‘The Future is just around the Corner…’ – The construction of urban narratives through temporary supergraphics

Q4 Engineering
Spool Pub Date : 2022-09-01 DOI:10.47982/spool.2022.3.07
Anne Margrethe Wagner Anne Margrethe Wagner
{"title":"‘The Future is just around the Corner…’ – The construction of urban narratives through temporary supergraphics","authors":"Anne Margrethe Wagner Anne Margrethe Wagner","doi":"10.47982/spool.2022.3.07","DOIUrl":null,"url":null,"abstract":"Drawings play various roles in (and in-between) the processes of design, construction and the continuous use and appropriation of space. This article explores large drawing elements positioned at building sites. It discusses how decision makers, developers, planners and design professionals actively use such representational means to create site and project narratives for the site preparation and construction phase. Two projects and sites are presented here in order to illustrate and explore the role of large on-site supergraphics during site transformation. The main aim is to explore how they configure specific conceptions of time. The first is Ōtautahi: An Origin Story, a large comic strip mounted on the hoardings of the building site for a new convention centre in Christchurch, New Zealand, as part of the city’s post-earthquake rebuild. The second case is a ground mural in the Danish town of Køge featuring a map in a section of a temporary urban space called The Space of Time that is part of the town’s harbour transformation. The analysis engages with theoretical perspectives on visual culture, drawing and space – in particular urban comics, cartography, mapping, site thinking and transformation. It sheds light on an emerging phenomenon in contemporary urban culture – one characterized by hybrid authorships, ambiguous aesthetics and time-space constellations.","PeriodicalId":52253,"journal":{"name":"Spool","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Spool","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47982/spool.2022.3.07","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Engineering","Score":null,"Total":0}
引用次数: 0

Abstract

Drawings play various roles in (and in-between) the processes of design, construction and the continuous use and appropriation of space. This article explores large drawing elements positioned at building sites. It discusses how decision makers, developers, planners and design professionals actively use such representational means to create site and project narratives for the site preparation and construction phase. Two projects and sites are presented here in order to illustrate and explore the role of large on-site supergraphics during site transformation. The main aim is to explore how they configure specific conceptions of time. The first is Ōtautahi: An Origin Story, a large comic strip mounted on the hoardings of the building site for a new convention centre in Christchurch, New Zealand, as part of the city’s post-earthquake rebuild. The second case is a ground mural in the Danish town of Køge featuring a map in a section of a temporary urban space called The Space of Time that is part of the town’s harbour transformation. The analysis engages with theoretical perspectives on visual culture, drawing and space – in particular urban comics, cartography, mapping, site thinking and transformation. It sheds light on an emerging phenomenon in contemporary urban culture – one characterized by hybrid authorships, ambiguous aesthetics and time-space constellations.
“未来指日可待……”——通过临时超级图形构建城市叙事
图纸在设计、施工以及空间的持续使用和分配过程中发挥着各种作用。本文探讨了位于建筑工地上的大型绘图元素。它讨论了决策者、开发商、规划者和设计专业人员如何积极使用这种代表性手段,为场地准备和施工阶段创建场地和项目叙事。这里介绍了两个项目和场地,以说明和探索大型现场超级图形在场地改造中的作用。主要目的是探索他们如何配置特定的时间概念。第一部是《Ōtautahi:起源故事》,这是一部大型漫画,安装在新西兰克赖斯特彻奇一个新会议中心的建筑工地围板上,作为该市地震后重建的一部分。第二个案例是丹麦Køge镇的一幅地面壁画,在一个名为“时间空间”的临时城市空间的一部分绘制了一张地图,这是该镇港口改造的一部分。该分析涉及视觉文化、绘画和空间的理论视角,特别是城市漫画、制图、地图绘制、场地思维和改造。它揭示了当代城市文化中一种新兴的现象——一种以混合作者、模糊美学和时空星座为特征的现象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
Spool
Spool Engineering-Architecture
CiteScore
0.40
自引率
0.00%
发文量
0
审稿时长
21 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信