Signa: Revista de la Asociación Española de Semiótica最新文献

{"title":"NUEVOS PARADIGMAS ESTÉTICO-SEMIÓTICOS DERIVADOS DE LA BREVEDAD","authors":"Ana Calvo Revilla, Eva Álvarez Ramos","doi":"10.5944/signa.vol33.2024.38811","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.38811","url":null,"abstract":"La conceptualización del microrrelato hipermedial ha abierto el campo a la explotación de los paradigmas estético-semióticos, que se derivan de las relaciones que se establecen entre los diferentes lenguajes que faculta la esfera digital y que repercuten en la recepción y comprensión de las nuevas microformas artístico-literarias. Cabe, por tanto, analizar tanto los retos que se abren ante los procesos de recepción del microrrelato hipermedial, como la cambiante producción creativa en la esfera de los lenguajes artísticos y literarios; la galaxia de discursos imperantes, en los que desde una perspectiva poética y estética se alzan construcciones creativas intersemióticamente, así como la relación entre ideología y estas criaturas narrativas híbridas.\u0000Abstract: The conceptualization of the hypermedial microfiction has opened the field to the exploitation of the aesthetic-semiotic paradigms, which derive from the relationships between the different languages that empower the digital sphere  nd that have an impact on the reception and understanding of the new artistic-literary microforms. It is therefore possible to analyze both the challenges that open in the face of the processes of reception of the hypermedia micro-story, as well as the changing creative production in the sphere of artistic and literary languages; the galaxy of prevailing discourses, in which creative constructions rise intersemiotically from a poietic and aesthetic perspective, as well as the relationship between ideology and these hybrid narrative creatures.\u0000Keywords: Hypermedial microstory. Semiotics. Intermediality. Multimodal literacy.","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"26 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"DEL LABORATORIO AL ESCENARIO: FICCIONES BOTÁNICAS DE ELENA CÓRDOBA","authors":"Béatrice Bottin","doi":"10.5944/signa.vol33.2024.37097","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.37097","url":null,"abstract":"La ciencia ha permitido que los creadores puedan innovar la escenografía y la puesta en escena gracias al desarrollo de los medios luminotécnicos, del uso del vídeo, de la fotografía, entre otros. Los artistas exploran los distintos campos de la Ciencia para ponerlos al servicio del Arte e intentar desencriptar el mundo y adentrarse en la naturaleza que les rodea. La fascinación por el cuerpo, la anatomía y las células caracteriza la obra de Elena Córdoba. En el ciclo Ficciones botánicas, emprende una exploración de la naturaleza y de sus vegetales para reflexionar sobre el comportamiento de la flora y del cuerpo humano y confrontarlos en el escenario.\u0000Abstract: Science has allowed creators to innovate in scenography and staging thanks to the development of lighting, the use of video, photography, etc. Artists explore the different fields of Science to put them at the service of Art and try to decrypt the world and enter the nature that surrounds them. The fascination for the body, anatomy and cells characterizes the work of Elena Córdoba. In the cycle Botanical Fictions, she undertook an exploration of nature and its plants to reflect on the behavior of the flora and the human body and confront them on stage. \u0000Keywords: Elena Córdoba. Botanical Fictions. Dance. Choreography. Science.","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"39 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Emeterio DÍEZ PUERTAS.- JORGE EINES. UNA SELVA DE PALABRAS","authors":"Susana Inés Pérez Alonso","doi":"10.5944/signa.vol33.2024.36650","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.36650","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"28 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"EL LABERINTO INTERMEDIAL. POSIBILIDADES DE ANÁLISIS DE LAS RELACIONES ENTRE LITERATURA Y MÚSICA","authors":"Rocío Badía Fumaz, Clara Marías","doi":"10.5944/signa.vol33.2024.38820","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.38820","url":null,"abstract":"Con el fin de complementar los trabajos que componen esta sección monográfica, nuestra introducción discute las posibles relaciones entre literatura y música, y propone un modelo simplificado de intermedialidad que comprende tres formas posibles: intermedialidad intrínseca, presencias intermediales y referencias intermediales. Se busca, además, promover el desarrollo de nuevos enfoques críticos que permitan una interpretación y análisis más exhaustivo de las obras, profundizando en la complejidad del fenómeno. Por último, la introducción termina con la presentación de los artículos que conforman este número.