Signa: Revista de la Asociación Española de Semiótica最新文献

{"title":"PROGRESO Y RETROCESO: REPENSAR EL COSTUMBRISMO COMO UN JANO BIFRONTE","authors":"Ana Peñas Ruiz","doi":"10.5944/signa.vol33.2024.36649","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.36649","url":null,"abstract":"En este trabajo se examinan las ambivalencias ontológicas, temáticas e ideológicas que han afectado a la crítica del costumbrismo, concebido este como exploración de la identidad cultural mediante la fragmentación y textualización de unidades mínimas de significado (costumbres, tipos sociales o espacios urbanos, entre otros). Se expone cómo la comprensión del fenómeno en su conjunto se ha visto mediada por la contraposición radical entre dos supuestas formas enfrentadas de entenderlo y practicarlo: las de dos escritores paradigmáticos, Mariano José de Larra y Ramón de Mesonero Romanos, conceptualizados como representantes de la oposición entre progresismo y tradicionalismo, respectivamente. Los artículos de costumbres analizados permitirán formular algunas observaciones sobre las relaciones entre costumbrismo, conservadurismo y nacionalismo que contribuyen a contemplar bajo una nueva perspectiva ese dualismo crítico y, en definitiva, a repensar el costumbrismo desde las paradojas inherentes a toda expresión artística de la Modernidad. \u0000Abstract: This article examines the ontological, thematic, and ideological ambivalences that have affected the critique of costumbrismo, conceived from a semiotic point of view as an exploration of cultural identity through the fragmentation and textualization of minimal units of meaning (customs, social types, or urban spaces, among others). It exposes how the understanding of the phenomenon as a whole has been mediated by the radical opposition between two supposedly opposed ways of understanding and practicing it: those of two paradigmatic writers, Mariano José de Larra and Ramón de Mesonero Romanos, conceptualized as representatives of the opposition between progress and tradition. The analyzed texts will allow us to formulate some observations on the relationships between costumbrismo, conservatism and nationalism that contribute to contemplate this critical dualism and, ultimately, to rethink costumbrismo from the paradoxes inherent to all artistic expression of Modernity.\u0000Keywords: Costumbrismo. Conservatism. Nationalism. Cultural Anthropology. Semiotics of Culture.","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"38 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ROMA, DE ALFONSO CUARÓN: ESTÉTICA DE LA MIRADA","authors":"M. Cánovas","doi":"10.5944/signa.vol33.2024.36596","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.36596","url":null,"abstract":"El presente trabajo describe la mirada estética de la película Roma (2018), de Alfonso Cuarón, la cual se genera a partir del movimiento de la cámara en planos generales largos y desplazamientos horizontales. Se analiza la trama que se desprende de las secuencias y, en función de esta trama y el mundo que representa, se considera la caracterización de los personajes a partir de su posicionamiento en relación con determinados parámetros convencionales de clase, etnia y género del sistema social que la película refleja; particularmente, a partir del personaje de la criada Cleo.\u0000Abstract: This work describes the aesthetic perspective of the film Roma (2018), directed by Alfonso Cuarón, which is generated from the movement of the camera in long wide shots with panning. We analyse the plot that arises from these sequences, and based on the plot and the world portrayed, we consider the characters in relation to conventional parameters of class, ethnicity, and gender in the social system reflected in the film, particularly through the maid Cleo. \u0000Keywords: Roma. Alfonso Cuarón. Narrative point of view. Plot. Characters. Intersectionality.","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"25 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Helena ESTABLIER PÉREZ (ed.).- EL CORAZÓN EN LLAMAS. CUERPO Y SENSUALIDAD EN LA POESÍA ESPAÑOLA ESCRITA POR MUJERES (1900-1968)","authors":"Davide Mombelli","doi":"10.5944/signa.vol33.2024.37432","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.37432","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"41 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"CANCIONES URGENTES. LOS HIMNOS DEL ANTIFRANQUISMO ENTRE LA RETÓRICA Y LA PERFORMANCE","authors":"Sabrina Riva","doi":"10.5944/signa.vol33.2024.38824","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.38824","url":null,"abstract":"De la canción protesta a la canción de autor, la “urgente gramática necesaria” (Alberti, 1941) de la lucha antifranquista de los años 60 y 70, recupera y revitaliza las cualidades “agonísticas” y “homeostáticas” (Ong, 1986) de la tradición oral popular y pondera los folclores regionales, al tiempo que música la poesía de los escritores censurados por el franquismo y