Journal of Australian Studies最新文献_第8页

Histories of the Illustrated Magazine in Australia 澳大利亚画报杂志的历史

IF 0.5 3区历史学

Journal of Australian Studies Pub Date : 2022-12-15 DOI: 10.1080/14443058.2023.2156085

A. Johnston, P. Magagnoli

{"title":"Histories of the Illustrated Magazine in Australia","authors":"A. Johnston, P. Magagnoli","doi":"10.1080/14443058.2023.2156085","DOIUrl":"https://doi.org/10.1080/14443058.2023.2156085","url":null,"abstract":"As the Internet does today, the illustrated magazine significantly defined Australian readers’ knowledge of the nation and the world for much of the 20th century. Magazines graced domestic spaces and dentists’ surgeries; magazine stands filled busy city street corners and transport hubs; and publishers, government departments, and tourism bureaus sent magazines overseas to attract migrants, business investments and tourists. Up to 800,000 Australians read theAustralianWomen’s Weekly by 1961, with many other titles regularly achieving large circulation figures in a commercial market that in 1963 included 900 journals and magazines. The Weekly continues to provide new avenues for scholarly research, from education to art history to Cold War politics, as well as food and fashion histories. Our themed section for the Journal of Australian Studies forms part of a research project designed to diversify magazine studies in Australia, to broaden the sources and understanding of their significance in Australian cultural history, and to connect scholarship across disciplines and link it to new international developments. The best and brightest minds contributed to modern magazines (alongside newspapers and radio, and often across media platforms). Writers and travellers such as George Farwell, Ernestine Hill and Ion Idriess earnt a living that underwrote other creative projects, while anthropologists including Donald Thomson and Ursula McConnell used magazines to communicate their work with Indigenous communities to the public. First Nations communities themselves used newsletters to build connections, and magazine titles such as Identity emerged in the 1970s to forge a new Indigenous public sphere. Scientists and naturalists such as Charles Barrett, Tarlton Rayment and","PeriodicalId":51817,"journal":{"name":"Journal of Australian Studies","volume":"52 1","pages":"3 - 9"},"PeriodicalIF":0.5,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84234353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Sarah Breaden: “A Refined and Splendid Kind of Girl” 莎拉·布莱登:“优雅而又灿烂的女孩”

IF 0.5 3区历史学

Journal of Australian Studies Pub Date : 2022-12-09 DOI: 10.1080/14443058.2022.2149608

Linda Wells

引用次数: 0

Six Capitals and a Local Book: An Experiment in Articulating the Value of Bruce Pascoe’s Dark Emu 六个首都和一本地方书:阐明布鲁斯·帕斯科的《黑暗鸸鹋》价值的实验

IF 0.5 3区历史学

Journal of Australian Studies Pub Date : 2022-12-05 DOI: 10.1080/14443058.2022.2147573

Julienne van Loon

引用次数: 0

“The Covers Gave Me More Trouble than Anything Else”: Illustrating R. G. Campbell’s Australian Journal, 1926–1955 “封面给了我更多的麻烦”:r.g.坎贝尔的《澳大利亚日报》，1926-1955

IF 0.5 3区历史学

Journal of Australian Studies Pub Date : 2022-12-01 DOI: 10.1080/14443058.2022.2151031

R. Osborne

{"title":"“The Covers Gave Me More Trouble than Anything Else”: Illustrating R. G. Campbell’s Australian Journal, 1926–1955","authors":"R. Osborne","doi":"10.1080/14443058.2022.2151031","DOIUrl":"https://doi.org/10.1080/14443058.2022.2151031","url":null,"abstract":"ABSTRACT During R. G. Campbell’s 30-year tenure as editor of the Australian Journal (1926–1955), he drew on the work of many freelance writers and artists. This article identifies some of the major contributors of cover art and illustrations published during Campbell’s editorship of the Australian Journal to provide an expanded view of the cultural networks that converged in the pages of the magazine. Drawing on Campbell’s advice published in The Australian Writers and Artists' Market, along with his reflections in unpublished autobiographical notes, the article reveals the magazine’s intersections with the commercial and fine art world, particularly the networks of commercial artists who honed their skills in Melbourne’s art schools and artists’ studios during the early to middle decades of the 20th century. Combined with previous research on writers of the popular short story, this article demonstrates the significant position that R. G. Campbell and his Australian Journal claimed in mid-20th-century Australian print culture, and it encourages further research into the large network of freelance writers and artists that radiated from the magazine’s Swanston Street offices.","PeriodicalId":51817,"journal":{"name":"Journal of Australian Studies","volume":"20 1","pages":"10 - 26"},"PeriodicalIF":0.5,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79667530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Visions of Nature: How Landscape Photography Shaped Settler Colonialism 《自然的视觉:风景摄影如何塑造定居者殖民主义》

IF 0.5 3区历史学

Journal of Australian Studies Pub Date : 2022-11-28 DOI: 10.1080/14443058.2023.2150361

I. Wegman

引用次数: 2

Making a Mark: Displays of Regional and National Identity in the Big Things of Australia and Canada 《留下印记:在澳大利亚和加拿大的大事中展示地区和国家身份》