\u0000Abstract: The present introduction discusses the potential relationships between literature and music by proposing a simplified model of intermediality that comprises three distinct forms: intrinsic intermediality, intermedial presences, and intermedial references. By doing so, it seeks to encourage the development of new critical approaches that can more fully explore the complexity of this phenomenon and facilitate a more thorough interpretation and analysis of the works under consideration. This introduction concludes with a presentation of the articles that comprise this monograph.\u0000Keywords: Intermediality. Literature and Music. Song. Comparative Literature. Song Lyrics.","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"52 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"DIANE ARBUS Y PATRICIA ESTEBAN ERLÉS: UNOS IMAGINARIOS NARRATIVOS DE ALTERIDAD Y EXTRAÑEZA","authors":"Ana Calvo Revilla","doi":"10.5944/signa.vol33.2024.38812","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.38812","url":null,"abstract":"En este artículo rastreamos la presencia de la obra fotográfica de Diane Arbus en el universo imaginario narrativo de Patricia Esteban Erlés; analizamos a través de las anotaciones de la escritora en su perfil de Facebook la génesis de la admiración por la obra de esta artista con el fin de delimitar los rasgos que configuran la poética que ambas comparten, prestando especial atención a la presencia del monstruo en sus respectivos ámbitos artísticos. Seducida por la estética arbusiana, la escritora va definiendo y nutriendo su propia poética, en la que sobresalen el interés por la realidad, la inmersión en la interioridad humana, el alejamiento de los estereotipos, la presencia del monstruo o la atención a la alteridad, entre otros. \u0000Abstract: In this article we trace the presence of Diane Arbus’s photographic work in the imaginary narrative universe of Patricia Esteban Erlés; we analyse, through the writer’s annotations on her Facebook profile, the genesis of her admiration for the work of this artist in order to delimit the features that make up the poetics that they both share, paying special attention to the presence of the monster in their respective artistic spheres. Seduced by the arbusian aesthetics, the writer defines and nurtures her own poetics, in which her interest in reality, her immersion in human interiority, her distancing from stereotypes, the presence of the monster and her attention to otherness, among others, stand out.\u0000Keywords: Patricia Esteban Erlés. Diane Arbus. Hypermedia short story. Monster. Alterity.","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"34 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"SINFONÍA DE LA VIDA (OUR TOWN, SAM WOOD, 1940): DESVELAMIENTO DEL ACTO DE NARRAR CLÁSICO","authors":"Pedro Poyato Sánchez","doi":"10.5944/signa.vol33.2024.36605","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.36605","url":null,"abstract":"Aun cuando el sistema de representación fílmico clásico de Hollywood se quería tan sólido como uniforme y bien definido, no por ello dejó de incorporar películas alternativas a ese modelo. Una de ellas es Sinfonía de la vida (Our Town, Sam Wood, 1940), una cinta que, además de movilizar rasgos estéticos vinculados a las vanguardias cinematográficas, introduce un dispositivo narrativo pilotado, como en la obra teatral que sirve al filme de punto de partida, por la figura de un narrador básicamente destinado a sacar a la luz los mecanismos del acto de contar, velados en el clasicismo. El presente trabajo se ocupa de dar cuenta de tales cuestiones que convierten a Sinfonía de la vida en un filme singular por este modo de tensionar el paradigma clásico. \u0000Abstract: Even when Hollywood’s classical cinema representation system was aimed to be as solid as homogeneous and well defined, alternative films continued to be incorporated to that model. One of them is Our Town (Sam Wood, 1940), a film that, in addition of working aesthetic features linked to the avant-garde cinema, introduces a narrative device led, as in the theatrical work that the film uses as a starting point, by the figure of a narrator basically devoted to reveal the mechanisms of the act of narration, which are veiled in Classicism. This article tries to disclose the essentials that turns Our Town in an unconventional film due to its capacity of extending the classical paradigm. \u0000Keywords: Our Town. Sam Wood. Film. Act of Narration. Narrator. Narrated world. Symphony.","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"19 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"SEMIÓTICA COGNITIVA Y LITERATURA: “FICCIONALIDAD” Y “LITERARIEDAD” A LA LUZ DE LA POÉTICA COGNITIVA","authors":"Luis MARTÍNEZ-FALERO","doi":"10.5944/signa.vol33.2024.36729","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.36729","url":null,"abstract":"Desde hace al menos tres décadas la lingüística aplicada anglo-norteamericana ha venido desarrollando la teoría cognitiva como método de estudio de los textos literarios hasta constituir lo que se ha denominado el giro cognitivo. Ello ha supuesto la configuración de un método transdisciplinar donde el texto literario se estudia desde presupuestos