Folk Life-Journal of Ethnological Studies最新文献

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‘Some feckin’ jump like’: Fordism and Ford workers in Ireland “有些人跳起来像”:爱尔兰的福特主义和福特工人
IF 0.3 4区 社会学
Folk Life-Journal of Ethnological Studies Pub Date : 2019-01-02 DOI: 10.1080/04308778.2019.1588966
L. Cullinane
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引用次数: 1
Folk belief and landscape in Connacht: accounts from the Ordnance Survey letters 康诺特的民间信仰与景观:来自英国军械调查局信件的记述
IF 0.3 4区 社会学
Folk Life-Journal of Ethnological Studies Pub Date : 2019-01-02 DOI: 10.1080/04308778.2019.1592933
C. McDonough
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引用次数: 2
The histories of the Morris in Britain 英国莫里斯家族的历史
IF 0.3 4区 社会学
Folk Life-Journal of Ethnological Studies Pub Date : 2019-01-02 DOI: 10.1080/04308778.2019.1599211
Vic Gammon
{"title":"The histories of the Morris in Britain","authors":"Vic Gammon","doi":"10.1080/04308778.2019.1599211","DOIUrl":"https://doi.org/10.1080/04308778.2019.1599211","url":null,"abstract":"This is a very worthwhile volume. Like any such compilation, the contributions are variable in quality but none are without interest and some are very good indeed. Strong foundations have been laid for English morris dance history, for example, in the writings of Roy Judge, Keith Chandler and two of the writers represented here, John Forrest and the editor Michael Heaney. The book is organized thematically and roughly chronologically into seven sections varying from one to four chapters. It is extremely well presented and edited. After a brief but to-the-point introduction by Heaney, which addresses the plural ‘histories’ of the title, John Forrest contributes a lively and informative first essay, ‘How to Read The History of Morris Dancing’. This essay helps us to think about the important issues pertinent to the whole book. Forrest gives some fascinating background on the way that he, Chandler and Heaney carved up the field of morris dance history, researching different but complementary aspects. Forrest’s essay is peppered with pithy and pointed statements. Writing about the widespread belief that morris was the survival of an ancient fertility ritual (for which there is no historical evidence) he states:","PeriodicalId":51989,"journal":{"name":"Folk Life-Journal of Ethnological Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/04308778.2019.1599211","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49325315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Complete Poems of William Barnes. Volume II. Poems in the Modified Form of the Dorset Dialect 威廉·巴恩斯诗集全集。卷二世。多塞特方言改进型诗歌
IF 0.3 4区 社会学
Folk Life-Journal of Ethnological Studies Pub Date : 2019-01-02 DOI: 10.1080/04308778.2019.1599215
J. Roper
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引用次数: 0
Cold iron: aspects of the occupational lore of Irish fishermen 冷铁:爱尔兰渔民职业传说的各个方面
IF 0.3 4区 社会学
Folk Life-Journal of Ethnological Studies Pub Date : 2019-01-02 DOI: 10.1080/04308778.2019.1599213
Ailbhe Nic Giolla Chomhaill
{"title":"Cold iron: aspects of the occupational lore of Irish fishermen","authors":"Ailbhe Nic Giolla Chomhaill","doi":"10.1080/04308778.2019.1599213","DOIUrl":"https://doi.org/10.1080/04308778.2019.1599213","url":null,"abstract":"tradition. Much more down-to-earth is Roy Fenton’s account of the Greensleeves Morris Men (in ‘The Early Revival’ section as the team was founded in 1926 although the account goes up to recent times). This is good as a memoir and useful as source material for future writers, but does not go much beyond a brief account of the team. The penultimate section of the book deals with the subject of ‘Women in Morris’. Sally Wearing gives an account of costume choices made by women’s dance teams as they navigated the perceived issues of presentation and the interacting concerns of tradition, revival and gender. Mostly concerned with the new women’s dance teams of the 1970s, there are some thoughtful considerations of the influence of earlier periods, precedents, suitability and fashion. Val Parker gives a very good first-hand account of the Women’s Morris Federation (1975–1983) and its development into The Morris Federation. Lucy Wright gives us a lively and fascinating essay which rightly draws attention to the underresearched but vibrant and significantly numerous tradition of women’s carnival morris. Sometimes dismissively referred to as ‘fluffy morris’, this vigorous dance tradition has flourished