IF 0.5 3区历史学

Journal of Australian Studies Pub Date : 2022-11-16 DOI: 10.1080/14443058.2022.2144928

Amy Clarke

引用次数: 0

Mateship with Brumbies: Horses, Defiance and Indigeneity in the Australian Alps 与布伦比的伙伴关系:澳大利亚阿尔卑斯山的马、反抗和土著

IF 0.5 3区历史学

Journal of Australian Studies Pub Date : 2022-11-10 DOI: 10.1080/14443058.2022.2142835

S. Farley

引用次数: 0

“For Gorsake, Stop Laughing: This is Serious!”—Australia’s Fragile Cartooning Archive “看在上帝的份上，别笑了:这是认真的!”——澳大利亚脆弱的漫画档案

IF 0.5 3区历史学

Journal of Australian Studies Pub Date : 2022-11-01 DOI: 10.1080/14443058.2022.2124303

Robert Phiddian, Stephanie Brookes, Lindsay Foyle, R. Scully

引用次数: 0

“Good Australians Will Respond”: Transforming the Work Ethic in Popular Media, 1941–1945 “善良的澳大利亚人会做出回应”:改变大众媒体的职业道德，1941-1945

IF 0.5 3区历史学

Journal of Australian Studies Pub Date : 2022-10-30 DOI: 10.1080/14443058.2022.2135573

Caryn Coatney

{"title":"“Good Australians Will Respond”: Transforming the Work Ethic in Popular Media, 1941–1945","authors":"Caryn Coatney","doi":"10.1080/14443058.2022.2135573","DOIUrl":"https://doi.org/10.1080/14443058.2022.2135573","url":null,"abstract":"ABSTRACT Media images of heroic, hard-working Australian achievers have often accompanied stories about an upbeat national work ethic to boost public morale in times of massive upheavals and crisis. The concept of an Australian work ethic has not been a natural creation, but it has been actively developed in the media. This article reveals a turning point in the media portrayal of the crucial area of work that helped cultivate diverse expressions of Australia’s image. The article focuses on the era of momentous disruption in World War II that led to an unprecedented idealisation of workers and changed the traditional roles of the prime minister, journalists and the public. Wartime prime minister John Curtin became an egalitarian partner and a collaborator with media teams. Journalists created increasingly inclusive media experiences to encourage the public to identify with the fashionable new ethos of working-class thrift. Wartime citizens enthusiastically contributed to the varied media expressions of collective work ethics, overturning the traditional notion of a passive public sphere. Using the concept of the emotional public sphere, this article provides a rare perspective on the media’s role in shaping and extending popular attitudes towards Australian workers, collective service and inclusive communities.","PeriodicalId":51817,"journal":{"name":"Journal of Australian Studies","volume":"38 1","pages":"128 - 141"},"PeriodicalIF":0.5,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86990101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Trauma, Aboriginality and Revisionary Imaginings in Alexis Wright’s Carpentaria and Janette Turner Hospital’s Oyster 亚历克西斯·赖特的《卡彭塔利亚》和珍妮特·特纳医院的《牡蛎》中的创伤、土著和修正想象

IF 0.5 3区历史学

Journal of Australian Studies Pub Date : 2022-10-14 DOI: 10.1080/14443058.2022.2131872

Jenna-Lee Lynn

{"title":"Trauma, Aboriginality and Revisionary Imaginings in Alexis Wright’s Carpentaria and Janette Turner Hospital’s Oyster","authors":"Jenna-Lee Lynn","doi":"10.1080/14443058.2022.2131872","DOIUrl":"https://doi.org/10.1080/14443058.2022.2131872","url":null,"abstract":"ABSTRACT This article examines how Aboriginal conceptions of time and space in Alexis Wright’s Carpentaria and Janette Turner Hospital’s Oyster affect representations of personal, cultural and ecological trauma through privileging sites of wounding that embody Country. The four elements of air, water, earth and fire are central to understanding how each text navigates the complex relational matrices of Aboriginal traumas and respond to ongoing issues of genocide and dispossession that are part of Australia’s tragic history. Elemental energies in these novels are connected to powerful spaces that pain inhabits and moves through, providing insights into the significance of their engagement with Aboriginality and trauma, particularly when situated within the context of legislature including the Native Title Act of 1993 and the Wik decision of 1996. Elemental motifs perform a cyclical function that begins with deep connectedness to oceanic imagery in Carpentaria, then transitions to trauma inflicted on Country and culminates in a cathartic watery Armageddon. While Oyster’s consideration of elemental traumatic space is primarily attributed to land, cartography and wounded bodies, the novel’s narrative threads reach a similar apocalyptic denouement. Oyster’s cataclysmic fires of destruction are eclipsed by the regenerative potencies of water that rejuvenate Country and supplant horror with beauty.","PeriodicalId":51817,"journal":{"name":"Journal of Australian Studies","volume":"16 1","pages":"142 - 159"},"PeriodicalIF":0.5,"publicationDate":"2022-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83666065","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0