neuropsicológicos, antropológicos, lingüísticos, emocionales, etc., en su dimensión creativa, textual y receptiva, constituyendo una nueva vertiente crítica que renueva los estudios sobre el estilo literario y sus efectos. En este artículo me propongo definir y ejemplificar de manera adecuada y breve los conceptos de ficcionalidad y de literariedad, en torno al concepto de literatura como modalidad discursiva particular que posee unas características específicas. Ello conlleva la confluencia metodológica de unas bases neuropsicológicas con la construcción lingüística del texto. Para ello contaremos tanto con estudios psicobiológicos como con los instrumentos adecuados aportados por la lingüística. \u0000Abstract: For at least three decades, Anglo-American applied linguistics has been developing cognitive theory as a method for the study of literary texts to the point of constituting what has been called the cognitive turn. This has meant the configuration of a transdisciplinary method in which the literary text is studied from neuropsychological, anthropological, linguistic, emotional, etc. assumptions, in its creative, textual and receptive dimensions. This constitutes a new critical approach that renews studies on literary style and its effects. In this article I intend to define and exemplify in an adequate and brief way the concepts of fictionality and literariness, in relation to the concept of literature as a particular discursive modality with specific characteristics. This entails the methodological confluence of neuropsychological bases with the linguistic construction of the text. To this end, we will rely on both psychobiological studies and the appropriate instruments provided by linguistics. \u0000Keywords: Cognitive semiotics. Cognitive poetics. Theory of literature. Fictionality. Literariness.","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"28 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"María Cristina GUERRERO-GARCÍA.- “QUITE ANOTHER THING”: IRLANDA EN LA OBRA COMPLETA DE OSCAR WILDE","authors":"Ester Díaz Morillo","doi":"10.5944/signa.vol33.2024.37234","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.37234","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"24 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Pilar NIEVA DE LA PAZ (ed.).- MITOS E IDENTIDADES EN LAS AUTORAS HISPÁNICAS CONTEMPORÁNEAS","authors":"Rossana Fialdini Zambrano","doi":"10.5944/signa.vol33.2024.38917","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.38917","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"15 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"REPRESENTACIONES DEL CUERPO GESTANTE: MATERNIDAD Y DOLOR EN LA ÚLTIMA POESÍA ESPAÑOLA (2001-2020)","authors":"Sergio Fernández Martínez","doi":"10.5944/signa.vol33.2024.36581","DOIUrl":"https://doi.org/10.5944/signa.vol33.2024.36581","url":null,"abstract":"El objetivo de este artículo es analizar la temática de la maternidad vinculada al dolor en la poesía española más reciente con el fin de ofrecer un panorama representacional del cuerpo gestante y discriminar algunas de las estrategias discursivas y retóricas que han guiado y caracterizado dicho tópico en la lírica contemporánea. Frente a la figura maternal de la tradición española, en los primeros veinte años del siglo XXI han aparecido nuevas realidades y modos socioculturales de comprender este proceso, lo que repercute, de manera directa, en la creación artística. Así, e integrado en la disciplina fenomenológica de los estudios del cuerpo, el análisis proporciona las claves interpretativas que permiten diferenciar la renovación del embarazo en este periodo: la inclusión del plano íntimo, la dimensión autobiográfica, la plurivocidad enunciativa y otros recursos que, desde la experiencia vital, se trasladan al espacio poemático. \u0000Abstract: The aim of this article is to analyse the theme of maternity linked to pain in the most recent Spanish poetry to offer a representational panorama of the pregnant body, and to identify some of the discursive and rhetorical strategies that have guided and characterized this topic in contemporary lyric poetry. In contrast to the maternal figure of the Spanish tradition, the first twenty years of the 21st century have brought new realities and socio-cultural ways of understanding this process, which have direct repercussions on artistic creation. Thus, and integrated in the phenomenological discipline of body studies, this analysis provides the interpretative keys that allow us to differentiate the renewal of pregnancy in this period: the inclusion of intimist aspects, the autobiographical dimension, the enunciative plurivocity, and other resources that are transferred from the vital experience to the poetic space.\u0000Keywords: Body. Maternity. Pain. Spanish Poetry. 21st Century.","PeriodicalId":516828,"journal":{"name":"Signa: Revista de la Asociación Española de Semiótica","volume":"16 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140512529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}