发布求助
文献互助 智能选刊 最新文献

Voprosy Literatury最新文献

筛选
英文 中文
Artistic-philological translation in the 1920s–1930s 20 - 30年代的艺术语言学翻译
Voprosy Literatury Pub Date : 2023-08-15 DOI: 10.31425/0042-8795-2023-1-185-191
E. Lutsenko
{"title":"Artistic-philological translation in the 1920s–1930s","authors":"E. Lutsenko","doi":"10.31425/0042-8795-2023-1-185-191","DOIUrl":"https://doi.org/10.31425/0042-8795-2023-1-185-191","url":null,"abstract":"The review is devoted to a new monograph about the problems of the Russian translation method in the period between the 1900s and the late 1930s. Particularly detailed is the analysis of the book’s main idea that faithfully equirhythmic translation was gradually abandoned in favour of a method more appealing to mass readership. The reviewer highlights the activities of the principal translation institutions of the period and explains their role in the shaping of the new translation method. In addition, the review comments on the book’s structure and praises the decision to publish archival materials, such as M. Alekseev’s article on translation. The reviewer challenges the thesis offered by the book’s compiler M. Baskina, who claims that, although originally executed to high standards of philological accuracy, collections of translated works after WWII were produced with an increasing degree of ‘compromise.’ For an example to disprove this statement, the reviewer points to the Complete Works of Shakespeare published in 1958–1969 under A. Smirnov’s editorship.","PeriodicalId":52245,"journal":{"name":"Voprosy Literatury","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69705542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pedro Calderón de la Barca. Life is a dream. Silence is gold 佩德罗Calderón德拉巴萨。生活是一场梦。沉默是金
Voprosy Literatury Pub Date : 2023-08-15 DOI: 10.31425/0042-8795-2023-1-192-198
A. B. Arefieva
{"title":"Pedro Calderón de la Barca. Life is a dream. Silence is gold","authors":"A. B. Arefieva","doi":"10.31425/0042-8795-2023-1-192-198","DOIUrl":"https://doi.org/10.31425/0042-8795-2023-1-192-198","url":null,"abstract":"This review of P. Calderón’s collected plays focuses on a stylistic analysis of Natalya Vankhanen’s new Russian translation of Life Is a Dream [La vida es sueño], considered the crowning glory of Spanish baroque theatre, as well as its interpretation and the dramatic nuances of the translated play in the stage version of the Moscowbased Elektrotheatre Stanislavsky, including their effect on the production’s portrayal of Segismundo. The reviewer stresses the translator’s unique, authorial view of Calderón’s poetic text. It results, firstly, in the translation’s heightened emotional charge, signaled by a profusion of exclamation and question marks and ellipses, and, secondly, in a shift of semantic emphases from the topic of overcoming one’s animalistic instincts to that of discovering the reasons for ‘animalistic’ behaviour in humans. The same topic — the father’s fault for raising a tyrant — is accentuated in Elektrotheatre’s production where Segismundo is shown to become despotic only in the palace upon learning of his mistreatment by the family.","PeriodicalId":52245,"journal":{"name":"Voprosy Literatury","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41298880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contemporary Greek prose: An anthology; Contemporary Greek poetry: An anthology 当代希腊散文:文集;当代希腊诗歌:选集
Voprosy Literatury Pub Date : 2023-08-15 DOI: 10.31425/0042-8795-2023-1-209-214
L. Egorova
{"title":"Contemporary Greek prose: An anthology; Contemporary Greek poetry: An anthology","authors":"L. Egorova","doi":"10.31425/0042-8795-2023-1-209-214","DOIUrl":"https://doi.org/10.31425/0042-8795-2023-1-209-214","url":null,"abstract":"The review discusses two anthologies of contemporary Greek literature (prose and poetry), comprising works of the authors distinguished with the country’s State Prize for Literature in the years from 2010 to 2018. The two books succeed in capturing the multidimensional character of Greece’s modern life and literature in small forms (short stories, novellas and poems). The first anthology features short stories and novellas by fourteen authors. The second contains works by twenty