{"title":"What Ado About Culture? Chirikure’s Exposition of Past Shona Practices and Values in Selected Zimbabwean Post-independence Poems","authors":"Godwin Makaudze","doi":"10.1080/1013929X.2020.1743034","DOIUrl":"https://doi.org/10.1080/1013929X.2020.1743034","url":null,"abstract":"Known for his unwavering criticism of politico-economic misdemeanours, Chirikure Chirikure also focuses on past Shona practices and values in Rukuvhute (1990) and Hakurarwi (1998). Using the Afrocentricity approach, this article analyses his portrayal of these values and practices in selected poems. It observes that he exploits several techniques to criticise the repudiation of what he regards as “life-sustaining” practices and values. However, in Rukuvhute his yearning and hope for the observance of past practices and values seems no longer possible. In Hakurarwi his bleak portrayal of the future strikes the reader as a weakness. The article urges artists to assist society choose best practices and values from the past and as well to remain hopeful in their approach to life.","PeriodicalId":52015,"journal":{"name":"Current Writing-Text and Reception in Southern Africa","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/1013929X.2020.1743034","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45926176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Apartheid Colonialism, Gendered Crime, and the Domestic Gothic in Mary Watson’s The Cutting Room","authors":"Bibi Burger","doi":"10.1080/1013929X.2020.1743024","DOIUrl":"https://doi.org/10.1080/1013929X.2020.1743024","url":null,"abstract":"Mary Watson’s gothic novel, The Cutting Room (2013), deals with a woman who does not feel at home in her house. Her unease can be attributed to her conflicted feelings about being a wife in South Africa’s colonial and apartheid history, as well as to a fear of crime. Using feminist theories of women’s relationship to the domestic sphere, Freud’s writing on the unheimlich as well as Homi K Bhaba’s notion of the “postcolonial unhomely”, I argue that the genre of the gothic provides appropriate metaphors and an aptly uncanny atmosphere for the exploration of a South African woman’s complex relationship with the home.","PeriodicalId":52015,"journal":{"name":"Current Writing-Text and Reception in Southern Africa","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/1013929X.2020.1743024","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44082716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Moving Beyond the Liminal: Yewande Omotoso’s Bom Boy","authors":"Elke Seghers","doi":"10.1080/1013929X.2020.1743031","DOIUrl":"https://doi.org/10.1080/1013929X.2020.1743031","url":null,"abstract":"Yewande Omotoso’s novel Bom Boy (2011), is centred on the coming-of-age of its protagonist Leke and, therefore, is related to the genre of the Bildungsroman. Leke, however, feels isolated and is struggling to find his sense of self. The novel draws upon its narrative form to engage with South Africa’s challenges, as Leke’s hindered coming-of-age is symbolic of contemporary South African society. By means of its network of characters and the spaces they move in, the novel addresses not only divisions based on race and class, but also the experience of immigration. Furthermore, isolation, exclusion and inequality are suggested to be reinforced by the influence of “supermodern” globalisation. Finally, just like Leke has difficulties coming to term with his past, the way history is dealt with in society is imagined to be problematic. Both Leke and South Africa find themselves in a liminal state.","PeriodicalId":52015,"journal":{"name":"Current Writing-Text and Reception in Southern Africa","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/1013929X.2020.1743031","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46510580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"No Time to Reflect! ‘Precari’ in the University with a Few Tips for Survival","authors":"M. Chapman","doi":"10.1080/1013929X.2020.1743026","DOIUrl":"https://doi.org/10.1080/1013929X.2020.1743026","url":null,"abstract":"The article focuses on the ‘precari’ in universities, both young academics and postgraduate students: that is, those who experience the insecurity of casualisation and the demands of management to drive their doctoral studies to completion and/or meet the annual ‘performance’ requirement of publication outputs. Precarity is invoked, accordingly, in its fundamental definition of insecure employment and income together with the accompanying psychological distress. First, I provide a brief context of current considerations of precarity, in which the trials of millennials tend to be side-lined in higher-order ‘precarity debates’, whether economic or philosophical. My return to the vulnerable younger members of the university does not end with an explication of the ‘problem’, as do many considerations of precarity. Rather, I offer a few tips for surviving the pressures of managerial time- and cost-efficiency research where the quantity of output is expected to supersede the time necessary to reflect.","PeriodicalId":52015,"journal":{"name":"Current Writing-Text and Reception in Southern Africa","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/1013929X.2020.1743026","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44880800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Poetry of Belonging: Episodic Memory and the Shades","authors":"C. Mann","doi":"10.1080/1013929X.2019.1619275","DOIUrl":"https://doi.org/10.1080/1013929X.2019.1619275","url":null,"abstract":"Neural science and cognitive psychology have in recent years established the fundamental importance of episodic memory in the formation of an individual’s personal and social identity. These models of understanding help to explain the widespread prevalence of the shades in numerous cultural and literary traditions, including those in contemporary South Africa. This paper applies these findings to the appearance of the shades in the work of poets as diverse as Homer, Dante, Hardy and Vilakazi, and argues that a fuller recognition of the universality of the shades challenges the inward and spiritual apartheid of individuals in a globalised world fissured by recalcitrant identity politics.","PeriodicalId":52015,"journal":{"name":"Current Writing-Text and Reception in Southern Africa","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/1013929X.2019.1619275","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47739770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Crime, Reality and Nonfiction in Post-Apartheid Writing1 “If You Can’t Find the Right Story, at Least Get the Story Right”","authors":"Leon de Kock","doi":"10.1080/1013929X.2019.1618085","DOIUrl":"https://doi.org/10.1080/1013929X.2019.1618085","url":null,"abstract":"Current South African writing is