发布求助
文献互助 智能选刊 最新文献

OCTOBER最新文献

筛选
英文 中文
People of the 21st century: Where we came from - Who we are - Where we are going. 21世纪的人们:我们从哪里来?我们是谁?我们要往哪里去
IF 1 4区 社会学
OCTOBER Pub Date : 2021-06-28 eCollection Date: 2022-01-01 DOI: 10.5114/cipp.2021.107338
Piotr K Oleś, Aneta Bartnicka-Michalska
{"title":"People of the 21<sup>st</sup> century: Where we came from - Who we are - Where we are going.","authors":"Piotr K Oleś, Aneta Bartnicka-Michalska","doi":"10.5114/cipp.2021.107338","DOIUrl":"10.5114/cipp.2021.107338","url":null,"abstract":"<p><p>The current culture emphasizes effectiveness and happiness. In this article, we discuss whether it is possible to function optimally in the professional sphere without existential reflection. As we argue, the need for a meaning of life and giving sense to our activity is fundamental. Universal human needs, optimal functioning models, and developmental patterns throughout life support our perspective. The challenges and problems of midlife transition have a common denominator - personalized awareness of life's finiteness and fear of death. During midlife, people need philosophical reflection on values basic for the meaning of life. Referring to Søren Kierkegaard, culture promotes fixation on the aesthetic stage, while personality development leads to the ethical and religious stage. It means profound transformation, striving for internal integration, and stabilizing the person's functioning on higher values. Kierkegaard's philosophical anthropology and existential psychology promote the pattern of conscious, intentional life, and personal growth.</p>","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"1-9"},"PeriodicalIF":1.0,"publicationDate":"2021-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10535622/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86477942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Fuse; Its Refusal: Notes on the Politics of Burnout 保险丝;它的拒绝:倦怠政治笔记
IF 0.3 4区 社会学
OCTOBER Pub Date : 2021-06-01 DOI: 10.1162/octo_a_00423
{"title":"The Fuse; Its Refusal: Notes on the Politics of Burnout","authors":"","doi":"10.1162/octo_a_00423","DOIUrl":"https://doi.org/10.1162/octo_a_00423","url":null,"abstract":"Abstract Friends of Attention: What is the relationship between the “fuse” of a bomb and the “fuse” of a fuse box? How do their respective “burnouts” figure the relationship between precarity and protection? In a set of propositional meditations, a working group of the collective known as The Friends of Attention (who concern themselves with theorizing and cultivating modes of attention resistant to monetization) attempts to overload the circuit of burnout politics. Can we refuse what is broken? Can we defuse what seems about to blow?","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"25-26"},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48556549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Aspiration Burnout 引言:抱负倦怠
IF 0.3 4区 社会学
OCTOBER Pub Date : 2021-06-01 DOI: 10.1162/octo_e_00421
Pamela M. Lee
{"title":"Introduction: Aspiration Burnout","authors":"Pamela M. Lee","doi":"10.1162/octo_e_00421","DOIUrl":"https://doi.org/10.1162/octo_e_00421","url":null,"abstract":"Abstract This introduction to the special thematic cluster on burnout describes how the notion has informed cultures of contemporary work during the pandemic and the ways in which the concept of burnout reproduces the intertwined interests of labor and self-management under conditions of neoliberalism. The essay sketches a brief genealogy of the term, starting with the formulation of neurasthenia that preceded it and proceeding to its first citation within medical literature by Herbert J. Freudenberger and then to its philosophical uptake in the writing of Byung-Chul Han. In addressing burnout's relationship to recent art, criticism, and histories of media, the introduction stresses its unequal impacts across disparate populations relative to class, race, and gender.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"3-6"},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41468299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Sleeping in the Cinema∗ 睡在电影院里*
IF 0.3 4区 社会学
OCTOBER Pub Date : 2021-06-01 DOI: 10.1162/octo_a_00425
Jean Ma
{"title":"Sleeping in the Cinema∗","authors":"Jean Ma","doi":"10.1162/octo_a_00425","DOIUrl":"https://doi.org/10.1162/octo_a_00425","url":null,"abstract":"Abstract In the 1940s and 50s, Weegee shot a considerable number of photographs in New York City's movie theaters. These photos contribute important insights on the history of cinema spectatorship in the form of visual arguments about the movie audience. This article places the images in dialogue with theories and histories of the disembodied spectator. It discusses the photographer's particular fascination with sleeping moviegoers. The sleepy filmgoer embodies simultaneously the model and counter-model of spectatorial attention. This figure focalizes a strand of theory that associates filmic reception with scattered, dispersive forms of attention that stray from aesthetic or disciplinary norms of absorption.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"31-52"},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47919271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Speaking of Lotty Rosenfeld: “Gestures Dangerous, Simple, and Popular”∗ 谈到Lotty Rosenfeld：“危险、简单和流行的手势”*
IF 0.3 4区 社会学
OCTOBER Pub Date : 2021-06-01 DOI: 10.1162/octo_a_00429
N. Brizuela, Julia Bryan-Wilson
{"title":"Speaking of Lotty Rosenfeld: “Gestures Dangerous, Simple, and Popular”∗","authors":"N. Brizuela, Julia Bryan-Wilson","doi":"10.1162/octo_a_00429","DOIUrl":"https://doi.org/10.1162/octo_a_00429","url":null,"abstract":"Abstract This dialogue centers on the artwork and legacy of Chilean artist Lotty Rosenfeld, including such solo projects as One Mile of Crosses on the Pavement and her collaborations with CADA (Colectivo Acciones de Arte). It argues for a queer feminist reading of Rosenfeld as it considers her anti-dictatorship spatial practices, her intimacies with the writer Diamela Eltit, and her political and aesthetic commitments.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"111-137"},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41864009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lying in the Gallery∗ 躺在画廊里*