poets, each represented by five poems. While some authors were rewarded for their literary debut, others received the prize for lifetime achievements. Thanks to the anthologies, characterised by a diversity of subjects, artistic methods and poetic messages, the Russian audiences can join in the polylogue between classics and avant-gardists, realists and surrealists, and gurus and novices, as well as broaden their knowledge of the latest developments in a literature rooted in ancient history that remains unique and inspired through the oeuvre of its masters.","PeriodicalId":52245,"journal":{"name":"Voprosy Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45703608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A. G. Grodetskaya. Goncharov in the Maykovs’ literary circle. The 1830s–1840s A.G.Grodetskaya。梅科夫文学圈中的贡恰洛夫。19世纪30年代至19世纪40年代
Voprosy Literatury Pub Date : 2023-08-15 DOI: 10.31425/0042-8795-2023-1-199-204
M. Stroganov
{"title":"A. G. Grodetskaya. Goncharov in the Maykovs’ literary circle. The 1830s–1840s","authors":"M. Stroganov","doi":"10.31425/0042-8795-2023-1-199-204","DOIUrl":"https://doi.org/10.31425/0042-8795-2023-1-199-204","url":null,"abstract":"The reviewer finds A. Grodetskaya’s scholarly contributions particularly valuable because they result from open-minded research. Equally undeniable are her achievements in the preparation and publication of Goncharov’s Complete Works and Letters. The book refers to the Maykovs’ literary circle alternately as a literary salon, a circle, or a literary home, each implying an air of literary domesticity. A member of the Maykovs’ literary circle, V. Solonitsyn collaborated with Biblioteka Dlya Chteniya (a monthly printed magazine) and had a number of works by other members published there; interestingly, he also instigated the Maykovs’ handwritten magazines. Homemade journalism coexisted with professional literary work. Goncharov may have started as a professional author, but in the Maykovs’ salon he drifted towards amateur art. He could not imagine his life without writing and discovered many channels like Biblioteka Dlya Chteniya, Podsnezhnik (a handwritten magazine), and the opportunity to join the expedition of the frigate Pallada, which produced a series of the famous sketches penned as private journal entries.","PeriodicalId":52245,"journal":{"name":"Voprosy Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48918571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
How a woman ‘did her utmost’ to ensure Dombrovsky’s imprisonment. Based on evidence in the 1949 criminal case file 一个女人如何“竭尽全力”确保东布罗夫斯基入狱。根据1949年刑事案件档案中的证据
Voprosy Literatury Pub Date : 2023-08-14 DOI: 10.31425/0042-8795-2023-1-133-178
I. Duardovich
{"title":"How a woman ‘did her utmost’ to ensure Dombrovsky’s imprisonment. Based on evidence in the 1949 criminal case file","authors":"I. Duardovich","doi":"10.31425/0042-8795-2023-1-133-178","DOIUrl":"https://doi.org/10.31425/0042-8795-2023-1-133-178","url":null,"abstract":"Researchers and memoirists have for some time been focusing on Y. Dombrovsky’s fourth criminal proceedings (1949). Their peculiar appeal lies in a fatal woman’s involvement. Among the writer’s friends and acquaintances who testified during the proceedings, there is a record of one Irina Strelkova. Years later she would be condemned as a female Judas. Accounts would emerge insisting that it was her testimony that sealed Dombrovsky’s fate, featuring prominently in the prosecution’s case and bringing about his ten-year prison camp sentence. The accusers rely on Dombrovsky’s letter published soon after his death that talks of Strelkova and her enthusiasm during the investigation — in short, her eagerness to bury him. The article attempts to get to the bottom of these accusations and, should they prove false, discover the reason for this vilification. In order to do so, I. Duardovich scours the case file, uncovering previously unpublished and uncommented materials, thus making it the first comprehensive study of the proceedings.","PeriodicalId":52245,"journal":{"name":"Voprosy Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47955373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Time recovered: Kirill Ryabov and metamodernism 时光倒流：基里尔·里亚博夫与超现代主义