hace de dicha expresión artística una declaración de principios. Los jóvenes de la época llevan sus composiciones a aquellos espacios que escapan al control oficial y manifiestan su disidencia tanto en el plano político, adhiriendo a los movimientos revolucionarios y rechazando la dictadura franquista, como en el cultural, enfrentándose a la hegemonía de la canción comercial. A propósito de ello, nuestro artículo se centrará en el estudio de tres canciones emblemáticas, intentando pensar cómo se articulan en estas una determinada retórica del compromiso y su consecuente llamada a la acción en relación con sus performances. \u0000Abstract: From the protest song to the author song the “urgently needed grammar” (Alberti, 1941) of the anti-Franco struggle of the 60s and 70s, recovers and revitalizes the “agonistic” and “homeostatic” (Ong, 1986) qualities of popular oral tradition and ponders regional folklore, while adapting music to the poetry of writers censored by Francoism and making of said artistic expression a declaration of principles. The youth of the time, take their composition to those spaces that escape official control and express their political dissidence, adhering to the revolutionary movements and rejecting Franco’s dictatorship, as well as culturally confronting the hegemony of the commercial song. Based on this, our article will focus on the study of three emblematic songs, trying to ascertain how a determined engaging rhetoric and its consequent call to action, will articulate in relation to their performances. \u0000Keywords: Hymns. Author song. Anti-Francoism. Performance. Rhetoric.","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"26 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"POESÍA Y TEATRO. ERATÓ Y CALÍOPE EN LA CASA DE MELPÓMENE Y TALÍA","authors":"Jerónimo LÓPEZ MOZO","doi":"10.5944/signa.vol33.2024.38881","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.38881","url":null,"abstract":"El teatro y la poesía siempre han ido de la mano y juntos seguirán durante largo tiempo, aunque el matrimonio verso y teatro se ha roto, a la vista de la escasa presencia de aquél en los textos dramáticos actuales. En este trabajo, que se une a lo expuesto en el trigésimo seminario internacional del SELITEN@T, se realiza un panorama sobre las relaciones del teatro con la poesía en el siglo XX y especialmente en el XXI. \u0000Abstract: Theater and poetry have always gone in hand and will continue together for a long time, although the marriage of verse and theater has broken down, in view of its scarce presence in current dramatic texts. In this work, which joins what exposed in the thirtieth international seminar of SELITEN@T, an overview of the relations between theater and poetry in the 20th and particularly the 21st centuries.\u0000Keywords: Theater. Poetry. Spain. 20th Century. 21st Century.","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"11 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"UN CUERPO ENTRE LA LECTURA DEL TEXTO Y LA EXPERIENCIA DEL POEMA","authors":"Francisco Javier CALDERÓN DE LUCAS","doi":"10.5944/signa.vol33.2024.36632","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.36632","url":null,"abstract":"El presente artículo recurre a las bases cognitivistas de la enacción y la teoría de la relevancia para proponer una nueva metodología en el estudio de la recepción poética a partir de la distinción entre texto poético y poema y entre lectura y experiencia. Por ello, defendemos una nueva definición de poema: unidad perceptiva mínima experimentada por un perceptor en movimientos simultáneos (el movimiento material y conceptual del objeto y el movimiento físico y emocional del perceptor) que resulten en una o más realidades (simbólicas y emocionales) nuevas. \u0000Abstract: This paper draws on the cognitivist foundations of enaction and relevance theory to propose a new methodology for the study of poetic reception based on the distinction between poetic text and poem and between reading and experience. Thus, we defend a new definition of poem: a minimal perceptual unit experienced by a perceiver in simultaneous movements (the material and conceptual movement of the object and the physical and emotional movement of the perceiver) resulting in one or more new (symbolic and emotional) realities. \u0000Keywords: Cognitivism. Enaction. Relevance theory. Literary Reception. Experience of the Poem.","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"1 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"José María POZUELO YVANCOS (ed.).