station (1996-2007)","authors":"Manuela Triggianese","doi":"10.47982/spool.2023.1.04","DOIUrl":"https://doi.org/10.47982/spool.2023.1.04","url":null,"abstract":"This article explores the pivotal role of design as a decision-making tool within multi-stakeholder collaborations, focusing on the early phases of the Rotterdam Central Railway Station and its surroundings project. Spanning from 1996, when it gained National Key Project status, to 2007, when construction commenced, this period precedes the preliminary design, during which the design process becomes the primary method of collaboration among multiple stakeholders, including designers and clients involved in the station area’s development. After introducing the post-war reconstruction of the station area and the ‘Platform Zero’ experiment, this article defines three key stages of design in the initial phase, each of which left a distinct mark on the station project. These stages are: - From 1996 to 2001: Design for political communication. - From 2002 to 2004: Parallel design. - From 2004 to 2007: Design co-creation and integration. To provide a comprehensive view of the design’s development, this article includes insights from conversations with architects and planners engaged in the process. In a dynamic exchange between various stakeholders and designers, the evolution of Rotterdam Central Station’s design reveals how political decisions have been informed by thorough design studies, offering a platform for robust discourse on critical issues.","PeriodicalId":52253,"journal":{"name":"Spool","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139161186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
SpoolPub Date : 2022-09-01DOI: 10.47982/spool.2022.3.01
V. Schmitzer, Tim Gerdin, Ria Ilersic, Anja Zaucer, Mateja Kregar Tršar
{"title":"Captured Moments of Landscape Metamorphosis","authors":"V. Schmitzer, Tim Gerdin, Ria Ilersic, Anja Zaucer, Mateja Kregar Tršar","doi":"10.47982/spool.2022.3.01","DOIUrl":"https://doi.org/10.47982/spool.2022.3.01","url":null,"abstract":"Landscape architecture students at the University of Ljubljana were encouraged to prepare temporal series of landscape and plant drawings to sharpen their sensitivity to changes in the perception of a land motive and vegetation morphology. Students chose a particular motive, defined the frame of the drawing, and identified characteristic plants on site. The motives were sketched several times during the year to portray seasonal changes. Specific environmental conditions (fog, rain, sunny day) were captured in drawings, and in the case of plants, drawings revealed the transitions of selected physiological events (budding, flowering, fruiting). These transformations were discussed in connection with landscape perception and as a tool in the design process.","PeriodicalId":52253,"journal":{"name":"Spool","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45334862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
SpoolPub Date : 2022-09-01DOI: 10.47982/spool.2022.3.06
Lisa Mackenzie Lisa Mackenzie
{"title":"The significance of time in the design of a public landscape","authors":"Lisa Mackenzie Lisa Mackenzie","doi":"10.47982/spool.2022.3.06","DOIUrl":"https://doi.org/10.47982/spool.2022.3.06","url":null,"abstract":"This paper revisits a built project to reveal a hidden and experimental ambition for a public space through drawing in time. \u0000Behind the project’s initial inception lay the designer’s motivation to challenge, open and expand the consideration of time in the way in which public landscapes are invented, configured and received. As such, the project sought to attend both to the way in which time manifests as a design consideration through drawing and to the way in which time could be conceptually and experientially sustained in the afterlife of the completed work. \u0000In the inevitable ebbs and flows of productivity and decision taking that ran through the project, the designer came to realize that the ambitions outlined above stretched beyond their client’s comprehension of what the project could and should be. Instead, an aspiration to design “in time” became subservient to the client and stakeholders’ focus on the material manifestation of the work as a visual object and to the project’s public reception when it was deemed “complete”. For the designer this meant that opportunities to expand design thinking into practices tied to the continuing and relational opportunities of the space remained disappointingly determinate and closed. \u0000By revisiting the existing representations and by making new drawings that were more explorative and unburdened by the conditions of project delivery, new liberty was found, revealing a unique bond between drawing in time and the relational opportunities of the work.","PeriodicalId":52253,"journal":{"name":"Spool","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45599406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
SpoolPub Date : 2022-09-01DOI: 10.47982/spool.2022.3.04
Lotte Oppenhuis
{"title":"Drawing fixed moments in time","authors":"Lotte Oppenhuis","doi":"10.47982/spool.2022.3.04","DOIUrl":"https://doi.org/10.47982/spool.2022.3.04","url":null,"abstract":"This visual essay discusses drawing time in relation to the author’s graduation project, which is based on the paradigm of a multispecies world. Three design principles are derived from this paradigm: movement, hybrid and landscape as being. These relate to different notions of time and thus on drawing time. Movement means drawing the now. Hybrid is a material structure that shows non-human presence. This materiality implies that decay has to be drawn. The landscape as being is the ongoing landscape without end. In order to draw the three principles leading to the design intervention, fixed moments in time are chosen. In this visual essay 0 years, 20 years, and 30 years are shown. Time is drawn through a repetition of plans, sections and animation stills and through drawing specific human and non-human presence. In this way repetition, growth, decay and changing actors are shown. Drawing decay opened up new design possibilities. By comparing the repetitive animation stills, drawing time became a critical tool that showed idealization within the design. This visual essay shows both the repetition of drawings, as well as the discoveries it leads to.","PeriodicalId":52253,"journal":{"name":"Spool","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48157021","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
SpoolPub Date : 2022-09-01DOI: 10.47982/spool.2022.3.05
Marijne Beenhakker, J. Hugtenburg, Jaap Van der Salm
{"title":"Time Thinking and Drawing in Designing Dynamic River Landscapes","authors":"Marijne Beenhakker, J. Hugtenburg, Jaap Van der Salm","doi":"10.47982/spool.2022.3.05","DOIUrl":"https://doi.org/10.47982/spool.2022.3.05","url":null,"abstract":"This visual essay explores the use of time thinking and drawing in the design process of the Ooijen- Wanssum floodplain widening project. Through a series of project sketches, final drawings and photos of the constructed project, the authors reveal the way in which time drawing has (often implicitly) given direction to the design process. The water calendar is introduced as a design tool that integrates time- dependent river dynamics into the design process and thereby informs spatial design choices that are considered in several design sketches. These design choices include interactions with dynamic processes such as erosion, vegetation dynamics and recreational use of the river landscape.","PeriodicalId":52253,"journal":{"name":"Spool","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42091565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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