outside and with no regard to the folk revivals. Unburdened by those particular ways of relating to the past, this practice has forged its own way for more than a century. Lucy Wright has discerned no wish from participants in the carnival morris movement to associate themselves with or see themselves in any way connected to the folk revival. The last section of the book is titled ‘Material Culture’ and consists of two essays. Chloe Metcalf asks ‘Why do Morris Dancers Wear White? She tries to answer the question in a subtle way using what she calls ‘pragmatic analysis’ and rejecting ‘universal’ colour symbolism. She presents a good discussion that emphasizes the thought and care that many morris dancers took over their presentation and deals in an effectively critical way with older explanations of dancers’ costumes. In the final essay, David Petts concerns himself with questions of artefact preservation and memorialization. Here the UNESCO notions of tangible and intangible heritage are used to discuss the representation of morris paraphernalia in museums and ‘the creation of formal patterns of commemoration of morris within both urban and rural landscapes’ (347), particularly the placing of plaques and naming of roads. There is a sort of sadness to this highly focussed essay. As Petts remarks ‘. . .the ultimate expression of these traditions is in the transient and passing moment of performance itself’ (332). Does one need to memorialize that which is living and flourishing, or does the act mark a stage which has been passed through? The difference between a plaque on the wall and the excitement of a live performance by a morris team seems so different in essence, so large, that the gap between them can hardly be thought. All in all this is a satisfying vo","PeriodicalId":51989,"journal":{"name":"Folk Life-Journal of Ethnological Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/04308778.2019.1599213","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44317219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Textiles of Timor, Island in the Woven Sea 编织海中的帝汶岛纺织品
IF 0.3 4区 社会学
Folk Life-Journal of Ethnological Studies Pub Date : 2018-07-03 DOI: 10.1080/04308778.2018.1507141
S. Desrosiers
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引用次数: 6
EARTH: the dynamics of non-industrial agriculture: 8,000 years of resilience and innovation, 3-volume set 《地球:非工业化农业的动力:8000年的韧性和创新》,3卷集
IF 0.3 4区 社会学
Folk Life-Journal of Ethnological Studies Pub Date : 2018-07-03 DOI: 10.1080/04308778.2018.1507143
Claus Kropp
{"title":"EARTH: the dynamics of non-industrial agriculture: 8,000 years of resilience and innovation, 3-volume set","authors":"Claus Kropp","doi":"10.1080/04308778.2018.1507143","DOIUrl":"https://doi.org/10.1080/04308778.2018.1507143","url":null,"abstract":"Much as curators and University scholars follow differing trajectories here in the United Kingdom, for our American counterparts, public history has developed powerfully and in parallel with its academic counterpart. This is a book that bridges these different spheres successfully and in so doing offers a subtle commentary on the importance of placing critical thinking and historical method at the heart of public interpretation and understanding. Agriculture, as Reid and her fellow authors so eloquently articulate, was once omnipresent and obvious. It has slipped out of our common lexicon and become the province of a specialized few. Like the warts and all storytelling of Wilder’s Farmer Boy, complete with its own situated and inherent bias and bigotry, Interpreting Agriculture is a subtle manifesto for the power of things now forgotten, for the durability of evidence of the once pervasive character of farming culture and life, for its potent nostalgic value, and for the myriad different ways that such heritage might be mobilized to address issues in the present-day. This is a volume that sets up a whole series of enormous questions and challenges that we must all face up to, most notably concerning the legacies of colonialism, land grabbing, a disenfranchised labour force, and the rise and impact of agribusiness. I only hope that Reid and her peers are working on a follow-up volume that sets ‘plow’ against ‘plough’ and situates some of these complex debates on a wider international stage. Also, I can now finish reading Farmer Boy with a far clearer, richer, and more specific contextual understanding of these agricultural pasts and of what value they may hold for me, for my son, and for future generations.","PeriodicalId":51989,"journal":{"name":"Folk Life-Journal of Ethnological Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/04308778.2018.1507143","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44213812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Killing Rhodes: decolonization and memorial practices in post-apartheid South Africa 杀戮罗德:种族隔离后南非的非殖民化和纪念活动