- LITERATURA Y MEMORIA: NARRATIVA DE LA GUERRA CIVIL","authors":"José Ángel Baños Saldaña","doi":"10.5944/signa.vol33.2024.36686","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.36686","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"33 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LA NUEVA SEMIÓTICA DEL MICRORRELATO EN RADIO Y PÓDCAST: EMISOR, OYENTE Y CREACIÓN LITERARIA. LA EXPERIENCIA DE “RELATOS EN CADENA” DE LA CADENA SER","authors":"Cristina RODRÍGUEZ LUQUE, José Antonio ALONSO FERNÁNDEZ, Enrique REQUENA BÚA","doi":"10.5944/signa.vol33.2024.38816","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.38816","url":null,"abstract":"Este estudio aborda el análisis del espacio radiofónico denominado “Relatos en Cadena” difundido por el programa La Ventana de la Cadena SER. A lo largo de dieciséis temporadas, entre septiembre de 2007 y diciembre de 2022, ha contribuido al conocimiento y divulgación sonora de la literatura universal y, de manera particular, del microrrelato contemporáneo en habla hispana. La metodología aplicada combina técnicas cuantitativas y cualitativas. En concreto, se realiza el análisis de contenido de treinta y tres programas, noventa y nueve textos enviados por los oyentes, seleccionados y puestos en antena durante la temporada 2021-2022, para estudiar el tratamiento periodístico otorgado a los microtextos literarios y los fenómenos semióticos que acompañan su transformación, de la textualidad escrita a su difusión sonora, para integrarse en este espacio radiofónico. Asimismo, se emplea la entrevista semiestructurada en profundidad al principal creador del programa para conocer las características en detalle de la propuesta sonoro-literaria.  \u0000Abstract: This article is an analysis of the radio section titled “Relatos en Cadena”, broadcasted in the program La Ventana, Cadena SER. Throughout sixteen seasons, between September 2007 and December 2022, it has contributed to the knowledge and sound dissemination of universal literature and the genre of contemporary short story in the Spanish-speaking world. The research methodology combines quantitative and qualitative techniques. Particularly, the article covers thirty-three programs and ninety-nine texts sent by listeners, which were selected and broadcasted during season 2021-2022, and it addresses the journalistic treatment given to literary microtexts, as well as the semiotic phenomena that have a transformative effect in these texts — in order to insert them in the radio section, the texts change from a written to an oral. Likewise, the in-depth semi-structured interview with the main creator of the program is used to know the detailed characteristics of the sound-literary proposal.\u0000Keywords: Radio. Podcast. Cadena SER. La Ventana. “Relatos en Cadena”. Short-short story. Semiotics.","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"144 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139640558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"David ROAS.- CRONOLOGÍAS ALTERADAS. LO FANTÁSTICO Y LA TRANSGRESIÓN DEL TIEMPO","authors":"Daniel Lumbreras Martínez","doi":"10.5944/signa.vol33.2024.37176","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.37176","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"23 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LA METÁFORA DEL HAMBRE EN LA POESÍA DE ANNE CARSON: UNA POÉTICA DE LA INCORRECCIÓN","authors":"María Elena Higueruelo","doi":"10.5944/signa.vol33.2024.36609","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.36609","url":null,"abstract":"La obra de la canadiense Anne Carson plantea nuevos retos a nuestro modo de entender la poesía. En este artículo se propone un acercamiento a su poética a partir de algunas de las ideas teóricas que podemos rastrear en sus ensayos, entrevistas y poemas. De manera más específica, se estudian problemas literarios como la metáfora, la hibridación de géneros o el papel del sujeto en el poema a la luz de lo que aquí llamamos una poética de la incorrección, desarrollada principalmente en su poema ensayístico “Essay on What I Think About Most”. En particular, se explora cómo se presentan estas cuestiones en su poesía a través del análisis intracomparatístico y de la interpretación de la metáfora del hambre como mecanismo poético que solapa de forma sinestésica las experiencias del cuerpo y de la mente, dos planos semióticos tradicionalmente separados y opuestos.  \u0000Abstract: The oeuvre of Canadian writer Anne Carson poses new challenges to our understanding of poetry. This article approaches Carson’s poetics by discussing some theoretical ideas that can be traced in her essays, interviews, and poems. More specifically, this paper addresses literary questions such as metaphor, genre hybridization, and the role of the subject in the poem, in the light of what we call here a poetics of wrongness, which is developed mainly in her poem “Essay on What I Think About Most”. We explore these issues by means of intracomparative analysis which leads us to interpret the metaphor of hunger as a figure that combines through synaesthesia bodily and mental experiences, two traditionally separate and opposed semiotic realms.  \u0000Keywords: Anne Carson. Poetry and poetics. Mistake. Metaphor. Body and subject.","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"4 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}