Voprosy Literatury Pub Date : 2023-08-14 DOI: 10.31425/0042-8795-2023-1-43-64
A. Zhuchkova
{"title":"Time recovered: Kirill Ryabov and metamodernism","authors":"A. Zhuchkova","doi":"10.31425/0042-8795-2023-1-43-64","DOIUrl":"https://doi.org/10.31425/0042-8795-2023-1-43-64","url":null,"abstract":"Following an analysis of Kirill Ryabov’s works published in the years 2021 and 2022, the author finds that in Ryabov’s metamodernist aesthetic paradigm the modernist communicative model is preserved alongside some concepts of postmodernist aesthetics. Modernism, postmodernism and metamodernism appear as three stages of the single itinerary with a goal of overcoming the logic of binary oppositions and achieving heteroglossia and dialogue (M. Bakhtin) as a new artistic structure. Through the re-introduction of the depth of emotion and the humanistic dimension, metamodernism strives to comprehend the systemic integrity of the universe. The same agenda characterises Ryabov’s books which show people in their systemic relationships with their own egos, society, the world, and God. The aesthetics of Ryabov’s metamodernist text is defined by such parameters as the abandonment of a clearcut opinion of the author or the protagonist in favour of a dialogue with the reader, reliance on a myth, the concept of a ‘void,’ minimalism, experimentation with the word’s inner form, and the use of mass literature techniques.","PeriodicalId":52245,"journal":{"name":"Voprosy Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41648244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Gogol’s uneasy truth:’ The end of the journey 果戈理令人不安的真理:旅程的终点
Voprosy Literatury Pub Date : 2023-08-14 DOI: 10.31425/0042-8795-2023-1-101-120
E. E. Dmitrieva
{"title":"‘Gogol’s uneasy truth:’ The end of the journey","authors":"E. E. Dmitrieva","doi":"10.31425/0042-8795-2023-1-101-120","DOIUrl":"https://doi.org/10.31425/0042-8795-2023-1-101-120","url":null,"abstract":"The article is written in memory of Yury Mann and follows the life and work of the prominent scholar, whose books not only constitute a landmark phenomenon of Russian literary studies but also offer a new perspective on a number of episodes in the history of literature. Mann’s scholarly career was shaped in the years after WWII. In his book of memoirs, written towards the end of his life, Mann attempts an analysis of his philological pursuits and how, trying to keep up with contemporary trends, he would still occasionally find himself to be an outsider. The article sets out to explain how Mann’s personal and scholarly journey eventually resulted in his remarkable achievements.The author pays special attention to a lesser-known sphere of Mann’s interests: his analytical studies of modern literature (among fellow philologists, he is mostly known as an expert on Gogol and Russian romanticism), his thoughts on conventionality in art, and compelling evidence that Mann’s works follow traditions of Russian formalism.","PeriodicalId":52245,"journal":{"name":"Voprosy Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44029027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The ‘dishonesty’ of culture and the feminist ‘honesty’ in Elena Ferrante’s The Lying Life of Adults 埃琳娜·费兰特《成年人的谎言生活》中文化的“不诚实”与女权主义者的“诚实”
Voprosy Literatury Pub Date : 2023-08-14 DOI: 10.31425/0042-8795-2023-1-86-100
T. V. Yakushkina
{"title":"The ‘dishonesty’ of culture and the feminist ‘honesty’ in Elena Ferrante’s The Lying Life of Adults","authors":"T. V. Yakushkina","doi":"10.31425/0042-8795-2023-1-86-100","DOIUrl":"https://doi.org/10.31425/0042-8795-2023-1-86-100","url":null,"abstract":"The article discusses the latest novel by one of the most celebrated contemporary writers (who may have been intentionally mystifying their audiences): Elena Ferrante. In her analysis of The Lying Life of Adults [La vita bugiarda degli adulti], the critic offers a consecutive examination of Ferrante’s take on such problems as coming of age, national identity, socio-cultural stratification and, finally, the problem of falsehood, treatment of which defines the novel’s narrative. In Ferrante’s interpretation, the story of the protagonist Giovanna logically follows from the dishonesty of culture