IF 0.3 4区 社会学
Folk Life-Journal of Ethnological Studies Pub Date : 2018-07-03 DOI: 10.1080/04308778.2018.1502408
Ernst van der Wal
{"title":"Killing Rhodes: decolonization and memorial practices in post-apartheid South Africa","authors":"Ernst van der Wal","doi":"10.1080/04308778.2018.1502408","DOIUrl":"https://doi.org/10.1080/04308778.2018.1502408","url":null,"abstract":"ABSTRACT This article investigates the conflicted relationship that exists between practices of memorial commemoration and contemporary calls for the decolonization of public space. Drawing on the example of the Rhodes Must Fall movement that originated in Cape Town, South Africa, this article demonstrates how the spatiality of commemoration is affected by decolonizing interrogations of memorial structures. Within a postcolonial context, commemorations of Cecil John Rhodes (1853–1902), the iconic British businessman and politician who was well known for his race-based prejudices and who played such an important role in the history of South Africa, have become sites where lingering colonial and racist discourses are unearthed and explored. As such, the practices and spaces of memorialization have come under severe criticism for the distorted historical narratives they have long upheld. This article demonstrates how decolonizing practices and ideologies affect public perceptions of those commemorative structures that have long served to memorialize Rhodes.","PeriodicalId":51989,"journal":{"name":"Folk Life-Journal of Ethnological Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/04308778.2018.1502408","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"59384841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Sussex trug: form, function and craft 苏塞克斯trug:形式、功能和工艺
IF 0.3 4区 社会学
Folk Life-Journal of Ethnological Studies Pub Date : 2018-07-03 DOI: 10.1080/04308778.2018.1507137
G. Bertram
{"title":"The Sussex trug: form, function and craft","authors":"G. Bertram","doi":"10.1080/04308778.2018.1507137","DOIUrl":"https://doi.org/10.1080/04308778.2018.1507137","url":null,"abstract":"","PeriodicalId":51989,"journal":{"name":"Folk Life-Journal of Ethnological Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/04308778.2018.1507137","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44155133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sounding social justice in American opera: race and gender in Stinney: an American execution 美国歌剧中的社会正义:斯蒂尼的种族与性别:美国处决
IF 0.3 4区 社会学
Folk Life-Journal of Ethnological Studies Pub Date : 2018-07-03 DOI: 10.1080/04308778.2018.1502401
Alexandria Carrico
{"title":"Sounding social justice in American opera: race and gender in Stinney: an American execution","authors":"Alexandria Carrico","doi":"10.1080/04308778.2018.1502401","DOIUrl":"https://doi.org/10.1080/04308778.2018.1502401","url":null,"abstract":"ABSTRACT In 1944, George Stinney Jr., an African American boy, aged fourteen, was falsely accused of rape and murder; he became the youngest person to be executed in the United States. Seventy years later, Frances Pollock’s opera, Stinney: an American Execution, premiered in Baltimore, Maryland. This article explores how Stinney exposes ongoing issues of race and gender inequality in the United States. Drawing upon ethnographic interviews, I investigate the opera’s collaborative creation process, complex reception, and collective impact. I argue that Stinney serves as a work of musical activism by bringing the marginalized cultural experiences of African Americans, and women of colour specifically, to the fore. Ultimately, Stinney provides an opportunity for diverse audiences to engage in discussions about how we as a society can address injustice and enact social change.","PeriodicalId":51989,"journal":{"name":"Folk Life-Journal of Ethnological Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/04308778.2018.1502401","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43083710","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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