characterised by the rise of both genre fiction and creative nonfiction as ways of responding to a widely perceived sickness in the body politic, where the plot, metaphorically speaking, is thought to have been lost, and there is a premium on uncovering actual conditions. The real issue, for writers, is to find the right story, or at the very least to get the story right. This article takes a view of South Africa’s reconstituted public sphere after 1994 and finds it riddled with symptoms of criminal pathology. Crime writing’s generic inclinations come conveniently to hand, since the crime story typically sets out to pinpoint the ‘culprit,’ or, in the crime narrative’s implicitly wider terms, the sources of social and political perversity. This article sees such acts of writing as works of social detection; the underlying context that gives rise to them may be related to both immediate pressures on the ground and more extensive transnational conditions. The diagnostic works of crime writers refract a real but perverted transformation in which the postcolonies of the late modern world are awash with criminality despite a heightened preoccupation with law and (dis)order. In particular, the “criminalisation of the state” is hardly peculiar to South Africa, but rather a common feature of postcolonial polities, of which the post-apartheid state is but a belated example. Post-apartheid writing constitutes an investigation into, and a search for, the ‘true’ locus of civil virtue in decidedly disconcerting social conditions, in an overall context of transition. In the course of this article, two main operating principles in post-apafrtheid writing in general are discussed, namely ‘overplotting’ (crime writing; creative nonfiction); and ‘underplotting’ (“fiction’s response” to the abovementioned conditions).","PeriodicalId":52015,"journal":{"name":"Current Writing-Text and Reception in Southern Africa","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/1013929X.2019.1618085","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45580722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“What can you do with a Story Like This[?]”: The Expectations and Explicitations of South African Fiction","authors":"Rick de Villiers","doi":"10.1080/1013929X.2019.1618091","DOIUrl":"https://doi.org/10.1080/1013929X.2019.1618091","url":null,"abstract":"The question – “how does fiction respond to nonfiction?” – implies several others. One has to do with a special kind of mimesis and asks whether formal aspects of the ‘documentary’ mode are directive for fictional modes. Another question pertains to motives. This article addresses the latter, but with an eye on criticism itself. It argues against instrumental readings that promote aesthetic values on the basis of ethical values, not because this is inherently problematic, but because such an approach risks neglecting the degree to which fiction and nonfiction alike partake in mimetic strategies that promote a ‘truth-effect’ with compelling and sometimes troubling immediacy. Without positioning it as representative of “fiction’s response”, Damon Galgut’s In A Strange Room is considered here as exemplary in its ability to disrupt the charms of mimesis through its estranging use of punctuation, self-representation, and intertextuality.","PeriodicalId":52015,"journal":{"name":"Current Writing-Text and Reception in Southern Africa","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/1013929X.2019.1618091","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45862961","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"In Memory of Geoff Davis","authors":"Isabel Carrera Suárez","doi":"10.1080/1013929X.2019.1618083","DOIUrl":"https://doi.org/10.1080/1013929X.2019.1618083","url":null,"abstract":"It is with great sadness that we inform you of the unexpected death of our dear colleague Geoff Davis, who chaired EACLALS [European Association for Literature and Languages] from 2002 until 2014. (In the years in-between 2008–2011, he presided over ACLALS.) All who attended academic gatherings during these periods, or in the previous decades, when he was a loyal and enthusiastic participant, will have had the chance to benefit from his knowledge in a number of areas, notably African literatures, but also from his cheerful generosity, his keen welcoming of young members into the field and his endless energy and creativity. Geoff’s vast contribution to our studies is also found in his own publications and through his editing of journals such as Matatu, and of the critical series “Cross/Cultures. Readings in the Post/Colonial Literatures and Cultures in English,” which he co-edited with Gordon Collier from 1990 and which holds such significant work for postcolonial studies. As members of the present EACLALS Board, we have shared many conferences, happy moments and worries with Geoff, and we are in shock at the news that this will not continue to be so. At this sad moment, we can only thank him publicly and most sincerely for his work and feel grateful that we shared interests and some part of his life with him. We will be dedicating a place in the EACLALS webpage to tributes to Geoff, as a much-deserved homage to an essential member. In grief, and in fond memory of Geoff and his multiple achievements.","PeriodicalId":52015,"journal":{"name":"Current Writing-Text and Reception in Southern Africa","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/1013929X.2019.1618083","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47819388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Story to Tell","authors":"T. Voss","doi":"10.1080/1013929X.2019.1618094","DOIUrl":"https://doi.org/10.1080/1013929X.2019.1618094","url":null,"abstract":"Although Sol Plaatje died in 1932 with many of his hopes for South Africa unfulfilled, he has not been forgotten by his fellow South Africans. In a new edition of his biography of Plaatje, Brian Willan, one of the scholars whose work revived interest in Plaatje in the 1980s, has written the life of a great South African for the new South Africa. He has made use of newly discovered documentary sources and oral memory and given us a nuanced account of a complex life. Despite suffering many disappointments and indignities, Plaatje left his countrymen and –women a rich legacy. The centenary of Native Life in South Africa (1916), still perhaps his best-known work, was celebrated in a collection of essays which testify to that work’s profound reach and continuing relevance. Plaatje continues to speak to South Africa in a way we can all understand.","PeriodicalId":52015,"journal":{"name":"Current Writing-Text and Reception in Southern Africa","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/1013929X.2019.1618094","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42978927","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}