and religion. However, the critic argues that this ideological charge kills the novel, turning an overall masterly psychological tale of a teenage girl’s coming of age into a platform for a feminist jab at culture. The only redeeming quality that balances off the plot’s ideological dictate, something immediately associated with the literature of social realism in the mind of a Russian reader, is the image of the narrator, whose consciousness is depicted by Ferrante to be more nuanced and psychologically convincing than the heroine’s radicalism.","PeriodicalId":52245,"journal":{"name":"Voprosy Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46518735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Chance as an artistic and philosophical problem. Mark Aldanov’s novel Suicide [Samoubiystvo] 机会是一个艺术和哲学问题。马克·阿尔达诺夫的小说《自杀》
Voprosy Literatury Pub Date : 2023-08-14 DOI: 10.31425/0042-8795-2023-1-12-32
V. Kantor
{"title":"Chance as an artistic and philosophical problem. Mark Aldanov’s novel Suicide [Samoubiystvo]","authors":"V. Kantor","doi":"10.31425/0042-8795-2023-1-12-32","DOIUrl":"https://doi.org/10.31425/0042-8795-2023-1-12-32","url":null,"abstract":"Although he mentioned more than once that Tolstoy was his idol, Aldanov, driven by the force of circumstances and catastrophic dimensions of the contemporary historical process, appears to be closer to Dostoevsky, both in terms of theory and subject matter. Scholarly writings that concern Aldanov’s understanding of chance as a historical trigger are often tinged with irony, dismissing his ideas as a prominent writer’s fancy. Aldanov summarises his views on the role of chance in a brilliant book, possibly the best historiosophical treatise written in Russian — A Night at Ulm: The Philosophy of Chance [Ulmskaya noch. Filosofiya sluchaya] (1953), a kind of manifesto of his main idea, where, citing Descartes and employing his style, Aldanov describes different variants of historical occurrences but leaves out their final resolution, only pointing at the possibility of multiple outcomes. This means that chance rules as ever and sometimes bad luck prevails. Lenin epitomised such a bad turn of events for Russia. The country’s subsequent history became that of survival after the terrible blow. The history continues and it remains unclear if any recovery has been made.","PeriodicalId":52245,"journal":{"name":"Voprosy Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43286469","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Criticism and fiction: An autofiction experience. Serge Doubrovsky and Raymond Federman 批评与小说:一种自传体小说的体验。塞尔日·杜布洛夫斯基和雷蒙德·费德曼
Voprosy Literatury Pub Date : 2023-08-14 DOI: 10.31425/0042-8795-2023-1-65-85
L. Muravyova
{"title":"Criticism and fiction: An autofiction experience. Serge Doubrovsky and Raymond Federman","authors":"L. Muravyova","doi":"10.31425/0042-8795-2023-1-65-85","DOIUrl":"https://doi.org/10.31425/0042-8795-2023-1-65-85","url":null,"abstract":"The article looks at the origins of the concept of autofiction and compares S. Doubrovsky’s and R. Federman’s theories, emphasising the influence of American criticism on the concept’s development. Although often referred to as a hybrid genre first emerging in France in the 1970s and combining fictional and factual events, ‘autofiction’ at its inception was understood as a special narrative practice of traumatic self-reflection through the concept of fiction. In Doubrovsky’s critical works, fiction emerges not as a product of imagination but as a psychoanalytical practice of entrusting one’s experiences to writing. In parallel with Doubrovsky, another scholar, the French-American novelist of Jewish descent Raymond Federman, challenges the limitations of the traditional autobiography. His manifesto, Surfiction (1973), reflects on the boundaries between reality and fiction and questions the very possibility of an autobiographical experience representation. Along with Doubrovsky, Federman views autobiographical writing as an attempt to render a not-to-be-represented and traumatic experience.","PeriodicalId":52245,"journal":{"name":"Voprosy Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46872344","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信