Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales最新文献

The media coverage of the European Union and the extreme right. A comparative study between Spain, France, and Italy 媒体对欧盟和极右翼的报道。西班牙、法国和意大利的比较研究

Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales Pub Date : 2024-07-01 DOI: 10.31921/doxacom.n39a2041

Cristina Fernández-Rovira, Ricardo Carniel-Bugs

引用次数: 0

Evolution of the UCC+i as a dynamic agent of science communication. Professional perceptions of their structure and future challenges in the digital context UCC+i 作为科学传播动态机构的演变。专业人员对其结构的看法以及在数字化背景下的未来挑战

Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales Pub Date : 2024-07-01 DOI: 10.31921/doxacom.n39a2025

Susana Barberá Forcadell, Pablo López-Rabadán

{"title":"Evolution of the UCC+i as a dynamic agent of science communication. Professional perceptions of their structure and future challenges in the digital context","authors":"Susana Barberá Forcadell, Pablo López-Rabadán","doi":"10.31921/doxacom.n39a2025","DOIUrl":"https://doi.org/10.31921/doxacom.n39a2025","url":null,"abstract":"The Units of Scientific Culture and Innovation (UCC+i) have become one of the most dynamic agents in the dissemination of science in Spain. Using our own methodology based on a survey of almost 60 professionals, four key aspects of their professional structure are analysed exhaustively: main functions, institutional location, evolution of the human resources available to them, and the professional recognition given to them. After contextualising the origin, evolution, and current map of the UCC+i, the results indicate that these units specialise mainly in the communication of results and the dissemination of science. And, to a lesser extent, they perform advisory and training functions. At the institutional level, they are placed under the supervision of the communication and research areas. Regarding staffing, the most common structure is that of three professionals, but with little expectation of expansion and limited recognition by the universities themselves. In short, their high professional visibility is identified as their main strong point, and the lack of economic resources as a serious problem for their development.","PeriodicalId":516207,"journal":{"name":"Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales","volume":"8 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141690900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Política, miedo y persuasión: análisis de anuncios institucionales en tiempos de pandemia 政治、恐惧与说服：大流行病时期的机构广告分析。

Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales Pub Date : 2024-07-01 DOI: 10.31921/doxacom.n39a2006

Julen Orbegozo Terradillos, Oier San Martín Epalza

引用次数: 0

La figura del periodista en el nacimiento del film noir. Stranger on the Third Floor (1940, Boris Ingster) 黑色电影诞生过程中的记者形象。三楼的陌生人》（1940 年，鲍里斯-英格斯特）

Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales Pub Date : 2024-07-01 DOI: 10.31921/doxacom.n39a2115

Luis Deltell Escolar

引用次数: 0

An analysis of the audio-visual style used in the portrayal of journalism: being and ought to be in The Wire and The Newsroom 分析《窃听风云》和《新闻编辑室》在描绘新闻业时所使用的视听风格：存在与应有

Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales Pub Date : 2024-07-01 DOI: 10.31921/doxacom.n39a2120

Miguel Ángel Huerta Floriano, Ernesto Pérez Morán

引用次数: 0

The satirical cinema of journalists. Mass media characters and stories by the Hollywood industry (1970-2020) 记者的讽刺电影。好莱坞产业的大众传媒人物和故事（1970-2020 年）

Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales Pub Date : 2024-07-01 DOI: 10.31921/doxacom.n39a2066

Patricia Gascón Vera, Joseba Bonaut Iriarte

{"title":"The satirical cinema of journalists. Mass media characters and stories by the Hollywood industry (1970-2020)","authors":"Patricia Gascón Vera, Joseba Bonaut Iriarte","doi":"10.31921/doxacom.n39a2066","DOIUrl":"https://doi.org/10.31921/doxacom.n39a2066","url":null,"abstract":"Journalism is a historic profession. A target of criticism and the result of technological adaptations, it is used by the film industry to create characters who use journalistic skills, verify sources or create exclusives, to therefore promote a democratic society with truth and independence, as part of their plots. To do this, a quantitative and qualitative content analysis is carried out on six representative American comedies in the last half century - Network (Sidney Lumet, 1976), Broadcast News (James L. Brooks, 1987), The Paper (Ron Howard, 1994), Chicago (Rob Marshall, 2002), Morning Glory (Roger Michell, 2010), and Don't Look Up (Adam McKay, 2021)- based on humor theories and agenda setting theory. By using humorous resources and journalistic praxis, an overview is made of how journalism is portrayed on the big screen through satire, which results in an image rooted in frivolous stereotypes, jokes and sharp responses denouncing sensationalism and infotainment. It is a debate that makes viewers aware of the importance of journalism and that, though laughter, a critical vision fluctuates by satirizing their skills under the deconstructive capacity of humor that reflects American society.\u0000 ","PeriodicalId":516207,"journal":{"name":"Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales","volume":"6 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141700371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Female journalists’ representation in Rodrigo Sorogoyen’s The Realm 罗德里戈-索罗戈延《境界》中的女记者形象

Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales Pub Date : 2024-07-01 DOI: 10.31921/doxacom.n39a2062