IF 0.3 4区 社会学
OCTOBER Pub Date : 2021-06-01 DOI: 10.1162/octo_a_00426
Pamela Lee
{"title":"Lying in the Gallery∗","authors":"Pamela Lee","doi":"10.1162/octo_a_00426","DOIUrl":"https://doi.org/10.1162/octo_a_00426","url":null,"abstract":"Abstract This essay addresses a recent exhibition phenomenon associated with time-based art: the striking preponderance of beds, beanbag chairs, and other horizontal viewing platforms in the staging of such work. Indeed, in black-box galleries around the world, viewers have been increasingly solicited to go horizontal. What might these new modes of display tell us about contemporary cultures of work when compared to historical examples from the 1960s, particularly in regard to the mass phenomenon known as “burnout” in the present? Might such novel conditions of reception shed light on the shifting interactions between humans and computers in what the ethnographer Marcel Mauss called nearly one hundred years ago, the “civilization of latitude”? Departing from Niki de Saint Phalle's She (1966)—an immersive media environment presented as a recumbent female figure—the essay argues that lying in the gallery chimes with technologies of work post-Internet, our incorporation of its media platforms, and the generalization of the network as a ubiquitous and ambient resource.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"53-72"},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49350607","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Screening Memories 筛选的记忆
IF 0.3 4区 社会学
OCTOBER Pub Date : 2021-06-01 DOI: 10.1162/octo_a_00427
Jane Weinstock
{"title":"Screening Memories","authors":"Jane Weinstock","doi":"10.1162/octo_a_00427","DOIUrl":"https://doi.org/10.1162/octo_a_00427","url":null,"abstract":"Abstract Through the lenses of feminism and psychoanalysis, this essay traces the use of screens, both literal and metaphoric, in the performance and video-installation works of the multi-disciplinary artist Suzanne Bocanegra. These complex pieces engage with ideas around voyeurism, identification, and screen memory, evoking Bocanegra's idiosyncratic cultural history of the nineteenth and twentieth centuries.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"73-83"},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45484510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rest Notes: On Black Sleep Aesthetics∗ 休息笔记:论黑色睡眠美学*
IF 0.3 4区 社会学
OCTOBER Pub Date : 2021-06-01 DOI: 10.1162/octo_a_00422
Josie Roland Hodson
{"title":"Rest Notes: On Black Sleep Aesthetics∗","authors":"Josie Roland Hodson","doi":"10.1162/octo_a_00422","DOIUrl":"https://doi.org/10.1162/octo_a_00422","url":null,"abstract":"Abstract Science has shown that Black people in the United States sleep more poorly than any other racial group. Relatedly, contradictory racial myths that depict Black people as simultaneously indolent and super-industrious persist in contemporary discourse. Confronting a culture that celebrates endurance over rest, this paper attends to works of art that visualize or create conditions for Black sleep, thereby resisting its biopolitical regulation and the lethal expectation of perpetual industry. This essay speculates about how visual representations of Black sleep can constitute quiet gestures that enact fugitivity and provide reparation for racial time—in part through the reclamation of interiority. Although sleep is a decidedly solitary act, this paper highlights artistic projects bound by an ethos of collectivity, arguing that the project of transforming the social and political conditions that reproduce Black sleeplessness cannot be pursued in isolation.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"7-24"},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45534443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
A Conversation with Aliza Shvarts∗ 与Aliza Shvarts的对话*
IF 0.3 4区 社会学
OCTOBER Pub Date : 2021-06-01 DOI: 10.1162/octo_a_00428
E. Apter
{"title":"A Conversation with Aliza Shvarts∗","authors":"E. Apter","doi":"10.1162/octo_a_00428","DOIUrl":"https://doi.org/10.1162/octo_a_00428","url":null,"abstract":"Abstract Aliza Shvarts first came to widespread attention when her Untitled [Senior Thesis] (2008), consisting of a yearlong performance of self-induced miscarriages, was declared a “fiction” by Yale University and censored from public exhibition. That controversial work was on view for the first time in New York as part of her 2020 exhibition Purported at Art in General. It frames the areas of inquiry she has continued to explore: how the body means and matters and how the subject consents and dissents. In this in-depth conversation, Emily Apter and Aliza Shvarts discuss the exhibition and a wide range of topics relevant to contemporary feminist practice and thought: the genealogy of citation; the uses of theory; speech action; rape kits; nonconsensual collaboration; queer kinship; and memes.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"85-110"},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42141255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Powering Down∗ 电源关闭∗
IF 0.3 4区 社会学
OCTOBER Pub Date : 2021-06-01 DOI: 10.1162/octo_a_00424
J. Crary
{"title":"Powering Down∗","authors":"J. Crary","doi":"10.1162/octo_a_00424","DOIUrl":"https://doi.org/10.1162/octo_a_00424","url":null,"abstract":"Abstract The essay is a brief set of reflections by the author on his book 24/7 five years after its publication and on its possible continuing relevance for artists. It notes the worsening of what the book identified as features of the non-stop operations of global capitalism, including intensifying environmental devastation, widening economic inequality, the deathliness of billionaire culture, and the collapse of longstanding forms of social solidarity and mutual support.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"27-29"},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46463843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信