Felicidad González Sanz, Javier Figuero Espadas

{"title":"Female journalists’ representation in Rodrigo Sorogoyen’s The Realm","authors":"Felicidad González Sanz, Javier Figuero Espadas","doi":"10.31921/doxacom.n39a2062","DOIUrl":"https://doi.org/10.31921/doxacom.n39a2062","url":null,"abstract":"Cinema has incorporated the journalism profession into its narratives because of its inherent potential for creating narratives with a high degree of interest. In the collective imagination, journalists are positioned as the fourth estate and bear a social responsibility. In the early days of cinema until around the 1990s, women occupied secondary roles compared to their male counterparts, through stereotypical characters portrayed as cold, unyielding, ambitious professionals ready to do whatever it took to get the news at the expense of their personal lives. They are depicted as masculinised and sexualised. Using a methodological triangulation that applies descriptive analysis techniques, film analysis and in-depth interviews, the feature film The Realm, by Rodrigo Sorogoyen is studied to determine how the figure of the female journalist is represented in it. After studying the results, it can be concluded that present-day female journalists do not find an accurate representation of their profession in The Realm or cinema in general. This discrepancy stems from the persistent perpetuation of certain stereotypes that influence how women journalists' role is portrayed on the big screen.","PeriodicalId":516207,"journal":{"name":"Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales","volume":"56 20","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141689527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Estrategias y directrices para la configuración estética del QR en publicidad 广告中 QR 美学设计的策略和指南

Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales Pub Date : 2024-07-01 DOI: 10.31921/doxacom.n39a2189

Raquel Ávila-Muñoz, Gema Bonales-Daimiel, Fernando Suárez-Carballo

{"title":"Estrategias y directrices para la configuración estética del QR en publicidad","authors":"Raquel Ávila-Muñoz, Gema Bonales-Daimiel, Fernando Suárez-Carballo","doi":"10.31921/doxacom.n39a2189","DOIUrl":"https://doi.org/10.31921/doxacom.n39a2189","url":null,"abstract":"QR codes are sometimes used as a vital component of digital marketing strategies that seek to attract consumers' attention by converting their dull, black-and-white, checkered appearance into attractive designs. However, as changes to their visual appearance can lead to scanning failures, an understanding of the technical requirements and limitations of this technology is essential in order to develop a viable creative strategy. To this end, a semi-systematic review of the literature was carried out for the purpose of gathering information on possible strategies for enhancing QR codes without compromising their functionality, and to provide guidelines for manually customising these codes in a way that is effective. The aim of this paper is to reveal the amount of research that has focused on the relationship between the aesthetic characteristics of QR codes and their advertising effectiveness. The main findings include a scarcity of scientific analysis regarding this issue, yet multiple opportunities for the artistic modification of QR codes due to recent advances in generative artificial intelligence.","PeriodicalId":516207,"journal":{"name":"Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales","volume":"6 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141694026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

De primera a segunda navegación: metáfora y decir de José Ortega y Gasset, filósofo periodista 从第一导航到第二导航：哲学家记者何塞-奥尔特加-伊-加塞特的隐喻和名言

Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales Pub Date : 2024-07-01 DOI: 10.31921/doxacom.n39a2319

Luis Núñez Ladevéze

{"title":"De primera a segunda navegación: metáfora y decir de José Ortega y Gasset, filósofo periodista","authors":"Luis Núñez Ladevéze","doi":"10.31921/doxacom.n39a2319","DOIUrl":"https://doi.org/10.31921/doxacom.n39a2319","url":null,"abstract":"In this research note, two contributions regarding the activities of Ortega y Gasset are confronted and found to complement each other. In Nací en una rotativa. Las empresas culturales de José Ortega y Gasset, Professor Blanco narrates the trajectory of an entrepreneur during the stage he himself termed “first navigation”. In Los límites del decir. Razón histórica y lenguaje en el último Ortega, Esmeralda Balaguer deals with the “second navigation”. The philosopher abandons journalism to dedicate himself to concretizing his thought in philosophical publications. From the comparison of both works, there doesn’t emerge a contradiction between a journalist writer and a philosophical writer, but rather a complementarity that explains how in the writer both incentives merge, separated by a change of course forced by a new circumstance opposed to the previous one. They converge to offer a unified vision of his personality and his work. In his first navigation, the writer resorts to the journalistic profession to enhance a program of activities to modernize Spanish society. In the second, when the press and cultural initiatives cease to be an effective channel to influence a collective life project that has foundered, he fully commits to his philosophical task.","PeriodicalId":516207,"journal":{"name":"Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales","volume":"8 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141702965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Modular narratives and visual digital culture in contemporary cinema. The case of Open Windows (Nacho Vigalondo, 2014) 当代电影中的模块化叙事和视觉数字文化。打开窗户》（纳乔-维加隆多，2014 年）

Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales Pub Date : 2024-07-01 DOI: 10.31921/doxacom.n39a2022

Luis Cemillán Casis, Francisco Jiménez Alcarria

{"title":"Modular narratives and visual digital culture in contemporary cinema. The case of Open Windows (Nacho Vigalondo, 2014)","authors":"Luis Cemillán Casis, Francisco Jiménez Alcarria","doi":"10.31921/doxacom.n39a2022","DOIUrl":"https://doi.org/10.31921/doxacom.n39a2022","url":null,"abstract":"In the present day, digital visual and convergence culture permeate the modes of production, circulation, and consumption of audiovisual representations, following the postulates of authors such as A. Darley or H. Jenkins. In this context, A. Cameron defines modular narratives as those in which classical narrative causality is replaced by a database aesthetic, dividing the narrative into discrete elements subject to manipulations of order, frequency, and duration. Focusing on the case of Open Windows (Nacho Vigalondo, 2014), this study aims to explore the imprints of digital visual culture on contemporary Spanish cinema incorporating modular narratives. The methodology employs an analysis model adapted to this narrative and aesthetic specificity within the framework of Computational Media Aesthetics. The film's mechanisms of representation are scrutinized through a multi-screen interface, where simultaneous events are juxtaposed within the same visual field. Finally, the discussion encompasses the necessity of applying such models to the analysis of audiovisual content associated with digital visual culture, as well as their potential utility for future research.","PeriodicalId":516207,"journal":{"name":"Doxa Comunicación. Revista Interdisciplinar de Estudios de Comunicación y Ciencias Sociales","volume":"7 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141690586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0